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Alasdair Gray - The Ends of Our Tethers

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Alasdair Gray The Ends of Our Tethers
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The Ends of Our Tethers: summary, description and annotation

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Fans of the work of Donald Barthelme, Kurt Vonnegut, George Saunders, and T. Coraghessan Boyle will revel in Alasdair Grays masterful, witty collection. Grays stories defy genre, and his angular, playful style, prodigious wit, and razor-sharp intellect are matched by his remarkable skill with the short-story form. In Jobs Skin Game, the narrator humbly tells his life story like the evenings news. During a moment of awkward revelation, he shares the strangely exquisite pleasure he receives from scratching at the skin condition hes developed since losing his two sons in the Twin Towers tragedy and a small fortune in the dot-com meltdown. In Big Pockets with Button Flaps, a wily old man teases and taunts a pair of punk teenage girls as their confrontation takes on social implication through lightning-fast transfers of power and wit. The Ends of Our Tethers is vintage Gray accessible, experimental, mischievous, wide ranging, beautifully written, and wise.

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Alasdair Gray

The Ends of Our Tethers

FOR AGNES OWENS

One of Our Best

~ ~ ~

TABLE OF CONTENTS Big Pockets with Buttoned Flaps Swan Burial No Bluebeard - photo 1

TABLE OF CONTENTS Big Pockets with Buttoned Flaps Swan Burial No Bluebeard - photo 2

TABLE OF CONTENTS

Big Pockets with Buttoned Flaps Swan Burial No Bluebeard Pillow Talk Moral - photo 3

Big Pockets with Buttoned Flaps

Swan Burial

No Bluebeard

Pillow Talk

Moral Philosophy Exam

Jobs Skin Game

Miss Kincaids Autumn

My Ex Husband

Sinkings

Aiblins

Property

15 February 2003

Wellbeing

End Notes and Critic Fuel

About the Author

Copyright

BIG POCKETS WITH BUTTONED FLAPS A MILD SEPTEMBER MORNING A man no longer - photo 4

BIG POCKETS WITH BUTTONED FLAPS A MILD SEPTEMBER MORNING A man no longer - photo 5

BIG POCKETS WITH BUTTONED FLAPS

A MILD SEPTEMBER MORNING A man no longer young strolls thoughtfully on a - photo 6

A MILD SEPTEMBER MORNING. A man no longer young strolls thoughtfully on a narrow footpath along a former railway line. Noises tell of a nearby motorway but brambles, elders and hawthorns on each side hide all but the straight empty path ahead until he sees a small clearing among bushes on his right. Two girls sit here at the foot of an old telegraph pole. He pauses, gazing at the top of the cracked grey timber pole. It has cross-pieces with insulators like small white jam pots from which broken wires dangle. He is aware that the girls are in their teens, look surly and depressed, wear clumsy thick-soled boots and baggy military trousers from which rise pleasantly slim bodies. One says crossly, What are you staring at?

At the wires of that sad sad pole! says the man without lowering his eyes. A few years ago they carried messages from this land of ours to a world-wide commercial empire. A few years? It was yonks ago, says the girl scornfully. Without looking straight at her the man glimpses a stud piercing her lower lip and one through the wing of a nostril. He says, Yonks. Yes. I suppose telegraphs were defunct before you were born.

He continues looking up at it until the other girl stands, stretches her arms, pretends to yawn, says, Ill better away, and walks off through the bushes. Her companion still sits as she did before the stroller arrived.

A minute later he takes a folded newspaper from his coat pocket, unfolds and lays it on the grass where the departed girl was, then sits down with hands folded on the knee of a bent leg. Looking sideways at the girl (who still pretends to ignore him) he says quietly, I must ask you a difficult question about about the eff word. Does it shock or annoy you? I dont mean when used as a swear word, I detest swearing, I mean when used as a word for the thing the act lovers do together. Eh?

After allowing her a moment to reply he speaks briskly as if they had reached an agreement.

Now I fully realise that a lovely young woman like you (she sneers) dont sneer, has no wish to eff with a boring old fart like me in bushes beside a derelict railway line. But I suppose you are unemployed and need money?

Fucking right I do! she cries.

Dont swear. This is an unfair world but I am no hypocrite, I am glad I have money you need. We should therefore discuss how much I am willing to pay for what you are prepared to do. I promise that a wee chat will probably give all the stimulus I need. I have never been greatly enamoured by the down-to-earth, flat-out business of effing.

Ten pounds! says the girl, suddenly facing him at last. He nods and says, Not unreasonable.

Ten pounds now! Nothing without cash up front, she says, holding out a hand. From a wallet within his coat he gives her bank notes.

Thanks, she says, pocketing them and standing up, Cheerio.

He looks up at her wistfully. She says, Youre too weird for me as well as too old and youre right. This is an unfair world.

She goes off through the bushes. He sighs and sits there, brooding.

Then hears a rustling of leaves. The other girl has returned and stands watching him. He ignores her until she says, I didnae really go away. I was listening all the time behind that bush.

Mm.

I dont think youre weird. Not dangerous-weird. Youre just funny.

Name? he asks drearily.

Davida.

I thought the Scottish custom of making daughters names out of fathers names had died out.

It came back. Whats your name?

Im giving nothing else away today Davida. Dont expect it.

But he is looking at her. She grins cheerily back until he shrugs and pats the grass beside him. She hunkers down slightly further away, hugging her legs with both arms and asking brightly, What were you going to say to Sharon?

You too want cash from me.

Aye, some, but not as much as Sharon. Forget about money. Say what you like, I wont mind.

He stares at her, opens his mouth, swallows, shuts his eyes very tight and mutters,

Bigpocketswithbuttonedflaps.

Eh?

Big, he explains deliberately. Pockets. With. Buttoned. Flaps. At last I have said it.

They turn you on? says Davida, looking at her pockets in a puzzled way.

Yes, he says defiantly, because violence is sexy! These pockets are military pockets with room for ammunition clips and grenades and iron rations. On women they look excitingly deliciously unsuitable.

Yes, I suppose thats why theyre in fashion but theyre nothing to get excited about.

I enjoy being excited about them, he groans, covering his face with his hands.

Were you a school teacher?

Youll get nothing more out of me, Davida Why do you think I was a teacher?

Because youre bossy as well as polite. Yes, and teachers have to pretend to be better than normal folk so theyre bound to go a bit daft when they retire. What did you want with Sharons pockets that was worth ten quid?

He looks obstinately away from her.

Did you want to stick your hands in them like THIS? she giggles, putting her hands in her pockets. Did you want to fumble about in them like THIS?

No more dirty talk! orders a very tall thin youth emerging from the bushes, How dare you molest this young lady with your obscene and suggestive insinuations?

ME molest HER? Ha! cries the man and lies back flat on the grass with hands clasped behind head. He thinks it wise to look as relaxed and unchallenging as possible for he is now greatly outnumbered. Beside the tall youth is a smaller, stouter youth who looks far more menacing because his face is expressionless, his head completely bald, and beside him stands Sharon saying scornfully, Big pockets with buttoned flaps!

You should have left us alone a bit longer, grumbles Davida. He was starting to enjoy himself.

He was starting to enjoy his antisocial fetishistic propensities with a lassie young enough to be his grand-daughter! cries the tall youth fiercely.

Molesting two lassies in fifteen minutes! says Sharon. Weve witnesses to prove it. Hes got to pay us for that.

The man says, Ive paid you already.

That is not an attitude I would advocate if you want to stay in one piece, says the tall boy slowly taking from a big pocket in his trousers a knife with a long blade. The smaller, more dangerous-looking youth says, Hullo, Mr McCorquodale.

The man sits up to see him better and asks, Hows the family, Shon?

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