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Grant Buday - The Delusionist

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Grant Buday The Delusionist
  • Book:
    The Delusionist
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    Anvil Press
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  • Year:
    2014
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    Vancouver
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    978-1-92738-093-2
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The Delusionist: summary, description and annotation

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Vancouver, summer 1962. Cyril Andrachuk and Connie Chow are seventeen and in love. Cyril is the only Canadian-born member of the Andrachuk family, his parents and older brother having survived Stalins systematic starving of the Ukraine. His brothers brittle bones are not the only legacy of Stalin. Cyrils famine-free childhood has built up a distance between him and the rest of the household. His familys past charges Cyrils present with bitter overtones he barely understands and Cyrils love of art is beyond his familys comprehension; Cyril is destined to be a working man, not a working artist. In this house built on the edge of a cemetery, where his mother reviews the burials over her morning tea, creativity and joy are suspect. Mourning the early death of his father, Cyril finds solace in lovingly drawing his fathers metal-working tools and in his happiness with Connie. But his familys resentment sows the seeds of betrayal, and Cyril must find a way to live with his familys past in order to find his future. Art, love, and history furnish the setting in this tale. is a novel of longing, loss and rediscovered joy. Praise for Grant Buday: Budays genius is that of the storyteller. mordantly funny. a rollicking black comedy of errors with a host of unforgettable characters. (on )

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Grant Buday

THE DELUSIONIST

And the soul is up on the roof
in her night dress, straddling the ridge,
singing a song about the wildness of the sea
until the first rip of pink appears in the sky.
Then, they all will return to the sleeping body
the way a flock of birds settles back into a tree.

BILLY COLLINS
ANVIL PRESS VANCOUVER 2014 PART ONE 1962 In Which Cyril Meets His Match - photo 1ANVIL PRESS VANCOUVER 2014 PART ONE 1962 In Which Cyril Meets His Match - photo 2ANVIL PRESS VANCOUVER 2014 PART ONE 1962 In Which Cyril Meets His Match - photo 3ANVIL PRESS | VANCOUVER | 2014

PART ONE 1962

In Which Cyril Meets His Match

ONE

OVER THE PAST MONTH Cyril and Connie had started to notice each other. It began in art class when everyone had to draw each others mouth. Cyril did Connies whole face. It was a good likeness, an uncanny likeness, right down to the sardonic narrowing of her already narrow eyes, the curl at the corner of her lips, and the nostrils alert to the scent of Cyrils excitement. Cyril knew hed hit that one, like a ball square off the bat; the lines were not sketchy but bold, and even had flair. Sometimes it was like that: you lucked out, as if your hand did the work and you were just along for the ride. Not that Cyril admitted that to Connie.

No putting pins in it, she said.

Then you better be nice.

Her eyebrows rose in pleasant surprise as if discovering a worthy opponent while Cyril, breathless, went off to draw the next kids mouth, feeling the exhilarating heat of Connie Chows attention. Connie was strange. She once came to school with her teeth blacked out, another time wearing a boot and a runner, and once wearing a shiny red clowns nose. She always used one of those painted Chinese umbrellas. Some said she was from The Twilight Zone. When she walked by they whispered just loud enough to be heard, Picture if you will an alien who looks almost human She was an object of fear and disdaindisdain because she was small and skinny, fear because she was confident and unpredictable. The very elusiveness of her approval made it all that much more desirable to Cyril, who wanted it, meaning he wanted her. Somehow she managed to be terrifying and reassuring at the same time, and while she might say no thanks if he asked her out he knew she wouldnt sneer, so he decided to do it right after school.

Art was the last class of the day. Cyril lingered on the steps trying to appear casual even as his mind was fizzing like a shaken Pepsi. He debated whether to sit or stand, and if he stood what sort of pose to take, hands in or out of his pockets, and if he did put his hands in his pockets should it be his front pockets or back pockets? But if he had them in the back it might look as if he was scratching his butt. And yet if they were in the front ones it might look even worse, as if he was playing pocket pool. Maybe if he hooked his thumbs over his belt? Yes, he could hook his thumbs over his belt, cool, like Gary Cooper. Except he wasnt wearing a belt. He considered standing with his arms crossed but that would look like impatience. He groaned. All he wanted was to ask her to go see The Apartment with Jack Lemon. He rehearsed it in his mind. So. Connie. Too abrupt? Connie, hi, I was kind of wondering if maybe Too passive? Hey, Connie, Im going to see The Apartment. Interested?

In the midst of this rehearsal she appeared, book bag thumping like a dead dog at the end of a leash as she descended the steps.

He turned toward her, nearly snagging his right toe on his left heel, his words stumbling out faster than intended. Connie hey hi how you doing?

She halted on the step above him which put them eye to eye. She was tiny, about five-one, wore a tartan skirt and a jean jacket with the collar turned up. Her bangs touched her eyebrows making her hair resemble a helmet, and she was chewing a big wad of Black Cat bubble gum. Okay.

He had hoped for something more substantial, a springboard for further conversation, a delightful discovery of shared interests. Yeah?

She shrugged. She chewed with her mouth open then blew a bubble that popped over her lips and she chewed it back in as if gathering a black parachute into her mouth. How about you, Cyril? You okay?

Good. You know. Fine.

Glad to hear it. Her bemused tone reminded him that theyd seen each other only minutes ago. Kids streamed by whooping at their freedom, punching each other, or slouching off to hack a butt. Connie watched them pass with lidded eyes. Was she getting bored standing there with him? She blew another bubble, smaller this time, which popped with a snap. He could smell the faintly liquorice scent of the gum.

Wanna go see Psycho? He nearly choked. What was he doing? What had possessed him? The Apartment was safe and funny; Psycho was weird and horrific.

She stopped chewing. You do realize its restricted.

Of course he realized it was restricted. He was seventeen; you had to be twenty-one. But it was too late to turn back, so he shrugged offhandedly as if he went to restricted movies all the time. He saw her gauging that shrug, measuring it. As he awaited her answer, his pulse thumped a countdown in his skull: three two one

Sure.

Great.

And with that she hoisted her book bag, black canvas with a red drawstring, onto her shoulder and proceeded on down the steps. At the street she turned and looked at him, head tilted appraisingly, and waved as though wiping mist from a window.

All week Cyril was in a panic. He recalled paying a quarter to inhale a chest full of helium at the PNE, an experience simultaneously exhilarating and slightly sickening. Each time he and Connie met in the hallway or the cafeteria they nodded or, it seemed to him, purposely pretended not to see each other, as if they had an unspoken agreement. Was this a sign of an intuitive connection or a sign that theyshewas having second thoughts? He couldnt imagine Connie Chow nervous. Shed been in the school performance of A Midsummer Nights Dream as Helena, and while the other kids over-acted or stood like mannequins, she made you believe. Cyril had watched understanding that she was exposing herself, taking the risk of humiliation with the entire school watching, and that therein lay her strength.

Friday afternoon she appeared in the hallway, book bag slung over her shoulder as if she was a hobo hitting the road. So, meet you out front of the theatre, okay.

Cyril nodded quickly, relieved at the casualness though at the same time a little disappointed. Shouldnt they be going to the theatre together? Wasnt he supposed to knock on her door? Or were they just buddies? He hadnt been pals with a girl since he was five years old.

Saturday his anxiety mounted. His mother saw something was up.

Vut?

What, not vut.

She grew defiant. Vut.

His mothers accent was a blunt and plaintive lament, embedded with centuries of history: eras of glory and eras of defeat, cathedrals and palaces built, cathedrals and palaces burned. Cyril habitually measured his own speech against her accent, fearing that it would erupt through his own perfectly pitched English, the way his voice had occasionally betrayed him during puberty. Nothing.

They were in the kitchen watching the funeral across the alley. She turned from the dark pageant and regarded her son. She was not a big woman yet bore an aura of weight, as though gravity reserved a special force for her alone. Youre pacing.

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