Margaret Stutley - The Illustrated Dictionary of Hindu Iconography

Agrawala, Vasudeva S., Sparks from the Vedic Fire , Varanasi, 1962.

Allchin, B. and R., The Birth of Indian Civilization, India and Pakistan before 500 B.C. , Harmondsworth, 1968.

Anand, M. R., The Hindu View of Art , London, 1957.

Anand, M. R. and S. Kramrish, Homage to Khajuraho , Marg Monograph, Bombay, 1960.

Archer, W. G., Vertical Man: A Study in Primitive Indian Sculpture , London, 1947.

Auboyer, J., Le Irne et son symbolisme dans lInde ancienne , Paris, 1949.

Auboyer, J., Moudr et hasta ou le langage par signes, Oriental Art , III, pp. 153ff., 1951.

Auboyer, J., Daily Life in Ancient India from 200 B.C. to 700 A.D. , tr. S. M. Taylor, London, 1965.

Auboyer, J., Les Arts de lInde , Paris, 1968.

Auboyer, J., Kajurho in Encyclopaedia Universalis , Paris, 1971.

Auboyer, J., and de Mailman, M. T., tal la Froide, Artibus Asiae , XIII, 1950.

Autran, Charles, Lpope Indoue , Paris, 1946.

Avalon, Arthur, v. Woodroffe, S. J.

Bachhofer, L., Early Indian Sculpture , New York, 1929.

Banerjea, J. N., (ed. and tr.), Pratimlakaam , Calcutta, 1932.

Banerjea, J. N., Some Folk Goddesses of Ancient and Mediaeval India, IHQ , XIV, 1938.

Banerjea, J. N., Lakula, the Founder or Systematiser of the Pupata Order, in Proceedings of the Jaipur Session of the Indian Historical Congress , 1951.

Banerjea, J. N., The Development of Hindu Iconography , 2nd edn., Calcutta, 1956.

Banerjea, J. N., Paurnic and Tantric Religion , Calcutta, 1966.

Barua, B. K., Klik Pura on Iconographic Representations of some kta Goddesses and their Worship in Medieval Assam, in Professor P. K. Godes Commemoration volume, Poona, 1960.

Basham, A. L., The Wonder that was India , London, 1954.

Benz, E., Indische Einflsse auf die frhchristliche Theologie , Wiesbaden.

Bhandarkar, R. G., Vaiavism, aivism and Minor Religious Systems , Strasburg, 1913; repr. 1965.

Bharati, Agehananda, The Tantric Tradition , London, 1965.

Bhattacharji, S., The Indian Theogony , Cambridge, 1970.

Bhattacharya, Brindavan C., Indian Images , pt I, The Brahmanic Iconography, Calcutta, 1921.

Bhattacharyya, Benoytosh, The Indian Buddhist Iconography , Oxford, 1924.

Bhattacharyya, D. C., Iconology of Composite Images , New Delhi, 1980.

Bhattacharyya, T., The Canons of Indian Art , 2nd edn., Calcutta, 1963.

Bhattasali, N. K., Iconography of Buddhist and Brahmanical Sculptures in the Dacca Museum , Dacca, 1929.

Bhishgratna, K. K. L., (tr. and ed.), The Suhruta Samhit , 3 vols, 2nd edn., Varanasi, 1963.

Blair, Chauncey J., Heat in the Rig Veda and Atharva Veda , American Oriental Series, vol. 45, New Haven, 1961.

Boner, Alice, Principles of Composition in Hindu Sculpture , Leiden, 1962.

Bosch, F. D. K., The god with the Horses Head, in Selected Studies in Indonesian Archaeology.

Bosch, F. D. K., The Golden Germ: An Introduction to Indian Symbolism , The Hague, 1960.

Bose, N. K., Canons of Orissan Architecture , Calcutta, 1933.

Bose, P. N., Principles of Indian ilpastra , Punjab Oriental Series XI, Lahore, 1926.

Bose, P. N., Pratim-Mna-Lakaam , Punjab Oriental Series, XVIII, Lahore, 1929.

Bowes, Pratima, The Hindu Religious Tradition , London, 1977.

Brough, J., The Early Brahmanical System of Gotra and Pravara , Cambridge, 1953.

Brown, C. Mackenzie, God as Mother Feminine Theology in India , Hartford, 1974.

Brown, W. Norman, Class and Cultural Traditions in India in Traditional India; Structure and Change , American Folklore Society, Special Series, X, Philadelphia, 1959.

Campbell, J., Masks of God , II, London, 1962.

Capra, F., The Tao of Physics , Wildwood House, 1975. Reprint Fontana, 1976.

Chandra, M., Stone Sculpture in the Prince of Wales Museum , Bombay, 1974.

Combaz, Gisbert, Lvolution du stpa en Asie, Mlanges chinois et bouddhiques , Brussels, 4 vols, 19326.

Coomaraswamy, A. K., The Aims of Indian Art , Broad Campden, 1908.

Coomaraswamy, A. K., History of Indian and Indonesian Art , London, 1927, repr. New York, 1965.

Coomaraswamy, A. K., The Indian Craftsman , London, 1909.

Coomaraswamy, A. K., The Mirror of Gesture , Harvard, 1917, 2nd edn., New Delhi, 1970.

Coomaraswamy, A. K., Citra-lakaa ( ilparatna , ch. 64), in Sir Ashutosh Mukerjee Memorial vol., Patna, 1926ff.

Coomaraswamy, A. K., The Old Indian V, JAOS , vol. 51, 1928.

Coomaraswamy, A. K., Yakas, 2 vols, Washington, 1928, repr, 1931, 1971.

Coomaraswamy, A. K., Viudharmottara (III), JAOS , 52, 1932.

Coomaraswamy, A. K., The Transference of Nature in Indian Art , Harvard, 1934; repr. New York, 1956.

Coomaraswamy, A. K., Artibus Asiae (19289), pp. 122f.

Crooke, William, Things Indian , London, 1906.

Daniiou, Alain, Yoga: The Method of Re-Integration , London, 1949.

Danilou, Alain, Lrotisme divinis , Paris, 1962.

Danilou, Alain, Hindu Polytheism , London, 1963.

de Mallmann, M. T., Les Enseignements iconographiques de lAgni Pura , Paris, 1963.

Dhaky, M. A., The Nandi Images of Tamilnadu and Kannadanadu, Artibus Asiae , Ascona, vol. XXXIV.

Dhavalikar, M. K., Masterpieces of Indian Terracottas , Bombay, 1977.

Diehl, C. G, Instrument and Purpose: Studies on Rites and Rituals in South India , Lund, 1956.

Dowson, John, A Classical Dictionary of Hindu Mythology , London, 1928, repr. 1979.

Edgerton, F., The Beginnings of Indian Philosophy , London, 1965.

Eggeling, Julius, The atapatha Brhmaa , 5 vols. Sacred Books of the East Series. Reprint 1966. Varanasi.

Eliade, Mircea, The Myth of the Eternal Return (tr. W. R. Trask), New York, 1954.

Eliade, Mircea, Patterns in Comparative Religion (tr. Rosemary Sheed), London, 1958.

Eliade, Mircea, Yoga: Immortality and Freedom (tr. W. R. Trask), London, 1964.

Eliade, Mircea, Shamanism: Archaic Techniques of Ecstasy (tr. W. R. Trask), London, 1964.

Eliade, Mircea, From Primitives to Zen , London, 1967.

Eliade, Mircea, A History of Religious Ideas , I, London, 1979.

Elwin, Verrier, Tribal Art of Middle India , Oxford, 1951.

Fabri, C. F., Mesopotamian and Early Indian Art: Comparisons, in tudes dorientalisme , published by the Muse Guimet in memory of Raymonde Linossier, vol. I, Paris, 1932.

Farnell, L. R., The Cults of the Greek States , 5 vols, Oxford, 18961909.

Filliozat, J., Les images dun jeu de iva a Khajuraho, Artibus Asiae , Ascona, vol. XXIV.

Gangoly, O. C., Maithuna, Rpam , 1925.

Ghosh, Manomohan (tr.) The Nyastra , Royal Asiatic Society, Bengal, 1952.

Gnoli, R, The Aesthetic Experience according to Abhinavagupta , Istituto per il Medio ed Estremo Oriente, Rome, 1956.

Goetz, Hermann, India: Five Thousand Years of Indian Art , London, 1969.

Gonda, J., Change and Continuity in Indian Religion , The Hague, 1965.

Gonda, J., Loka: World and Heaven in the Veda , Amsterdam, 1966.

Gonda, J., Aspects of Early Viuism , Utrecht, 1954; 2nd edn Delhi, 1969.

Gonda, J., Viuism and ivaism: A Comparison , London, 1970.

Gonda, J., Some Observations on the Relations between Gods and Powers Hawthorne, NY, 1957.

Griffith, R. T. H. (tr.), The Hymns of the Rgveda , 2 vols, Varanasi, 1963.

Gulik, R. H. van, Hayagrva: The Mantraynic Aspect of Horse-Cult in China and Japan , Leiden, 1935.

Gupta, S. B., The Roots of Indian Art , 1980.

Haldar, R., The Oedipus Wish in Iconography, Indian Journal of Psychology , vol. XIII, no. 1, Calcutta, 1938.

Harle, J. C., Temple Gateways in South India , Oxford, 1963.

Hartman, C. G., Aspects de la dese Kl dans son culte et dans la littrature indienne , Helsinki, 1969.

Hastings, James (ed.), Encyclopaedia of Religion and Ethics , 13 vols, Edinburgh 190821. Reprinted in 1960s.