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Karl Brunnhölzl - Luminous Melodies: Essential Dohas of Indian Mahamudra

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Karl Brunnhölzl Luminous Melodies: Essential Dohas of Indian Mahamudra
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DescriptionEssential poetic teachings from beloved Tibetan Buddhist masters in their first-ever English translation.Presented here for the first time in English is a collection of dohas, or songs of realization, carefully and thoughtfully selected and translated from the large compendium the Indian Texts of the Mahamudra of Definitive Meaning, which was compiled by the Seventh Karmapa and drawn primarily from the Tengyur.Beautiful, profound, and often outrageous, these verses were frequently composed spontaneously and thus have a moving sense of freedom, openness, and bliss. They range from summaries of the entire path of Mahamudra to pithy four-liners that point directly to the buddha within us. The authors include famous masters such as Saraha and Naropa, dakinis, kings, and also courtesans and cobblersshowing that realization is accessible to all of us, right here in our lives.ReviewIn this small but profound and utterly delightful volume, Karl Brunnhlzl brings to light the mahamudra songs of a wide range of Indian Buddhist mahasiddhas, most of them never before translated into a Western language. Brunnhlzls typically learned and lucid introduction ably situates the songs within their social, religious, and literary context, and compares them fruitfully with religious poetry from many corners of the world, while the translations themselves capture beautifully the wordplay, mystical wonder, and ecstatic sense of freedom expressed by their mysterious and charismatic authors. Luminous Melodies gives us a unique and inspiring view of the Indian sources of one of the worlds great contemplative traditions and ought to be in the collection of anyone who appreciates Buddhist poetry, Buddhist practice, and the places where they meet. (Roger R. Jackson, author of Mind Seeing Mind )We are indeed fortunate that Karl Brunnhlzl has extracted this collection of songs of realization from the six volumes of Indian Mahamudra texts compiled by the Seventh Karmapa, Chtra Gyatso. There is enough in these profound pith instructions to contemplate for a very long time. Brunnhlzls translations are both daring and playful. There is much here that seems to make no sense, and yet, these pith instructions have great power. Reading these songs, contemplating their meaning, and meditating within that understanding will open doors to experienceand perhaps even realizationjust as they did for practitioners in the past. (Andy Karr, author of Contemplating Reality )These beautiful songs of experience offer glimpses into the awakened minds of the Mahamudra masters of India. Karl Brunnhlzls masterful translations are a joy to read for how they express what is so often inexpressible. (His Eminence the Twelfth Zurmang Gharwang Rinpoche )This delightful volume of Mahamudra songs by male and female mahasiddhassome well known, most notoffers us a window into their world of realization. Many thanks to Karl Brunnhlzl for his excellent translations and introduction, which provide us with more sources and greater awareness of the rich Buddhist tradition of expressing the inexpressible through song. (Elizabeth Callahan, translator of Moonbeams of Mahamudra )From the AuthorKarl Brunnhlzl, MD, PhD, was originally trained as a physician. He received his systematic training in Tibetan language and Buddhist philosophy and practice at the Marpa Institute for Translators, founded by Khenpo Tsultrim Gyamtso Rinpoche, as well as the Nitartha Institute, founded by Dzogchen Ponlop Rinpoche. Since 1989 he has been a translator and interpreter from Tibetan and English. Karl Brunnhlzl is a senior teacher and translator in the Nalandabodhi community of Dzogchen Ponlop Rinpoche, as well as at the Nitartha Institute. He lives in Seattle and is the author and translator of numerous texts, including A Lullaby to Awaken the Heart: The Aspiration Prayer of Samantabhadra and Its Tibetan Commentaries.About the AuthorKarl Brunnhlzl, MD, PhD, was originally trained as a physician. He received his systematic training in Tibetan language and Buddhist philosophy and practice at the Marpa Institute for Translators, founded by Khenpo Tsultrim Gyamtso Rinpoche, as well as the Nitartha Institute, founded by Dzogchen Ponlop Rinpoche. Since 1989 he has been a translator and interpreter from Tibetan and English. Karl Brunnhlzl is a senior teacher and translator in the Nalandabodhi community of Dzogchen Ponlop Rinpoche, as well as at the Nitartha Institute. He lives in Seattle and is the author and translator of numerous texts, including A Lullaby to Awaken the Heart: The Aspiration Prayer of Samantabhadra and Its Tibetan Commentaries.

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Praise for Luminous Melodies

These beautiful songs of experience offer glimpses into the awakened minds of the Mahmudr masters of India. Karl Brunnhlzls masterful translations are a joy to read for how they express what is so often inexpressible.

His Eminence the Twelfth Zurmang Gharwang Rinpoche

We are indeed fortunate that Karl Brunnhlzl has extracted this collection of songs of realization from the six volumes of Indian Mahmudr texts compiled by the Seventh Karmapa, Chtra Gyatso. There is enough in these profound pith instructions to contemplate for a very long time.

Brunnhlzls translations are both daring and playful. There is much here that seems to make no sense, and yet, these pith instructions have great power. Reading these songs, contemplating their meaning, and meditating within that understanding will open doors to experience and perhaps even realization just as they did for practitioners in the past.

Andy Karr, author of Contemplating Reality

In this small but profound and utterly delightful volume, Karl Brunnhlzl brings to light the mahmudr songs of a wide range of Indian Buddhist mahsiddhas, most of them never before translated into a Western language. Brunnhlzls typically learned and lucid introduction ably situates the songs within their social, religious, and literary context, and compares them fruitfully with religious poetry from many corners of the world, while the translations themselves capture beautifully the wordplay, mystical wonder, and ecstatic sense of freedom expressed by their mysterious and charismatic authors. Luminous Melodies gives us a unique and inspiring view of the Indian sources of one of the worlds great contemplative traditions and ought to be in the collection of anyone who appreciates Buddhist poetry, Buddhist practice, and the places where they meet.

Roger R. Jackson, author of Mind Seeing Mind

This delightful volume of Mahmudr songs by male and female mahsiddhas some well known, most not offers us a window into their world of realization. Many thanks to Karl Brunnhlzl for his excellent translations and introduction, which provide us with more sources and greater awareness of the rich Buddhist tradition of expressing the inexpressible through song.

Elizabeth Callahan, translator of Moonbeams of Mahmudr

In loving memory of my mother Ruth Brunnhlzl a true bodhisattva at heart - photo 2

In loving memory of my mother Ruth Brunnhlzl, a true bodhisattva at heart against many odds

Publishers Acknowledgment

The publisher gratefully acknowledges the generous help of the Hershey Family Foundation in sponsoring the production of this book.

Foreword

A GREATLY RENOWNED South Indian Buddhist scholar-monk by the name of Rhulabhadra was once passing through a town. As he maneuvered through the fair, he became mesmerized by a young woman who was straightening a piece of bamboo with three segments. Noticing her exceptional powers of concentration, he asked, Young lady, what are you doing? Are you an arrow maker? Moving in closer, he saw that she had one eye closed and the other looking directly at the piece of bamboo. She was one-pointedly focused on her task, not distracted or disturbed by all the hustle and bustle of the marketplace.

Nevertheless, she answered Rhulabhadra, saying: The intention of the Buddha can only be known through signs and skillful means, not through words and concepts. In that moment, the three-kya nature of buddha-mind became apparent to him through the signs and symbols the young woman, secretly a wisdom kin, had displayed. A classical text relates the insights that arose in his mind:

Her one eye closed and the other open is the symbol of closing the eyes of consciousness and opening the eyes of wisdom; the bamboo is the symbol of the nature of mind; the three segments symbolize the three-kya nature; straightening is the direct path; cutting the bamboo from the root is cutting the root of sasra; cutting the top of the bamboo is cutting ego-clinging; making four slots [for feathers] is the four unborn

Sudden awakening took place in his heart and he fully realized mahmudr. Recognizing that a wisdom kin was in front of him, he proclaimed, You are not an arrow maker but a symbol maker! From that time onward he followed her, abandoning scholarship and adopting the tantric path. He became known as Saraha or Sarahapda, the arrow shooter, referring metaphorically to he who has shot the arrow of nonduality into the heart of duality. Saraha became the foremost mahsiddha of the tantric tradition of Buddhism.

The doh lineage in tantric Buddhism began when Saraha, also known as the Great Brahmin, started singing spontaneous songs of realization to his disciples: the king, the queen, and the people of the kingdom. Since then, the great siddhas of the mahmudr lineage have continued to express their realization and instructions to their disciples in pithy and spontaneous songs known as dohs . The most renowned of these many songs of realization is Milarepas Ocean of Songs , commonly known as the Hundred Thousand Songs . The doh tradition continues today with numerous songs from my own guru, Dechen Rangdrol, a contemporary mahsiddha.

I am genuinely excited to have this opportunity to work with Mitra Karl Brunnhlzl to translate the large compendium of texts called the Indian Texts of the Mahamudra of Definitive Meaning , compiled by the Seventh Karmapa Chtra Gyatso (14561539). Making this classic mahmudr literature available in English for the first time is a historic and noteworthy project.

This initial book, which presents the dohs of the compendium of the Indian Texts of the Mahamudra of Definitive Meaning , is indispensable for understanding the contents and origin of these teachings. In order to become familiar with the mahsiddha tradition, it is a must-have first volume.

As many readers may already be aware, Mitra Karl not only is well versed in the studies of Buddhist philosophy and the Tibetan and Sanskrit languages but also has practiced these teachings for many years under the guidance of my guru, Dechen Rangdrol. Mitra Karl has also been studying with me, and I have full confidence and trust that his translation work here will be true to the original.

I want to thank Wisdom Publications for their openness and support in bringing these treasures of the East to the West.

May this book help all to discover the treasure within our ordinary mind of neurosis.

Dzogchen Ponlop Rinpoche Nalanda West, Seattle, WA

Preface

I WOULD LIKE TO OFFER my heartfelt gratitude and appreciation to Khenchen Tsltrim Gyamtso Rinpoche and Dzogchen Ponlop Rinpoche for having introduced me to the tradition of Indian and Tibetan Buddhist songs of realization. Both of these masters also inspired me as accomplished composers of their own spontaneous poems of insight and realization, in both Tibetan and English. Furthermore, Dzogchen Ponlop Rinpoche is to be thanked for the initial idea of translating the large collection of Indian Mahmudr texts compiled by the Seventh Karmapa, from which the following songs are extracted, as well as for his ongoing support during this project in many ways. Without these two masters of both ancient and contemporary expressions of realization, this volume would never have been possible, and on a personal note, I probably would never have started to enjoy singing Buddhist songs.

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