• Complain

Evans - Kurikara: the sword and the serpent, the eightfold way of the Japanese sword

Here you can read online Evans - Kurikara: the sword and the serpent, the eightfold way of the Japanese sword full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. City: Berkeley;Japan, year: 2011;2010, publisher: North Atlantic Books;Blue Snake Books, genre: Religion. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Kurikara: the sword and the serpent, the eightfold way of the Japanese sword
  • Author:
  • Publisher:
    North Atlantic Books;Blue Snake Books
  • Genre:
  • Year:
    2011;2010
  • City:
    Berkeley;Japan
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Kurikara: the sword and the serpent, the eightfold way of the Japanese sword: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Kurikara: the sword and the serpent, the eightfold way of the Japanese sword" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

In MikkyoJapanese esoteric Buddhismthe dragon Kurikara symbolizes the internal energy developed through sword practice. Kurikara is a manifestation of the fierce bodhisattva Fudo Myo O, the patron of ascetics and warriors in Japan, who uses his sword to destroy delusions and sever attachments. Fudos sword represents the gaining of discriminative power and decisivenessthe ability to cut through illusion and attachment. This leads to the development of an inner energy that allows one to burn up all obstacles to spiritual freedom. Kurikara: The Sword and the Serpent sets out the eight basic principles of swordsmanship common to all Japanese sword schools, emphasizing the cultivation of power and mental focus. Accomplished martial artist John Evans provides practical examples from his experience with the sword arts as well as Mikkyo and shugendo (mountain asceticism). The first foreign student to train with Nakamura Taisaburo senseiwidely acknowledged as the master of the sword art battodoEvans clearly explains how skill such as Nakamurua senseis can be systematically developed through tanren, exercises that meld inner and outer power. Filled with fascinating anecdotes from Evanss training in Japan, Kurikara is a useful, inspiring guide to Japanese sword practice and its spiritual underpinnings. From the Trade Paperback edition.;Kihon; basics -- Kata; forms -- Tanren; forging power -- Uchikomi; striking targets -- Tameshigiri; cutting targets -- Kumitachi; sparring -- Shinshin Renma; cultivation of sensibility -- Sammitsu Yuga; three secrets integration.

Evans: author's other books


Who wrote Kurikara: the sword and the serpent, the eightfold way of the Japanese sword? Find out the surname, the name of the author of the book and a list of all author's works by series.

Kurikara: the sword and the serpent, the eightfold way of the Japanese sword — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Kurikara: the sword and the serpent, the eightfold way of the Japanese sword" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Copyright 2010 by John Evans All rights reserved No portion of this book - photo 1
Copyright 2010 by John Evans All rights reserved No portion of this book - photo 2

Copyright 2010 by John Evans. All rights reserved. No portion of this book, except for brief review, may be reproduced, stored in a retrieval system, or transmitted in any form or by any meanselectronic, mechanical, photocopying, recording, or otherwisewithout written permission of the publisher. For information contact Blue Snake Books c/o North Atlantic Books.

Published by Blue Snake Books

Blue Snake Books publications are distributed by
North Atlantic Books
P.O. Box 12327
Berkeley, California 94704

An earlier version of chapter 2 appeared in the Shudokan Martial Arts Association Journal 13, no. 4 (December 2008), and an earlier version of the introduction appeared in the Shudokan Martial Arts Association Journal 15, no. 4 (September 2010); both are reprinted here by permission.

Cover photo by Coneyl Jay
Cover and book design by Brad Greene

Kurikara: The Sword and the Serpent is sponsored by the Society for the Study of Native Arts and Sciences, a nonprofit educational corporation whose goals are to develop an educational and cross-cultural perspective linking various scientific, social, and artistic fields; to nurture a holistic view of arts, sciences, humanities, and healing; and to publish and distribute literature on the relationship of mind, body, and nature.

North Atlantic Books publications are available through most bookstores. For further information, call 800-733-3000 or visit our websites at www.northatlanticbooks.com. and www.bluesnakebooks.com.

Library of Congress Cataloging-in-Publication Data

Evans, John Maki, 1954
Kurikara: the sword and the serpent, the eightfold way of the Japanese sword
/ John Maki Evans.
p. cm.
eISBN: 978-1-58394-428-8
1. SwordplayJapan. 2. Hand-to-hand fighting, OrientalJapan. I. Title.
GV1150.E83 2010
796.86dc22

2010023102

v3.1

To my mother and father.

To my teachers Reverend Herbert Slade, Murata Fushi Sensei, Nakamura Taisaburo Sensei, and Natanaga Zhander.

To my wife, Karen.

Picture 3

PLEASE NOTE: The creators and publishers of this book are not and will not be responsible, in any way whatsoever, for any improper use made by anyone of the information contained in this book. All use of the aforementioned information must be made in accordance with what is permitted by law, and any damage liable to be caused as a result thereof will be the exclusive responsibility of the user. In addition, he or she must adhere strictly to the safety rules contained in the book, both in training and in actual implementation of the information presented herein. This book is intended for use in conjunction with ongoing lessons and personal training with an authorized expert. It is not a substitute for formal training. It is the sole responsibility of every person planning to train in the techniques described in this book to consult a licensed physician in order to obtain complete medical information on his or her personal ability and limitations. The instructions and advice printed in this book are not in any way intended as a substitute for medical, mental, or emotional counseling with a licensed physician or health-care provider.

Contents
Acknowledgments

Japanese Language

Yoko Hirose, Steven Forth, Yoshitaka Nomura, Toshimasa Okuya

Translations of Nakamura Taisaburo

Guy Power and Takako Funaya

Japanese Sword-Making

Paul Martin

Traditional Japanese Medicine

Christopher Osborne

Photography

by Motohira Shimpo

provided by John Evans

by William Edwards

by Dave Edwards

by Coneyl Jay and Richard Clark

All other photographs by Coneyl Jay

Special thanks to Coneyl Jay for arrangement and post-production of all photographs

Kurikara Logo

Taiyo Nagano at Tamassy Creative Ltd.

Foreword

Underlying all authentic internal systems is a clear sequence of steps for the forging of power. These stages are defined by rules of conduct. Without knowledge of these rules and stages, the cultivation of internal energies is not possible. In the modern world these rules of conduct are upheld in just a few traditional schools that permit entry only to serious students. Testing and initiation is required at every step since each stage requires different rules, tools, and practices.

Although the number of steps varies according to school and discipline, the basic pattern is universal. Yoga defines eight stages. In the first stage initiates are given practices that, once mastered, allow them to be at ease in all kinds of conditions without agitation. In stages two and three, training is focused on the development and adaptation of rhythm and coordination, by which natural patterns are discovered. In the fourth stage different sounds are introduced to force the energy through the centres of the inner body. The resonance of subtle sounds from within in response to this indicates that the inner powers are releasing from their previous frozen state. This response confirms that the preparatory training has been completed and also elicits the fifth stage, in which mental salutations are introduced in reverence to the higher powers.

The sixth stage involves the manipulation of the respiratory functions, by which inhalation and exhalation are increasingly lengthened and finally suspended. In the seventh stage, the repetition of mental prayers is used during the time of this suspension. It is at this stage that the inner vital power takes over and fixed rules of training end. Stage eight is the most difficult, since all that has been achieved must be offered as a sacrificial gift to the great lord of all beings. Here the student, with senses withdrawn in concentration, offers himself with physical, verbal, and mental acts and stands as a servant stands with gifts before his master. From this moment onward everything that needs to be done is carried out spontaneously, without interference from the mind, senses, or personality. This is the state of freedom.

This book thoroughly explains these same principles, rules of conduct, and stages within the art of Japanese swordsmanship. Those of rare intuition and those who have been well schooled may, through careful reading and persistent application, arrive at an understanding of their own innate spontaneous nature. Others will require the guidance of a living teacher to turn these words into skillful action.

N ATANAGA Z HANDER (S HANDOR R EMETE )

J UNE 10, 2010

Introduction
Shugyo

Picture 4shu: study, cultivate, master, complete

Picture 5gyo: occupation, profession, service, karma

Picture 6gyo: going, journey, religious austerities

Shugyo refers to a disciplined course of training. Like many Japanese words, variants have arisen that employ different characters to express nuances of meaning. When shugyo leads to mastery of a professiona clear and honorable goalit is written Picture 7

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Kurikara: the sword and the serpent, the eightfold way of the Japanese sword»

Look at similar books to Kurikara: the sword and the serpent, the eightfold way of the Japanese sword. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Kurikara: the sword and the serpent, the eightfold way of the Japanese sword»

Discussion, reviews of the book Kurikara: the sword and the serpent, the eightfold way of the Japanese sword and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.