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Sophia Nikolaidou - The Scapegoat

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Sophia Nikolaidou The Scapegoat
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From a major new Greek writer, never before translated a wide-ranging, muck-raking, beautifully written novel about the unsolved murder of an American journalist in Greece in the forties. In 1948, the body of an American journalist is found floating in the bay off Thessaloniki. A Greek journalist is tried and convicted for the murder. . but when hes released twelve years later, he claims his confession was the result of torture. Flash forward to modern day Greece, where a young, disaffected high school student is given an assignment for a school project: find the truth. Based on the real story of famed CBS reporter George Polk journalisms prestigious Polk Awards were named after him who was investigating embezzlement of U.S. aid by the right-wing Greek government, Nikolaidous novel is a sweeping saga that brings together the Greece of the post-war period with the current era, where the country finds itself facing turbulent political times once again. Told by key players in the story the dashing journalists Greek widow; the mother and sisters of the convicted man; the brutal Thessaloniki Chief of Police; a U.S. Foreign Office investigator it is the modern-day student who is most affecting of them all, as he questions truth, justice and sacrifice. . and how the past is always with us.

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Sophia Nikolaidou

The Scapegoat

My center is giving way, my right is retreating, situation excellent, I attack.

Ferdinand Foch, French field marshal

1948: PEACEFUL, WITHOUT SHAME AND SUFFERING

Every crook in Greece is in the government, the villager told the CBS correspondent.

At first this declaration sounded extreme, but the man spoke with no emotion at all, a fact that impressed the foreigner. Barefoot, filthy, dressed in rags. Scratches on his ankles, dried blood, bruises everywhere. A man who took life as it came and made the most of it or so he seemed to the American, whod been raised on eggs and bacon, had studied at expensive schools, had seen plenty of poor people in photographs. Now he wrote dispatches about them, and he did so with compassion.

He hadnt intended to interview the villager, he was on his way to meet someone else, a man of power and status, hed been told; a man with political credentials and strict party discipline; a man of action. Something suddenly compelled him to have the driver stop the car. The villager was watching from across the way. There wasnt a green leaf in sight, though in the outside world spring was bursting into bloom. Here it smelled of ash and scorched earth; days later the odor still filled their nostrils.

The correspondent scanned the bare mountains. The interpreter feared a trap. Tricky times, an unsuspecting American who never thought of trouble, who trusted life to treat him well. That trust had become a torment to the interpreter. Now, for instance, the man had decided they should stop here, on the edge of nowhere. My instincts are never wrong, he said sharply, yet with the courtesy of a man who knows hell get his way.

Not long after, the correspondents photograph was published in the newspaper. After days in the water, his corpse had turned white.

Picture 1

The local authorities knew right away what a mess they were in. An American a CBS correspondent, no less had been missing for ten days. A boatman found him in the waters of the Thermaic Gulf, fifty strokes from the White Tower. The boatman had seen dead men during the war, had buried bodies with his own hands, but hed never seen a drowned man. The corpse floated serenely. The waves a caress, the clothes untouched, no trace of blood. A film of cuttlefish eggs over the dead mans eyes. They eat the eyes first, the boatman had heard older men say at the taverna, deep into drink.

Hands and feet loosely bound with marine rope, clothes that pegged the dead man as a foreigner. Youd never find a jacket like that in Salonica, sturdy fabric, cut and sewn with the attentiveness of a tailor who knew nothing of war, with lighthearted details, wasted fabric on the pockets. And the shirt open at the neck, What a shame, such a strong young man, the boatman thought, because the water had bleached the skin an arresting white. The sea had taken no pity. They call her mother but shes a mean-hearted bitch. Youth means nothing to her.

The boatman threw a rope and towed the corpse to the port police. It seemed wrong to touch the head, so he left it in the waves and dragged the body by its bound feet. Then he grabbed it by the elbows and lifted, a few boys helping from shore. The body was as heavy as a sack of stones.

The coroner carefully examined the wound, a bullet hole at the back of the head. The hair around it was scorched but he could find no exit wound. The bullet had, it appeared, exited directly through the victims nose, It can happen, the coroner asserted with confidence, of course it can. The victim had dined on lobster and peas, he added once he had opened the body with a scalpel. Food unchewed, the man must have been in a hurry. English food, hard to come by in this city, the authorities observed, jotting notes in their little books.

An American, the Chief of Police muttered to himself. An American reporter. Just what we need.

He poured himself some ouzo. In a tin cup, no water, on a desk piled with papers.

Were in it pretty deep, he said, setting the cup down on the coroners report.

Around that time some gypsies had stolen laundry off the Gris familys line. Manolis Gris, eldest son and young head of the household, immediately reported the theft. He made a list of the stolen items, as his mother had advised: his white shirt, missing its third button, which his mother hadnt had a chance to sew back on; two double sheets of white poplin with tiny blue angels on the hem; another sheet, his favorite, cotton printed with orange flowers; three nightgowns; two slips; and six pairs of panties, pardon the word.

On Saturday, August 14, 1948, the eve of the Assumption of the Virgin, Manolis Gris, thirty-eight years of age, reporter for the newspaper The Balkans and assistant correspondent at the news agency Abroad, was waiting for the bus to Kalamaria, heading home after work. He was standing on Tsimiski at the Agia Sophia stop. Hed lit a cigarette.

A plainclothes police officer came up to him and asked him to come down to the station. The officer spoke politely, looked Gris in the eye.

Manolis asked if they had news about the theft of his laundry. The officer nodded.

It was twelve years before Manolis Gris made it home. His eyes were still chestnut brown, but his hair had turned gray.

He was fifty years old.

SCHOOL YEAR 20102011: SCHOOLS ENLIGHTEN ONLY WHEN THEY BURN

MINAS

My name is Minas and I dont want to go to university.

I DONT WANT TO GO TO UNIVERSITY.

I stuck it on the door of my room. So theyd see it and finally stop asking.

I dont want a diploma in a frame.

I dont want memories from lecture halls.

I dont want former classmates.

And I dont have to prove anything to anyone.

All the kids at my school have lost it. They pretend not to care, but theyve seriously lost it. Too much school rotted their brains. Theres just no way you can memorize all the nationalist uprisings in southeastern Europe in chronological order and the casualty count for each one and still have the brain of a normal person, Jesus.

They stuff their heads with useless information. They memorize the kinds of phrases that impress exam graders: in summation, moreover, nevertheless. The handouts and photocopies from their cram school classes have sample essays that all end in exactly the same way: in the critical era in which we livepure, unadulterated bullshit. They drive themselves crazy just to score a fraction of a point higher. In class the other day, Soukiouroglou, who teaches history and language arts, asked us what the phrase they impaled Athanasios Diakos from our textbook meant. Not one of them had anything to say. Of course not, details like that wont be on the exams. Soukiouroglou let a minute of total silence to go by. Then he told us about the practice of impalement. He used Dracula as an example, mentioned Bram Stoker, then played the opening scene from Coppolas movie on the projector. All the girls in the class thought it was gross. The only one who didnt close her eyes was Evelina Dinopoulou, little miss perfect, whos in charge of the attendance book. Soukiouroglou lingered on some truly disgusting details. Hes amazing when it comes to things like that. Useless knowledge, sure, but if you ask me when Im eighty, I bet Ill still remember that class.

Soukiouroglou isnt like the rest. Hes in a category all by himself. The first-years hear about him even before school officially starts, at the benediction ceremony. Until they take his class theyre terrified of him. But once theyve had him as a teacher they love him. At school Souk doesnt hang around with the other teachers. He never chaperones field trips, doesnt show up for graduation or Carnival parties. Hes always free during break. He keeps a running tally of how many times hes caught each student unprepared. Scary, but it works. They say he was taught by the devil himself and one thing he learned was how to petrify any parent, colleague, or student in seconds flat.

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