Markarian - From the Basement: a History of Emo Music and How It Changed Society

Praise for From the Basement

Taylor Markarian has such a unique voice and a keen understanding of the musical scenes shes been documenting during her writing career. It was only a matter of time before she told a larger story via a book format. Ill be reading cover to cover.

Amy Sciarretto, Atom Splitter PR

Taylor has not only been a part of meticulously documenting the history of emo with well-researched commentary and thoughtful interviews as a journalist, but has lived and breathed it as a passionate fan.

Rabab Al-Sharif, executive editor of Loudwire

Shes a force of investigative passion. Weaving history with humor, she tracks down a genre and a generation with a tremendous amount of accessand who better to take us down into the basement of it all?

Danielle Barker, literary critic and scholar

In just a few sentences, I found myself sucked in. I was suddenly emos number one fan, and I just had to dive deeper into the genres history. Taylors passion for music immediately captivates you, and you dont want to leave until youve read everything she has to say.

Brandon Ramos, social media director of Epitaph Records

From the

Basement

From the

Basement

A History of Emo Music and How It Changed Society

Taylor Markarian

Coral Gables

All rights reserved. No reproduction, even in part, without the written permission of the publisher.

Copyright 2019 by Taylor Markarian

Published by Mango Publishing Group, a division of Mango Media Inc.

Photos by Taylor Markarian and Brian Froustet

Cover Design: Roberto Nunez

Layout Design: Jermaine Lau

Mango is an active supporter of authors rights to free speech and artistic expression in their books. The purpose of copyright is to encourage authors to produce exceptional works that enrich our culture and our open society. Uploading or distributing photos, scans or any content from this book without prior permission is theft of the authors intellectual property. Please honor the authors work as you would your own. Thank you in advance for respecting our authors rights.

For permission requests, please contact the publisher at:

Mango Publishing Group
2850 Douglas Road, 2nd Floor
Coral Gables, FL 33134 USA

For special orders, quantity sales, course adoptions and corporate sales, please email the publisher at or +1.800.509.4887.

From the Basement: A History of Emo Music and How It Changed Society

Library of Congress Cataloging
ISBN: (p) 978-1-64250-114-8 (e) 978-1-64250-115-5

Library of Congress Control Number: 2019944220

BISAC category code: SOC002010SOCIAL SCIENCE / Anthropology / Cultural & Social

Printed in the United States of America

This book is dedicated to anyone who needs it.

Foreword

By Natasha Van Duser
Music Journalist

Theres something peculiar about growing up listening to the entire My Chemical Romance discography on repeat, wearing really dark, ripped clothing, and being told that this is probably just some rebellious phase. Its even more peculiar now that Im an adult with two My Chemical Romance tattoos, a degree in punk rock history (yes, thats a thing), and a career that stemmed from loving to dissect the lyrics I devoured on the daily. My name is Natasha Van Duser. Im a music journalist and a professional makeup artistits an odd combination, I know. But most subcultures of rock came to be because they were some sort of strange amalgamation of sound and attitude. Punk was abrasive but also insecure. Grunge found a way to be completely carefree while also being obsessive and introspective. And emo was sad but also incredibly uplifting. It was this bizarre mismatching of traits that made underground rock scenes flourish. Its what made them so unique and memorable to this day. And its why there are countless retellings of rocks history from a variety of different angles, like Gillian McCain and Legs McNeils Please Kill Me , Patti Smiths Just Kids , and even Chuck Klostermans Killing Yourself to Live . Theres a humanity to rock music that reads far more authentically when seen through the eyes of someone who experienced the lifestyle themselves rather than a bone-dry historya factual regurgitation of hardcore would simply be missing the point of the movement entirely. So, when I heard that Taylor Markarian was writing her own history of emo, I knew it would not only be told from all the right perspectives, but that it would also be as genuine as the scene itself.

I met Taylor when I was eighteen years old. We were at a really shitty party in a New York University dorm, and she walked in wearing a Motionless in White hoodie. I loved that band at the time and marched right up to her, red solo cup in hand, and said I love Motionless in White! She looked me up and down with a confused countenance I have yet to see since. I was wearing flip-flops, Hollister shorts, and a purple baby doll top I got from Pac Sun; at this point, I didnt have any of the tattoos that now cover the majority of my body. So, I started naming my favorite songs off of the bands debut album Creatures in response to her hesitation. I also believe I said something uber creepy along the lines of Were going to be friends now! But alas, from that day forward, Taylor Markarian became not only one of my best friends, but also one of the best coworkers Ive ever had.

We would edit each others college papers, share bands we both loved, and go to shows (we even threw our own basement shows). Down the road we would cofound the web publication HXC Magazine and write together for Alternative Press for a number of years. Eventually, my love for art and makeup drove me away from a full-time writing career, but Taylors love of music journalism and history only got stronger. As of today, shes written for Alt Press , Substream , Loudwire , Kerrang! , Revolver , and a handful of other publications. Shes been backstage with Hawthorne Heights, had coffee with Frank Iero, been in a Senses Fail music video, and chatted about tea with Ian MacKaye. Shes interviewed a plethora of musicians, written countless record reviews, and probably gone to more shows than she could name. But, most importantly, what qualifies Taylor to write this book more than anything else is that she was never an outsider looking in. Taylor grew up at the height of emo, embraced the culture shes speaking about, and now has the connections and skills to put down a basement history of a genre that was so much more than just a phase.

Emo is a music period that is still extremely relevant today, even though MySpace and the value of a CD have basically gone extinct. From local Emo Nights to modern hip-hop to fashion week runways, emo pokes its eyeliner-adorned head all throughout contemporary pop culture. And, while this book gives you a concise history told from the mouths and minds of the people who were there and the pivotal players that turned it into the monstrous boom that it became, theres also a sense of nostalgia that you cant quite escape. Within these words, you dont just get to hear about bands playing college cafeterias or insider studio sessions dissecting some of the most memorable lyrics. Instead, you get to feel as if youre there, right then. Reading this book will take you back to being a fifteen-year-old kid going to basement shows and summer festivals, screaming along with words you may or may not have tattooed on you now. Though the height of emo has had its heyday, the legacy it left behind is still standing strong, and this book is here to make sure everyone knows it.