Daniel Price - Slick

This is a work of fiction. All incidents and dialogue, and all characters with the exception of some well-known historical and public figures, are products of the author's imagination and are not to be construed as real. Where real-life historical or public figures appear, the situations, incidents, and dialogues concerning those persons are entirely fictional and are not intended to depict actual events or to change the entirely fictional nature of the work. In all other respects, any resemblance to persons living or dead is entirely coincidental.

Terms and Conditions: The purchaser of this book is subject to the condition that he/she shall in no way resell it, nor any part of it, nor make copies of it to distribute freely.

Originally published in hardcover in the United States by Villard Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., in 2004.

Cover design and illustration by Daniel Price

Text copyright 2004, 2013 by Daniel Price

http://www.danielprice.info

Slick contains a small number of e-mails, texts and instant message exchanges that have been force-formatted into a sans-serif font (Arial or Helvetica for most devices). For better contrast and a better reading experience, I suggest you set the main text to a serif font: Palatino, Baskerville, Caecilia, or the default publisher typeface.

For those of you with older e-ink devices (the coal-powered Kindles with two font options), these electronic communications will appear in a readable but not-entirely-pretty Courier font. My apologies. Slick was first published in 2004, in the carefree days before e-book considerations. Rest assured I wont be pulling these formatting shenanigans in future novels.

On the plus side, Ive made hundreds of small improvements to the narrative since the book was first released, stuff that Younger Me got away with but Older Me couldnt tolerate. The result: a slightly better novel. The story still takes place at the turn of the millennium, in that cozy little space between the Columbine shootings and 9/11. Expect many quaint references from that era.

Enjoy the book.

Daniel Price

When people ask me what I do for a living, I have a few ways to answer without lying. The quick and easy response is that Im a publicist, of sorts. Ill only add of sorts, of course, if I feel like teasing the more elaborate answer. Of sorts is just a silly passive-aggressive trick I use to encourage extended interest in me, a verbal hyperlink to click on for more information. Almost everyone clicks. Ironically, the few who dont are the ones Im more interested in talking to. It takes a certain amount of social defiance to see a conversational green light and simply park the car. Ive learned to cherish those people, especially in Los Angeles. Mostly Im left talking to duds.

Of sorts?

All right. Here we go

I work in the field of perception management, although the less colorful term is media manipulation. Were the CIA of PR, the sublime little gremlins who live just outside your senses, selling you products and concepts without you even knowing. Example: if I told you how great Palmolive was, and you knew I worked for Palmolive, youd obviously take my praise with a healthy amount of skepticism. But if I paid a friend to hand you an article citing a third-party consumer report that deemed Palmolive-brand dishwashing liquid to have the least amount of harmful ammonium sulfate, that would sneak past your filters. Never mind that the study was funded by me, or that the lazy journalist was just parroting my press release, or that ammonium sulfate is only harmful to those who squirt it repeatedly into their mouth and eyes (see: Darwinism); youd remember my little factoid the next time you pushed your cart past the cleaning products. You might even be subconsciously swayed toward Palmolive just because I mentioned it four times in the course of one paragraph. Thats called product placement. Youre soaking in it.

There are thousands of people who do what I do, but over the course of my career Ive earned a reputation for being something of a devious bastard; devious for my choice of methods and bastard for my choice of clients. Admittedly, I was never one to discriminate. Ive conspired with the gun people, schemed with the liquor people, toiled for tobacco, and moiled for Monsanto. Ive pushed polluters and promoted porn. Ive shilled for Shell and lied for Tide. Ive helped a major pharmaceutical company sell a drug that does nothing by promoting a disease that doesnt exist. And thats just the old stuff on my resume. That was before I went freelance, and got really creative.

Its usually at this point in the conversation that the duds Im talking to slowly let the air out of their smiles and desperately cling to their sense of courtesy. Most of them force an interested grunt, adding my picture to their mental file of Whats Wrong With America Today. Others gaze back in subdued horror, as if they just figured out what happened to Rosemarys Baby. Ive even gotten the dark stare of judgment from entertainment lawyers. Imagine.

In February 2001, a bright and peculiar woman asked me what my origin was. Most people would have found that question a little vague (geographic? ethnic? cosmic?), but I knew exactly what she meant. Like me, she had a longtime love for comic books. In the superhero world, the origin is the tale of the fateful circumstances that gave the hero (or villain) their extraordinary powers and set them on their never-ending path of good (or evil). It was a clever choice of words on her part, a simple way of asking how I got to be me. Amused, I simply told her I was bitten by a radioactive asshole.

She didnt think I was an asshole at all. Then again, she didnt know what I was working on at the time. In February 2001, I was hired to save the public character of a certain man by destroying the character of a certain woman. Despite my nefarious accomplishments, Id never used my talents to ruin another human being before, and I didnt want to start. So instead of getting nasty, I got clever. I came up with an ambitious alternative, a grand and epic hoax that would have saved all and destroyed none. It would have been my greatest achievement to date, had it worked.

Unfortunately, it didnt. Somewhere along the way, it took a bad turn and just kept going. Once that happened, a lot of people thought I was an asshole. At the lowest point of the operation, a dark and famous woman told me that she didnt care what had happened in my life to make me this way. There was no excuse. There was no excuse for a man like me.

The thing is, I never offered any excuses. I never justified myself through heartbreaking tales of trauma and adversity. I never even claimed to have an origin. I simply was the man I was. What I didnt tell the woman what I should have told her on that awful day was that despite the buzz, despite my foiled plans, and despite all my nefarious accomplishments, I was actually a man who meant well.

Thats all right. Even if I had told her, she wouldnt have believed me. Shes certainly entitled to her mistrust. After all, this is a cynical age we live in. This is a media-driven world. And in the media business, they teach you that every good story has two things: a victim and a villain. My story has more than one victim. I guess that makes me the villain. Of sorts.

For millions of years, the Keoki Atoll sisters had struggled with a shared inferiority complex. Its not that they werent pretty. They were gorgeous. God just put them in a bad place. In the Hawaiian chain, they were two of the farthest-outlying landmasses, separated from the main islands by more than twelve hundred miles of ocean. They werent even touched by human feet until 1827, when Captain Stanikowitch of the Russian freighter