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Susan L. Green - Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries

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Susan L. Green Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries
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Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries: summary, description and annotation

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This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a familys heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.

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Appendix 2.1

Antwerp Altarpieces With Tree of Jesse Iconography

Belgium
EnghienVirgin Mary altarpiece,
(Tree of Jesse on painted predella)
NeerharenPassion Altarpiece
(Jesse, now lost, was in lower register)
BocholtVirgin Mary altarpiece
PailheVirgin Mary altarpiece
Denmark
ViborgPassion altarpiece
France
Baume- les-MessieursPassion altarpiece
MaignelayPassion altarpiece
Paris-St Germain lAuxerroisPassion altarpiece
RennesVirgin Mary altarpiece
Germany
AldenhovenPassion altarpiece (now destroyed)
BarmenPassion altarpiece
DorstenPassion altarpiece (now destroyed)
GifhornVirgin Mary altarpiece
GstenPassion altarpiece
KempenSaint Anne altarpiece
KlevePassion altarpiece
KranenburgPassion altarpiece
LangerwehePassion Aaltarpiece
Linnich 2Passion altarpiece
MerlPassion altarpiece
MerschPassion altarpiece
MstermaifeldPassion altarpiece
MntzPassion altarpiece
SiersdorfPassion altarpiece
StraelenVirgin Mary altarpiece
SchtelnPassion altarpiece
TitzPassion altarpiece
XantenPassion altarpiece
Great Britain
Radley CollegePassion altarpiece
Carlisle CathedralPassion altarpiece
Oxburgh HallPassion altarpiece
(Jesse, now lost, was in lower register)
Norway
RingsakerVirgin Mary altarpiece
Poland
ukowoPassion altarpiece
Russia
Saint PetersburgPassion altarpiece
Sweden
BotkyrkaPassion altarpiece
NederlulePassion altarpiece
SkrkindVirgin Mary altarpiece
LoftaVirgin Mary altarpiece
ValVirgin Mary altarpiece
Vsters 2Virgin Mary altarpiece
VsterlofstaPassion altarpiece

First published 2019

by Routledge

52 Vanderbilt Avenue, New York, NY 10017

and by Routledge

2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 Taylor & Francis

The right of Susan L. Green to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data

A catalog record for this has been requested

ISBN: 978-0-8153-9377-1 (hbk)

ISBN: 978-1-351-18763-3 (ebk)


Typeset in Sabon

by Apex CoVantage, LLC

All biblical texts are taken from the Vulgate with translations from the - photo 1

All biblical texts are taken from the Vulgate, with translations from the Douay-Rheims version, and all transcriptions and translations of inscriptions and foreign texts are my own, unless otherwise stated.

Routledge Research in Art and Religion

Routledge Research in Art and Religion is a new series focusing on religion and spirituality as examined by scholars working in the fields of art history and visual studies. Proposals for monographs and edited collections on this topic are welcomed.

Tradition and Transformation in Christian Art

The Transcultural Icon

C.A. Tsakiridou

Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries

Susan L. Green

Contents
Guide

This book would not have been possible without the support of a number of people, who are too numerous to mention. I am, however, particularly indebted to several curators and conservators, who have been both generous with their time and allowed me unlimited access to a number of works, some of which were not on display. I should like to mention, especially, Vronique Bcken at the Royal Museums of Fine Arts of Belgium in Brussels, Veronique Vandekerchove () at the M van Museum Leuven, and Christiane Haeseler at the Landesamt fr Denkmalpflege in Wiesbaden. Others, who helped with specific works, are mentioned in my endnotes.

I would also like to offer my thanks to Lorne Campbell, who provided much needed direction at a crucial stage of my research. The following also gave key advice at different times, for which I am most grateful: Barbara Baert, Alixe Bovey, Joanna Cannon, Geert Claasens, John Lowden, Paula Nuttall, Jan van der Stock and Kim Woods. In addition, I am obliged to Richard Copsey O. Carm, Sverine Lepape and Elspeth de Weerth for their generosity in sharing their unpublished research with me. My most sincere gratitude must also go to Susie Nash, who has been particularly important at every stage of this project, from its conception in 2007. Without her expert knowledge and guidance, this book would never have been written.

Finally, I was given a great deal of assistance along the way by members of the clergy, archivists, librarians, friends and family. I would particularly like to thank Liz McDougall, Jeroen Bos and Fred Satow for their help with translation problems, and Sophie Foden-Pattinson for her help in organising my images. Camilla Geffen was also extremely helpful in reading and commenting on drafts of chapters. My greatest thanks, however, must go to my parents, Brenda and Tony Humpage, for their constant encouragement, and to my husband, Richard, who patiently read several drafts of this manuscript and who was always enthusiastic about yet another Tree of Jesse hunt. It is to him, and my long-suffering daughters, Emily and Georgina, that this book is dedicated.

Appendix 1

English Translation by Albert Labriola and John Smeltz of Chapter Four of the Speculum humanae salvationis Blockbook (British Library shelfmark G. 11784)

Reprinted with the permission of Duquesne University Press Pittsburgh PA USA - photo 2
Reprinted with the permission of Duquesne University Press Pittsburgh PA USA - photo 3

Reprinted with the permission of Duquesne University Press, Pittsburgh, PA, USA and James Clarke and Co, Cambridge, UK

Albrecht, Uwe ed. Corpus der Mittelalterlichen Holzskulptur und Tafelmalerie in Schleswig-Holstein, Band 1, Hansestadt Lubeck, Sankt Annen-Museum . Kiel: Ludwig, 2005.

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