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Hope Jonathan - Stylistics: a Practical Coursebook

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Hope Jonathan Stylistics: a Practical Coursebook
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Using a wide range of twentieth-century literary prose Laura Wright and Jonathan Hope provide an nteractive introduction to the techniques of stylistic analysis. Divided up into five sections; the noun phrase, the verb phrase, the clause, text structure and vocabulary, the book also provides an introduction to the basics of descriptive grammar for beginning students. * Presumes no prior linguistic knowledge * Provides a comprehensive glossary of terms * Adaptable: designed to be used in a variety of classroom contexts * Introduces students to an enormous range of 20th century literature from James Joyce to Roddy Doyle A practical coursebook rather than a survey account of stylistics as a discipline, the book provides over forty opportunities for hands-on stylistic analysis. For each linguistic feature under discussion the reader is offered a definition, a text for analysis, exercises and tasks, in addition to a suggested solution. Stylistics: A Practical Coursebook is genuinely student friendly and will be an invaluable tool for all beginning undergraduates and A-level students of language and literature.;Book Cover -- Half-Title -- Title -- Copyright -- Dedication -- Contents -- Texts -- How to use this book -- Acknowledgements -- Permissions -- Abbreviations -- Chapter 1 The Noun Phrase -- 1.1 Introduction: the structure of the noun phrase -- Pronouns -- 1.2 Premodification -- Definition -- TEST-FRAME -- EXAMPLES -- Exercises -- Comment -- Solution -- TEXT 1 -- TEXT 2 -- ATTRIBUTION -- Verdict -- TEXT 1 -- TEXT 2 -- SUMMARY -- 1.3 Postmodification -- Definition -- Solution -- TEXT 3 -- TEXT 4 -- ATTRIBUTION -- Verdict -- TEXT 3 -- TEXT 4 -- 1.4 Articles -- Definition -- EXAMPLES -- Comment -- Solution -- TEXT 5 -- TEXT 6 -- ATTRIBUTION -- Verdict -- TEXT 5 -- TEXT 6 -- 1.5 Pronouns denoting the first-person singular -- Definition -- Solution -- TEXT 7 -- TEXT 8 -- TEXT 9 -- ATTRIBUTION -- Verdict -- TEXT 7 -- TEXT 8 -- TEXT 9 -- SUMMARY -- 1.6 Pronouns: the first-person plural -- Definition -- Solution -- TEXT 10 -- TEXT 11 -- TEXT 12 -- ATTRIBUTION -- Verdict -- TEXT 10 -- TEXT 11 -- TEXT 12 -- SUMMARY -- 1.7 Pronouns: the second person -- Definition -- Solution -- TEXT 13 -- TEXT 14 -- ATTRIBUTION -- Verdict -- TEXT 13 -- TEXT 14 -- 1.8 Pronouns: the second person (2) -- Definition -- EXAMPLES -- TASK -- TEXT 15 -- Solution -- ATTRIBUTION -- Verdict -- TASK -- Solution -- ATTRIBUTION -- Verdict -- Chapter 2 The Verb Phrase -- 2.1 Introduction: the structure of the verb phrase -- Finite verb phrases -- TENSE -- VOICE: ACTIVE VS. PASSIVE -- 2.2 Narrative time, story time and tense -- Definition -- Solution -- TEXT 1 -- TEXT 2 -- ATTRIBUTION -- CONCLUSION -- 2.3 Simple and compound verb phrases -- Note -- Definition -- EXAMPLES -- Comment -- Solution -- TEXT 3 -- TEXT 4 -- TEXT 5 -- ATTRIBUTION -- Verdict -- 2.4 Uses of the present tense -- Definition -- ATTRIBUTION -- Verdict -- 2.5 The passive -- Definition -- TEST-FRAME -- EXAMPLES -- Comment.

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Stylistics
Stylistics
A practical coursebook
Laura Wright
Jonathan Hope
Stylistics a Practical Coursebook - image 2

LONDON AND NEW YORK

First published 1996
by Routledge
11 New Fetter Lane, London EC4P 4EE

This edition published in the Taylor & Francis e-Library, 2005.

To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.

Simultaneously published in the USA and
Canada
by Routledge
29 West 35th Street, New York, NY 10001

1996 Laura Wright and Jonathan Hope

The authors assert the moral right to be
identified as the authors of this work.

Text design: Barker/Hilsdon

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, includingphotocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

British Library Cataloguing in Publication
Data
A catalogue record for this book is available
from the British Library
Library of Congress Cataloguing in
Publication Data
A catalogue record for this book has been
requested
ISBN 0-203-14757-X Master e-book ISBN
ISBN 0-203-21803-5 (Adobe eReader Format)
ISBN 0-415-11381-4 (Print Edition)

eISBN: 978-1-13482-372-7

In memory of J.P.Thorne (19331988)
whose teaching influence continues
in these pages

Texts

(date of first publication [date of edition used])

Bambara, Toni Cade, Sweet Town (1959) (5.4) and The Survivor (1972) (3.2) from Gorilla, My Love, The Womens Press (1984).

The Salt Eaters, The Womens Press (1980) (2.9).

Beckett, Samuel, Molloy (1955) from The Beckett Trilogy: Molloy, Mallone Dies, TheUnnamable, Picador (1979) (4.4).

Bellow, Saul, Humboldts Gift (1973, Penguin [1976]) (3.4).

Boehmer, Elleke, Screens against the Sky, Bloomsbury (1990) (3.3). Brentford Chiswickand Isleworth Times, 3 September 1993 (5.2, 5.4).

Brookner, Anita, A Friend from England (1987, Grafton Books [1988]) (1.2).

A Family Romance, Jonathan Cape (1993) (3.14).

Burn, Gordon, Alma Cogan, Seeker & Warburg (1991) (1.6, 2.5).

Carey, Peter, The Tax Inspector, Faber & Faber (1991) (4.1).

Chandler, Raymond, The Big Sleep, Hamish Hamilton (1939, Penguin [1948]) (1.8).

Farewell, My Lovely (1940, Penguin [1949]) (2.3).

The Lady in the Lake, Hamish Hamilton (1944, Penguin [1952]) (2.3).

Compton-Burnett, Ivy, A God and His Gifts (1963, Penguin [1983]) (4.3).

Conrad, Joseph, Typhoon (1903, Oxford Paperbacks [1986]) (3.13).

Deighton, Len, Billion-Dollar Brain (1966, Arrow [1991]) (2.3).

Dick, Philip K., The Man in the High Castle (1962, Penguin [1965]) (4.6).

Doyle, Roddy, The Snapper, Seeker & Warburg (1990, Minerva [1991]) (4.4).

Faulkner, William, The Sound and the Fury (1931, Penguin [1964]) (3.5).

Go Down, Moses, Random House (1942) (3.11).

Fitzgerald, F.Scott, The Great Gatsby (1926, Penguin [1950]) (1.5, 3.13).

Fitzgerald, Zelda, Our Own Movie Queen (1925) from The Collected Writings (1991, Abacus [1993]) (3.9).

Fleming, Ian, From Russia with Love (1957, Coronet [1988]) (1.3).

Green, Henry, Living (1929, Harvill [1991]) (3.9).

Pack my Bag (1940, Hogarth Press [1979]) (1.5).

Caught (1943, Harvill [1991]) (4.7).

Concluding, Hogarth Press (1948) (3.6).

Greene, Graham, Brighton Rock (1938, Penguin [1975]) (3.8).

Gibbons, Stella, Cold Comfort Farm (1932, Penguin [1938]) (1.7).

Hall, Adam, The Striker Portfolio (1969, Fontana [1975]) (2.3).

The Tango Briefing (1973, Fontana [1975]) (3.10).

Healy, Thomas, Rolling, Polygon (1992) (3.8).

Isherwood, Christopher, Mr Norris Changes Trains (1935, Meuthen [1987]) (2.8, 5.5).

James, Henry, The Ambassadors (1903, Penguin [1973]) (3.7).

Janowitz, Tama, The Slaves in New York from Slaves of New York (1986, Picador [1987]) (2.1).

Johns, Captain W.E., Biggles in Australia (1955, Armada [1970]) (5.8).

Johnson, B.S., Christie Malrys Own Double-Entry (1973, Penguin [1984]) (5.3).

Joyce, James, Ulysses (1922, Penguin [1969]) (4.5).

Kipling, Rudyard, As Easy as ABC (1912) from A Diversity of Creatures, Macmillan (1917) (2.2).

Laing, Kojo, Major Gentl and the Achimota Wars, Heinemann African Writers Series (1992) (5.7).

Lodge, David, Nice Work, Seeker & Warburg (1988) (2.2).

McInerney, Jay, Brightness Falls, Bloomsbury (1992) (3.4).

Masters, John, Bhowani Junction, Michael Joseph (1954) (1.6).

Mathews, Harry, Country Cooking from Central France: Roast Boned Rolled Stuffed Shoulder of Lamb (farce double) (1978) from Miquel Barcel: Pinturas y Esculturas1993, Galeria Soledad Lorenzo (1994) (2.6).

Maugham, Somerset, My Ladys Parlour from On a Chinese Screen (1922, Oxford University Press [1985]) (1.2).

Mo, Timothy, Sour Sweet (1982, Abacus [1983]) (3.14).

Mukherjee, Bharati, Jasmine (1989, Virago [1991]) (1.7).

Nabokov, Vladimir, Lolita (1955, Weidenfeld & Nicolson [1959]) (1.4).

Naipaul, Shiva, A Hot Country, Hamish Hamilton (1983) (2.7).

Naipaul, V.S., An Area of Darkness, Reprint Society Ltd, by arrangement with Andr Deutsch (1964) (3.10).

News of the World, 22 May 1994 (1.3).

Okara, Gabriel, The Voice (1964, Heinemann Educational [1970]) (4.6).

Orwell, George, Why I Write (1947) from Decline of the English Murder, Penguin (1965) (1.5).

Powell, Anthony, O, How the Wheel Becomes It! (1983, Mandarin [1992]) (5.2).

Rhys, Jean, Good Morning Midnight (1939, Andr Deutsch [1984]) (2.4).

Richardson, Dorothy, Pilgrimage (1915, Virago [1979]) (4.5).

Sansom, William, The Body, Hogarth Press (1949) (2.7).

Selvon, Sam, Moses Ascending, Davis-Poynter (1975) (1.8).

Sinclair, Iain, Downriver, Grafton Books (1991) (5.6).

Smith, Stevie, Novel on Yellow Paper (1936, Virago [1980]) (4.7).

Stafford, Jean, Boston Adventure (1944, Hogarth Press [1986]) (1.6,5.6).

Swift, Graham, Shuttlecock (1981, Penguin [1982]) (1.4).

Waterland (1983, Picador [1984]) (2.1).

Tutuola, Amos, The Palm-Wine Drinkard, Faber & Faber (1952) (4.6).

Wain, John, Hurry on Down, Seeker & Warburg (1953) (4.3).

Wallington, Mark, The Missing Postman (1992, Warner [1993]) (4.2).

Wells, H.G., Tono-Bungay (1909, Pan Books [1964]) (3.12).

How to use this book

Using a wide range of twentieth-century literary prose, this book is an introduction to the techniques of stylistic analysis. The book also serves as a practical introduction to basic descriptive grammar from clause to text structure. The book is divided into five chapters, which are subdivided into sections. Each chapter corresponds to a major area of grammar, while each section focuses on a particular feature of the area. Sections are self-contained, with a definition of the feature, a text for analysis in which use of the feature is significant, a solution, and a verdict.

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