THE TAO OF CRAFT
FU TALISMANS and CASTING SIGILS in the EASTERN ESOTERIC TRADITION
BENEBELL WEN
North Atlantic Books
Berkeley, California
Copyright 2016 by Benebell Wen. All rights reserved. No portion of this book, except for brief review, may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopying, recording, or otherwisewithout the written permission of the publisher. For information contact North Atlantic Books.
Published by
North Atlantic Books
Berkeley, California
Cover art from the Perfect Scripture of Great Profundity
Cover design by Daniel Tesser
The Tao of Craft: Fu Talismans and Casting Sigils in the Eastern Esoteric Tradition is sponsored and published by the Society for the Study of Native Arts and Sciences (dba North Atlantic Books), an educational nonprofit based in Berkeley, California, that collaborates with partners to develop cross-cultural perspectives, nurture holistic views of art, science, the humanities, and healing, and seed personal and global transformation by publishing work on the relationship of body, spirit, and nature.
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Library of Congress Cataloging-in-Publication Data
Names: Wen, Benebell, 1981- author.
Title: The Tao of craft : fu talismans and casting sigils in the Eastern esoteric tradition / Benebell Wen.
Description: Berkeley, California : North Atlantic Books, 2016.
Identifiers: LCCN 2016003936 (print) | LCCN 2016007191 (ebook) | ISBN 9781623170660 (paperback) | ISBN 9781623170677 (ebook)
Subjects: LCSH: TaoismCustoms and practices. | OccultismReligious aspectsTaoism. | BISAC: RELIGION / Taoism (see also PHILOSOPHY / Taoist). | BODY, MIND & SPIRIT / Reference.
Classification: LCC BL1923.W45 2016 (print) | LCC BL1923 (ebook) | DDC 299.5/1432dc23
LC record available at http://lccn.loc.gov/2016003936
To Mom, for nurturing my spirit;
To Dad, for nurturing my mind;
To both, for giving me this body.
Vanessa Ta, the ever gracious, tenacious, and talented editor, you are on point about everything. All my gratitude to you for your assiduous work. You have been the guiding hand that brought this book to life. It is a joy and privilege to work with you. Christopher Church, I am amazed at your surgical precision with words. I reckon you were pretty frustrated with the hot mess that my manuscript was. Thank you for your patience and diligence. Daniel Tesser, I am grateful for your artistic eye in putting together the cover and layout design. The heroes of that final hour: senior designer and creative manager Jasmine Hromjak and production coordinator Ondine Rangel, thank you, thank you. Bevin Donahue, thank you for helping me get the word out. Im having a blast working with you. Tim McKee, thank you for encouraging me to publish this book.
While publication of the book would not have transpired without the magic that only North Atlantic Books knows, it could not have been written without my parents. Mom, I am glad I inherited your curiosity for the metaphysical and religious. I am trying to acquire some of the heightened sensitivities you have, but that is still a work in progress. Dad, thank you for your translations, interpretations, explanations, your wealth of knowledge on every topic, and your weakness for perfectionism. Youve taught me how to reach higher. Cindy and Tansy, please read this. Please? Did you even touch my tarot book yet? My dear James, thank you for your unconditional love.
To my beloved Prince Marshall Rimbaud the Great, though you only ever answered to , may you rest in peace.
CONTENTS
APPENDICES
THE TAO OF CRAFT
Figure 1.1. Evolution of the character for Tao)
THIS IS NOT A BOOK ABOUT Taoism. This book is about craft, and more specifically, one practice found in esoteric Taoism: Fu () talisman crafting. While the approach espoused herein takes into account the history and cultural practice of the Fu, it presents only one practitioners interpretation of the craft, decoded in a way that will be intelligible to practitioners of Western esoteric traditions. It is a presentation that will encourage the blending of Taoist principles and practices with the Western practitioners. Such syncretism makes sense, because Taoism itself has always been eclectic, integrating and harmonizing facets from other cultures and religions. Also, this book is not intended to be all-encompassing of the craft or of esoteric Taoist thought, as I do not believe such a book is possible.
Where there are tensions, each side makes a concerted effort to distinguish itself from the other, and so differing approaches to the same art emerge, while both sides continue to work under the umbrella of esoteric Taoism.
Within old lineages, there were interruptions in historic documentation of craft,
While certain elements of Taoism is religious, craft itself is not. You have your religion and you either choose to practice or not practice a form of craft. You can be areligious and still study metaphysics and train in the ways of working with energy, perhaps from a Taoist ontological perspective, even if you do not identify as a Taoist. The secular principles of Fu talisman crafting can be applied to deepen your knowledge and experience in metaphysics.
Religion does seem to get entangled with craft, as you will see throughout this book. Historically, orthodox Taoist practitioners of craft invoked deities and summoned spirits, which are the Taoist personifications of both physical and metaphysical energy in the universe. The myths of gods were often inspired by the observation of planets and constellations, of the awe that the sun and moon struck in our ancestors, and the formidable power that natural phenomena held over them. Today, we can continue to use the same religious vocabulary of Eastern traditions, subscribe to the same beliefs as our forebears, or we can understand the secular, metaphysical idea behind the vocabulary. I opt to use the religious vocabulary of Taoism and Buddhism, but in my mind, hold steadfast to the secular, metaphysical ideas that govern craft.
No one book can assert a definitive way of crafting Fu talismans. Thus, this book will try to expound on the theoretical basis, historic texts that reference Fu talisman crafting, and commonly found cultural practices of the craft so that the practitioner might be adequately prepared to craft Fu talismans.