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Dana Arnold - Art History: A Very Short Introduction

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Dana Arnold Art History: A Very Short Introduction
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    Art History: A Very Short Introduction
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Art History: A Very Short Introduction: summary, description and annotation

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This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, blockbuster exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art. Read more...
Abstract: This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, blockbuster exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art

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Art History: A Very Short Introduction

arguably the most intelligent introduction to the study of the history of art available today. Accessibly and persuasively written, the author lucidly outlines the variety of interpretative strategies that currently animate the discipline... a lively as well as thoughtful introduction to this field.
Professor Keith Moxey
Ann Whitney Olin Professor of Art History at Barnard College and Columbia University

an approachable and lucid overview, not of the history of art, but of the issues and debates within the discipline of art history. Arnolds strategy is to wrap ideas around concrete examples. By directing us to look at particular works of art, she teaches us to see them with an art historians eyes.
Margaret Iversen, Professor of Art History and Theory, University of Essex


VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating and accessible way in to a new subject. They are written by experts, and have been published in more than 25 languages worldwide.

The series began in 1995, and now represents a wide variety of topics in history, philosophy, religion, science, and the humanities. Over the next few years it will grow to a library of around 200 volumes a Very Short Introduction to everything from ancient Egypt and Indian philosophy to conceptual art and cosmology.


Very Short Introductions available now:

ANCIENT PHILOSOPHY Julia Annas

THE ANGLO-SAXON AGE John Blair

ANIMAL RIGHTS David DeGrazia

ARCHAEOLOGY Paul Bahn

ARCHITECTURE Andrew Ballantyne

ARISTOTLE Jonathan Barnes

ART HISTORY Dana Arnold

ART THEORY Cynthia Freeland

THE HISTORY OF ASTRONOMY Michael Hoskin

ATHEISM Julian Baggini

AUGUSTINE Henry Chadwick

BARTHES Jonathan Culler

THE BIBLE John Riches

BRITISH POLITICS Anthony Wright

BUDDHA Michael Carrithers

BUDDHISM Damien Keown

CAPITALISM James Fulcher

THE CELTS Barry Cunliffe

CHOICE THEORY Michael Allingham

CHRISTIAN ART Beth Williamson

CLASSICS Mary Beard and John Henderson

CLAUSEWITZ Michael Howard

THE COLD WAR Robert McMahon

CONTINENTAL PHILOSOPHY Simon Critchley

COSMOLOGY Peter Coles

CRYPTOGRAPHY Fred Piper and Sean Murphy

DADA AND SURREALISM David Hopkins

DARWIN Jonathan Howard

DEMOCRACY Bernard Crick

DESCARTES Tom Sorell

DRUGS Leslie Iversen

THE EARTH Martin Redfern

EGYPTIAN MYTHOLOGY Geraldine Pinch

EIGHTEENTH-CENTURY BRITAIN Paul Langford

THE ELEMENTS Philip Ball

EMOTION Dylan Evans

EMPIRE Stephen Howe

ENGELS Terrell Carver

ETHICS Simon Blackburn

THE EUROPEAN UNION John Pinder

EVOLUTION Brian and Deborah Charlesworth

FASCISM Kevin Passmore

THE FRENCH REVOLUTION William Doyle

FREUD Anthony Storr

GALILEO Stillman Drake

GANDHI Bhikhu Parekh

GLOBALIZATION Manfred Steger

HEGEL Peter Singer

HEIDEGGER Michael Inwood

HINDUISM Kim Knott

HISTORY John H. Arnold

HOBBES Richard Tuck

HUME A. J. Ayer

IDEOLOGY Michael Freeden

INDIAN PHILOSOPHY Sue Hamilton

INTELLIGENCE Ian J. Deary

ISLAM Malise Ruthven

JUDAISM Norman Solomon

JUNG Anthony Stevens

KANT Roger Scruton

KIERKEGAARD Patrick Gardiner

THE KORAN Michael Cook

LINGUISTICS Peter Matthews

LITERARY THEORY Jonathan Culler

LOCKE John Dunn

LOGIC Graham Priest

MACHIAVELLI Quentin Skinner

MARX Peter Singer

MATHEMATICS Timothy Gowers

MEDIEVAL BRITAIN John Gillingham and Ralph A. Griffiths

MODERN IRELAND Senia Paseta

MOLECULES Philip Ball

MUSIC Nicholas Cook

NIETZSCHE Michael Tanner

NINETEENTH-CENTURY BRITAIN Christopher Harvie and H. C. G. Matthew

NORTHERN IRELAND Marc Mulholland

PAUL E. P. Sanders

PHILOSOPHY Edward Craig

PHILOSOPHY OF SCIENCE Samir Okasha

PLATO Julia Annas

POLITICS Kenneth Minogue

POSTCOLONIALISM Robert Young

POSTMODERNISM Christopher Butler

POSTSTRUCTURALISM Catherine Belsey

PREHISTORY Chris Gosden

PRESOCRATIC PHILOSOPHY Catherine Osborne

PSYCHOLOGY Gillian Butler and Freda McManus

QUANTUM THEORY John Polkinghorne

ROMAN BRITAIN Peter Salway

ROUSSEAU Robert Wokler

RUSSELL A. C. Grayling

RUSSIAN LITERATURE Catriona Kelly

THE RUSSIAN REVOLUTION S. A. Smith

SCHIZOPHRENIA Chris Frith and Eve Johnstone

SCHOPENHAUER Christopher Janaway

SHAKESPEARE Germaine Greer

SOCIAL AND CULTURAL ANTHROPOLOGY John Monaghan and Peter Just

SOCIOLOGY Steve Bruce

SOCRATES C. C. W. Taylor

SPINOZA Roger Scruton

STUART BRITAIN John Morrill

TERRORISM Charles Townshend

THEOLOGY David F. Ford

Available soon:

THE TUDORS John Guy

TWENTIETH-CENTURY BRITAIN Kenneth O. Morgan

WITTGENSTEIN A. C. Grayling

WORLD MUSIC Philip Bohlman

AFRICAN HISTORY John Parker and Richard Rathbone

ANCIENT EGYPT Ian Shaw

THE BRAIN Michael OShea

BUDDHIST ETHICS Damien Keown

CHAOS Leonard Smith

CHRISTIANITY Linda Woodhead

CITIZENSHIP Richard Bellamy

CLASSICAL ARCHITECTURE Robert Tavernor

CLONING Arlene Judith Klotzko

CONTEMPORARY ART Julian Stallabrass

THE CRUSADES Christopher Tyerman

DERRIDA Simon Glendinning

DESIGN John Heskett

DINOSAURS David Norman

DREAMING J. Allan Hobson

ECONOMICS Partha Dasgupta

THE END OF THE WORLD Bill McGuire

EXISTENTIALISM Thomas Flynn

THE FIRST WORLD WAR Michael Howard

FREE WILL Thomas Pink

FUNDAMENTALISM Malise Ruthven

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