WILEY-BLACKWELL COMPANIONS TO ART HISTORY
These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English-speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state-of-the-art synthesis of art history.
1 A Companion to Contemporary Art since 1945
edited by Amelia Jones
2 A Companion to Medieval Art
edited by Conrad Rudolph
3 A Companion to Asian Art and Architecture
edited by Rebecca M. Brown and Deborah S. Hutton
4 A Companion to Renaissance and Baroque Art
edited by Babette Bohn and James M. Saslow
5 A Companion to British Art: 1600 to the Present
edited by Dana Arnold and David Peters Corbett
Forthcoming
1 A Companion to Modern African Art
edited by Monica Visona and Gitti Salami
2 A Companion to Chinese Art
edited by Martin Powers and Katherine Tsiang
3 A Companion to American Art
edited by John Davis, Jennifer Greenhill and Jason LaFountain
This edition first published 2013
2013 Blackwell Publishing Ltd
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Library of Congress Cataloging-in-Publication Data
A companion to British art : 1600 to the present / edited by Dana Arnold and David Peters Corbett.
pages cm. (Blackwell companions to art history)
Includes bibliographical references and index.
ISBN 978-1-4051-3629-7 (hardback : alk. paper) 1. Art, British. I. Arnold, Dana, editor
of compilation. II. Peters Corbett, David, 1956 editor of compilation.
N6764.C68 2013
709.41dc23
2012033131
A catalogue record for this book is available from the British Library.
Cover image: Graham Sutherland, Entrance to a Lane. Tate, London, 2010.
Cover design by Richard Boxall Design Associates
List of Illustrations
William Hogarth, The Painter and his Pug, 1745. Oil on canvas; support: 900 699 mm frame: 1080 875 78 mm painting. |
Yinka Shonibare, MBE, Mr. and Mrs. Andrews without their Heads, 1998. Wax-print cotton costumes on mannequins, dog mannequin, painted metal bench, rifle 165 635 254 cm with plinth. |
Richard Payne Knight: Downton Castle, Herefordshire; print from Heatons of Tisbury. |
The De La Warr Pavilion, Bexhill-on-Sea, by Erich Mendelssohn. |
Gwen John, The Student. |
Roger Fry, Self-portrait, oil on canvas, 1928. |
The saloon, or Heaven Room, at Burghley, Lincolnshire, with painting by Antonio Verrio, c.1696 (north and west walls).80 |
The saloon, or Heaven Room, at Burghley, Lincolnshire, with painting by Antonio Verrio, c.1696 (north and east walls). |
Antonio Verrio, An Assembly of the Gods, sketch for the saloon ceiling at Burghley, c.1694. Oil on canvas, 90 118 cm. |
Paolo de Matteis, The Judgment of Hercules, 1712. Oil on canvas, 198 257 cm. |
George Scharf: Exhibition at the Royal Academy, London, watercolor, 1828, depicting the Great Room at Somerset House during the exhibition of 1828 where portraits by the President, Sir Thomas Lawrence, are exhibited and Benjamin Vulliamys Great Lamp hangs in the center. |
E. J. Brewtnall: A Party of Working Men at the National Gallery, London, engraving, 1870. |
G. F. Watts, Physical Energy, c.18831906. |
Charles Shannon: The Bath of Venus, oil on canvas, 1460 978 mm, 18981904. |
Charles Ricketts: Don Juan , oil on canvas, 1162 959 mm, c.1911. |
Augustus John: The Way Down to the Sea, 19091911, private collection. |
Derek Boshier: The Identi-Kit Man, oil on canvas, 1830 1832 mm, 1962. |
Anthony Caro: Twenty Four Hours, painted steel, 1384 2235 838 mm, 1960, Tate, London. |
Barry Flanagan: sand muslin, mixed media, 181 302 302 mm, 1966. |
Benjamin West: The Death of General Wolfe, oil on canvas, 1510 2135 mm, 1770. |
William Bromley after John Opie, Lady Elizabeth Gray Entreating Edward IV to Protect her Children, etching and engraving, 316 223 mm, 1800. |
Paul Nash: Image of Alfred the Great Monument, black and white negative, 69 113 mm, c.1935. |
Eileen Agar: Quadriga, 521 610 mm, 1935. |
Eduardo Paolozzi: St Sebastian, No. 2, bronze, 2203 711 508 mm, 1957. |
Susan Hiller: Witness, audio-sculpture, 400 speakers, wiring, steel structure, 10 CD players, switching equipment, lights; suspended from ceiling and walls; approx. dimensions 700 900 cm, 2000. Installation shot of the work at Artangel at the Chapel, Golbourne Road, London. |
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