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Mark Dunn - Ibid: A Life

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Mark Dunn Ibid: A Life
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Mark Dunn returns for his third novel with MacAdam/Cage with Ibid, a novel written entirely in footnotes. Being one of those rare birds who actually reads footnotes, comments Dunn, I often find myself rewarded by my time spent in the margins. Many authors give themselves wonderful license in their footnotes to let their guard down, even get a little frisky and mischievous. And so the idea for Ibid was born. Dunn pushes this propensity to the limit, and has created a full-length hilarious novel entirely upon the margins of a fictitious text. Ibid tells the fictional story of Jonathan Blashette, great American entrepreneur and humanitarian, illuminating his life, 18881962, offering, along the way, glimpses into the lives of many of those who populated his expansive world. A comedic Typhoid Mary, Jonathans life makes us both wince and laugh at those misplaced intentioned and the ideals of a century that perhaps took itself just a little too seriously. Dunn holds up a funhouse mirror at the pedestaled residents of the age and asks why so many of the more famous ones did so many stupid things and rarely got called for them.

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Mark Dunn

Ibid: A Life

For my wife Mary

who rocks my world

Thanks for all the years of love and support,

and for rescuing me from the Young Republicans

Footnotes let us hear the missteps of biases,

and hear pathos,

subtle decisions, scandal and anger.

Chuck Zerby, The Devils Details

The author may, therefore,

include in the notes such things

as lists, poems, and discursive adjuncts to the text.

The Chicago Manual of Style

I just love footnotes, dont you?

Diana Gabaldon, The Outlandish Companion, February 18, 2003

~ ~ ~

Pat Walsh

Editor

MacAdam/Cage Publishing

155 Sansome Street

San Francisco, California 94104

Dear Pat,

Greetings to you and all my other friends in the City by the Bay. I have just completed my latest book project, a biography of Jonathan Blashette, the child circus sideshow performer who later made his fortune in male deodorants before engaging in philanthropy and other high profile hobbies. Blashette, for all his accomplishments, is best remembered for having three legs.

Please find the manuscript enclosed. I am in the process of completing the books extensive endnotes and will send these along shortly. If you choose to consider the manuscript for publication, I ask only one favor: please take care not to lose it, as it is my only copy. I had a second copy, but it was accidentally shredded along with other typescripts given to my friend Ellen Zeisler. I was curious to see how her new shredding machine worked.

I look forward to hearing if another one of my offerings might find its way into the venerable MacAdam/Cage catalogue.

With all best wishes,

Mark Dunn

~ ~ ~

February 26, 2003

Mark Dunn

P.O. Box 40

Old Chelsea Station

New York NY 10011

Dear Mark,

Please brace yourself. Perhaps you should even sit down. I have some bad news.

Your manuscript has been accidentally and tragically destroyed.

Remembering that it was your only copy, I thought that I should make a xerox before leaving work yesterday evening, but I did not. I was simply too excited to get home and get into it, a decision I shall rue forever.

As you, and a precious few others know, I do all my editing in my bathtub. I find the fragrant bath-powdered waters conducive to exploring story arc, character development, correcting noun-verb disagreement, and discouraging the overuse of the passive voice. I had set your manuscript carefully upon the rounded edge of my ancient claw-foot, and went into the other room to find CDs for setting an appropriate editorial mood. (To accompany your book, I selected Vivaldis The Four Seasons, Blue Oyster Cults Agents of Fortune, and the soundtrack to Streets of Fire.)

While I was poking about in my music library and letting the tub run, my three-year-old son, Jack, who only moments earlier had been quietly contenting himself with seeing how far he could stick his finger into a ripe pear, decided to venture into the master bath in search, I like to think, of his father. Not finding me there, he turned his attention to your manuscript, and promptly deposited the loose pages into the rapidly filling tub.

I returned mere seconds later, but too late sad to say to rescue the manuscript. The agitation of the water pouring into the tub had quickly turned your paper to soggy pulp and the ink to purple broth.

I am completely at fault, something I am loath to admit (ask my wife). I trust that you will find it somewhere in your heart to forgive me. In the meantime, may I know if there is any chance you can recreate the book from notes or memory? Well happily send out one of our many hardworking interns to assist (perhaps the one who keeps leaving his lattes on my slush pile; I dont like him anyway). Failing that, may I at least see the endnotes?

Call me. I know you never use the phone, fearing electrical shock. Perhaps you could make an exception, considering the circumstances.

Your editor, stillI think,

Pat Walsh

~ ~ ~

March 3, 2003

Pat Walsh

Editor

MacAdam/Cage Publishing

155 Sansome Street

San Francisco, California 94104

Dear Pat,

I am still reeling. It is hard for me to write, let alone pick up the phone and form coherent sentences. I forgive you, I do. But this is a blow.

I do not see myself rewriting the book. The original task took two years.

Per your request, I have enclosed the completed endnotes. Knock yourself out. Im going into retirement.

Best wishes,

Mark Dunn

~ ~ ~

March 11, 2003

Clay Dunn

c/o InSouth Bank

6141 Walnut Grove Rd.

Memphis, TN 38120

Dear brother Clay,

My editor, Pat Walsh, has just made an offer to publish the endnotes that accompanied my now tragically water-pulped biography of businessman Jonathan Blashette.

By themselves.

I am quite torn over what to do. These notes, while extensive, are still, by definition, subordinate to the lost text a text which I do not wish to invest another two years of my life attempting to reconstruct. While the notes illuminate the dusty, crepuscular corners of this mans life, they tell its story only through sidebar and discursion. The book, therefore, becomes a biography by inference.

I should confess that over the last two years Ive grown fond of both Blashette and the odd cast of characters that formed the retinue of his colorful existence. I wished that I had given more attention in the text to each of his girlfriends the high-spirited childhood sweetheart Mildred; the former prostitute and Blashettes odd soulmate Great Jane; homefront heartthrob Lucile; the spitfire bohemienne Winny; and Clara, his wife and mother to his only child; as well as to Blashettes bumbling right-hand man Davison, and life mentor Andrew Bloor. Publishing these notes by themselves allows me the opportunity to examine the role that each played in the mans life, in ways that I could not in the original text. There is a certain freedom here stitching as I am upon the fringes of that life the kind of colorful piping that usually defines the whole garment.

On the other hand, can the cloth of a mans life truly be defined by its embroidery?

What do you think? What would you do? How are things with you? Hows the ol back?

Your brother,

Mark

~ ~ ~

March 14, 2003

Mark Dunn

P.O. Box 40

Old Chelsea Station

New York NY 10011

Dear twin brother Mark,

My back is better. Thank you for asking. I think you should do it. Why not?

Good luck.

Your brother,

Clay

P.S. I dont know what the word crepuscular means.

~ ~ ~

Epigraph Grover Bramblett, The Quotable Sanford and Son (New York: Ebony and Ebony Press, 1984), 215.

1 LITTLE JONNY SPARE LEG

1. Turned out that womb of his mothers wasnt barren at all. A right healthy little fellow grew inside her, grew big and strong and popped right out on March 17, 1888. Interview with Jonathans first cousin Odger Blashette.

2. Barnums Dead; At least write to Pulitzer and Hearst. Nowhere could I find documented proof that William Randolph Hearst ever accepted Addicuss invitation to come to Pettiville, Arkansas to see the amazing quintuple-limbed child, but there is ample evidence of Joseph Pulitzers visit, followed by a series of sensationalist articles in the New York World somewhat bizarrely illustrated by Richard F. Outcault, who gave Jonathan both the oversized ears and gap-toothed smile that would later characterize his Yellow Kid. Pulitzer never got to see the illustrations, however. A. Candell Moseley in his biography of the publisher,

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