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Pat Barker - Noonday

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Pat Barker Noonday
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Noonday: summary, description and annotation

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In Noonday, Pat Barker the Man Booker-winning author of the definitive WWI trilogy, Regeneration turns for the first time to WWII. Afterwards, it was the horses she remembered, galloping towards them out of the orange-streaked darkness, their manes and tails on fire London, the Blitz, autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul works as an air-raid warden. Once fellow students at the Slade School of Fine Art, before the First World War destroyed the hopes of their generation, they now find themselves caught in another war, this time at home. As the bombing intensifies, the constant risk of death makes all three of them reach out for quick consolation. Old loves and obsessions re-surface until Elinor is brought face to face with an almost impossible choice. Completing the story of Elinor Brooke, Paul Tarrant and Kit Neville, begun with Life Class and continued with Tobys Room, Noonday is both a stand-alone novel and the climax of a trilogy. Writing about the Second World War for the first time, Pat Barker brings the besieged and haunted city of London into electrifying life in her most powerful novel since the Regeneration trilogy. Praise for Pat Barker: She is not only a fine chronicler of war but of human nature. Independent A brilliant stylist Barker delves unflinchingly into the enduring mysteries of human motivation. Sunday Telegraph You go to her for plain truths, a driving storyline and a clear eye, steadily facing the history of our world. The Guardian Barker is a writer of crispness and clarity and an unflinching seeker of the germ of what it means to be human. The Herald Praise for Tobys Room: Heart-rending, superb, forensically observant and stylistically sublime Independent Magnificent; I finished it eagerly, wanting to know what happened next, and as I read, I was enjoying, marvelling and learning Chimamanda Ngozi Adichie Dark, painful, yet also tender. It succeeds brilliantly New York Times The plot unfurls to a devastating conclusion. a very fine piece of work Melvyn Bragg, New Statesman

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Pat Barker

Noonday

FOR FINN, NIAMH, GABE AND JESSIE

ONE

Elinor was halfway up the drive when she sensed she was being watched. She stopped and scanned the upstairs windows wide open in the heat as if the house were gasping for breath but there was nobody looking down. Then, from the sycamore tree at the end of the garden, came a rustling of leaves. Oh, of course: Kenny. She was tempted to ignore him, but that seemed unkind, so she went across the lawn and peered up into the branches.

Kenny?

No reply. There was often no reply.

Kenny had arrived almost a year ago now, among the first batch of evacuees, and, although this area had since been reclassifiedneutral rather than safehere he remained. She felt his gaze heavy on the top of her head, like a hand, as she stood squinting up into the late-afternoon sunlight.

Kenny spent hours up there, not reading his comics, not building a tree house, not dropping conkers on peoples heads no, just watching. He had a red notebook in which he wrote down car numbers, the time people arrived, the time they leftOf course, you forgot what it was like to be his age: probably every visitor was a German spy. Oh, and he ate himself, that was the other thing. He was forever nibbling his fingernails, tearing at his cuticles, picking scabs off his knees and licking up the blood. Even pulling hair out of his head and sucking it. And, despite being a year at the village school, he hadnt made friends. But then, he was the sort of child who attracts bullying, she thought, guiltily conscious of her own failure to like him.

Kenny? Isnt it time for tea?

Then, with a great crash of leaves and branches, he dropped at her feet and stood looking up at her, scowling, for all the world like a small, sour, angry crab apple. Wheres Paul?

Im afraid he couldnt come, hes busy.

Hes always busy.

Well, yes, hes got a lot to do. Are you coming in now?

Evidently that didnt deserve a reply. He turned his back on her and ran off through the arch into the kitchen garden.

TWO

Closing the front door quietly behind her, Elinor took a moment to absorb the silence.

Facing her, directly opposite the front door, where nobody could possibly miss it, was a portrait of her brother, Toby, in uniform. It had been painted, from photographs, several years after his death and was frankly not very good. Everybody else seemed to like it, or at least tolerate it, but Elinor thought it was a complete travesty. Item: one standard-issue gallant young officer, Grim Reaper for the use of. There was nothing of Toby there at all. Nigel Featherstone was the artist: and he was very well regarded; you saw his portraits of judges, masters of colleges, politicians and generals everywhere, but shed never liked his work. Her own portrait of Toby was stronger not good, she didnt claim that but certainly better than this.

She resented not having been asked to paint this family portrait: his own sister, after all. And every visit to her sisters house began with her standing in front of it. When he was alive, Tobys presence had been the only thing that made weekends with the rest of her family bearable. Now, this portrait that blank, lifeless face was a reminder that she was going to have to face them alone.

She caught the creak of a leather armchair from the open door on her left. Oh, well, better get it over with. She went into the room and found Tim, her brother-in-law, sitting by the open window. As soon as he saw her he stood up and let his newspaper slide, sighing, to the floor.

Elinor. He pecked her proffered cheek. Too early for a whisky? Evidently it wasnt: there was a half-empty glass by his side. She opened her mouth to refuse but hed already started to pour. How was the train?

Crowded. Late.

Arent they all?

When shed first met Tim he mightve been a neutered tomcat for all the interest he aroused in her. Shed thought him a nonentity, perhaps influenced in that as in so much else by Toby, who hadnt liked Tim, or perhaps hadnt found much in him to either like or dislike. And yet Tim had gone on to be a successful man; powerful, even. Something in Whitehall, in the War Office. Which was strange, because hed never actually seen active service. It had never been clear to her what precisely Tim did, though when she expressed her bewilderment to Paul hed laughed and said: Do you really not know?

She took a sip of whisky. I saw some soldiers in the lane.

Yes, theyre building gun emplacements on the river.

Just over there?

He shrugged. Its the obvious place.

How easily theyd all come to accept it: searchlights over the church at night, blacked-out houses, the never-ending pop-pop of guns on the marshesSuch an inconsequential sound: almost like a childs toy. The whisky was starting to fizz along her veins. Perhaps it hadnt been such a bad idea after all. Wheres Rachel?

Upstairs with your mother. Whos asleep, I think.

I dont suppose Mrs. Murchisons around?

Why, do you particularly want to speak to her?

More thinking of avoiding her, actually.

He looked at his watch. She generally takes a break about now. I expect shes in her room.

But she wasnt. She was crossing the hall with a firm, flatfooted step, her shoes making minuscule squeaks on the tiles. Ah, Miss Brooke, I thought it must be you.

Always that barely perceptible emphasis on the Miss. To be fair, she had some reason to be confused. Elinor and Paul had lived together for almost six years before they finally married, very quietly, in Madrid. None of Elinors family had been invited to the wedding and shed continued to use her own name professionally and also, to some extent, socially ever since. Clearly, Mrs. Murchison suspected she was not, in any proper sense, married at all.

Will you be wanting tea?

Ill see what my sister says.

Elinor picked up her case and carried it upstairs to the spare room. This should have been Mrs. Murchisons job, but really the less she had to do with that woman the better. Queuing in the post office once, shed heard Mrs. Murchison whisper to the woman beside her: Shes a Miss, you know. Elinor knew exactly what she meant. Miss-take. Missed out. Even, perhaps, miss-carriage? No, she was being paranoid: Mrs. Murchison couldnt possibly have known about that. Of course thered always be people like her, people who regarded childless women as hardly women at all. FibroidsMr. OBrien had announced a few years ago when Elinors periods had gone haywireare the tears of a disappointed womb. Obnoxious little Irish leprechaun, twinkling at her over his steepled fingertips. Shed just gaped at him and then, unable to control herself, burst out laughing.

In the spare room she dumped her suitcase on the bed; shed unpack later. Quickly, she splashed her face and hands, examined herself in the glass, noting pallor, noting tiredness, but not minding too much, not today at any rate. Through the open window she heard Mrs. Murchison calling Kenny in to get washed in time for dinner.

Kenny had a lot to do with Elinors dislike of Mrs. Murchison. Given the task of dealing with his nits, shed simply shaved his head, without apparently finding it necessary to consult anybody else first. Elinor had gone into the kitchen the morning after he arrived and found him standing there, orange hair lying in coils around his feet. Thin, hollow-eyed, the strange, white, subtle egg shape of his head hed looked like a child in the ruins of Guernica or Wielun. Shed completely lost her temper; she was angrier than shed been for years. Rachel came running, then Mother, who was still, only a year ago, well enough to come downstairs. Elinor. Mother laid a cool hand on her arm. This isnt your house. And that isnt your child. Which was, undeniably, true. Not her house, not her child, not her responsibility.

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