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Dana Arnold - A Companion to British Art

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A Companion to British Art: summary, description and annotation

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This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history.

  • A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art
  • Combines original research with a survey of existing scholarship and the state of the field
  • Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500
  • Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study
  • Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British arts relationship to Modernity,...

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WILEY-BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes - photo 1

WILEY-BLACKWELL COMPANIONS TO ART HISTORY

These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English-speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state-of-the-art synthesis of art history.

1 A Companion to Contemporary Art since 1945
edited by Amelia Jones
2 A Companion to Medieval Art
edited by Conrad Rudolph
3 A Companion to Asian Art and Architecture
edited by Rebecca M. Brown and Deborah S. Hutton
4 A Companion to Renaissance and Baroque Art
edited by Babette Bohn and James M. Saslow
5 A Companion to British Art: 1600 to the Present
edited by Dana Arnold and David Peters Corbett
Forthcoming
1 A Companion to Modern African Art
edited by Monica Visona and Gitti Salami
2 A Companion to Chinese Art
edited by Martin Powers and Katherine Tsiang
3 A Companion to American Art
edited by John Davis, Jennifer Greenhill and Jason LaFountain

This edition first published 2013 2013 Blackwell Publishing Ltd Blackwell - photo 2

This edition first published 2013
2013 Blackwell Publishing Ltd

Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwells publishing program has been merged with Wileys global Scientific, Technical, and Medical business to form Wiley-Blackwell.

Registered Office
John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

Editorial Offices
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell .

The right of Dana Arnold and David Peters Corbett to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

A companion to British art : 1600 to the present / edited by Dana Arnold and David Peters Corbett.
pages cm. (Blackwell companions to art history)
Includes bibliographical references and index.

ISBN 978-1-4051-3629-7 (hardback : alk. paper) 1. Art, British. I. Arnold, Dana, editor
of compilation. II. Peters Corbett, David, 1956 editor of compilation.
N6764.C68 2013
709.41dc23

2012033131

A catalogue record for this book is available from the British Library.

Cover image: Graham Sutherland, Entrance to a Lane. Tate, London, 2010.
Cover design by Richard Boxall Design Associates

List of Illustrations

William Hogarth, The Painter and his Pug, 1745. Oil on canvas; support: 900 699 mm frame: 1080 875 78 mm painting.

Yinka Shonibare, MBE, Mr. and Mrs. Andrews without their Heads, 1998. Wax-print cotton costumes on mannequins, dog mannequin, painted metal bench, rifle 165 635 254 cm with plinth.

Richard Payne Knight: Downton Castle, Herefordshire; print from Heatons of Tisbury.

The De La Warr Pavilion, Bexhill-on-Sea, by Erich Mendelssohn.

Gwen John, The Student.

Roger Fry, Self-portrait, oil on canvas, 1928.

The saloon, or Heaven Room, at Burghley, Lincolnshire, with painting by Antonio Verrio, c.1696 (north and west walls).80

The saloon, or Heaven Room, at Burghley, Lincolnshire, with painting by Antonio Verrio, c.1696 (north and east walls).

Antonio Verrio, An Assembly of the Gods, sketch for the saloon ceiling at Burghley, c.1694. Oil on canvas, 90 118 cm.

Paolo de Matteis, The Judgment of Hercules, 1712. Oil on canvas, 198 257 cm.

George Scharf: Exhibition at the Royal Academy, London, watercolor, 1828, depicting the Great Room at Somerset House during the exhibition of 1828 where portraits by the President, Sir Thomas Lawrence, are exhibited and Benjamin Vulliamys Great Lamp hangs in the center.

E. J. Brewtnall: A Party of Working Men at the National Gallery, London, engraving, 1870.

G. F. Watts, Physical Energy, c.18831906.

Charles Shannon: The Bath of Venus, oil on canvas, 1460 978 mm, 18981904.

Charles Ricketts: Don Juan , oil on canvas, 1162 959 mm, c.1911.

Augustus John: The Way Down to the Sea, 19091911, private collection.

Derek Boshier: The Identi-Kit Man, oil on canvas, 1830 1832 mm, 1962.

Anthony Caro: Twenty Four Hours, painted steel, 1384 2235 838 mm, 1960, Tate, London.

Barry Flanagan: sand muslin, mixed media, 181 302 302 mm, 1966.

Benjamin West: The Death of General Wolfe, oil on canvas, 1510 2135 mm, 1770.

William Bromley after John Opie, Lady Elizabeth Gray Entreating Edward IV to Protect her Children, etching and engraving, 316 223 mm, 1800.

Paul Nash: Image of Alfred the Great Monument, black and white negative, 69 113 mm, c.1935.

Eileen Agar: Quadriga, 521 610 mm, 1935.

Eduardo Paolozzi: St Sebastian, No. 2, bronze, 2203 711 508 mm, 1957.

Susan Hiller: Witness, audio-sculpture, 400 speakers, wiring, steel structure, 10 CD players, switching equipment, lights; suspended from ceiling and walls; approx. dimensions 700 900 cm, 2000. Installation shot of the work at Artangel at the Chapel, Golbourne Road, London.

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