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Potter - The authenticity hoax: how we get lost finding ourselves

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Malaise of modernity -- A false return -- The creative self -- Conspicuous authenticity -- Perils of transparency -- Vote for me, Im authentic -- Culture is for tourists -- The end of history.

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For Stephanie Marnie and Matthew Plutt la barbarie que lennui THOPHILE - photo 1
For Stephanie Marnie and Matthew Plutt la barbarie que lennui THOPHILE - photo 2

For Stephanie, Marnie, and Matthew

Plutt la barbarie que lennui.
THOPHILE GAUTIER

Truth equals money.
50 CENT

But now being lifted into high society,
And having pickd up several odds and ends
Of free thoughts in his travels for variety,
He deemd, being in a lone isle, among friends,
That, without any danger of a riot, he
Might for long lying make himself amends;
And, singing as he sung in his warm youth,
Agree to a short armistice with truth.

Lord Byron

CONTENTS

ONE

TWO

THREE

FOUR

FIVE

SIX

SEVEN

EIGHT

INTRODUCTION

Picture 3

THE JARGON OF AUTHENTICITY

I N THE SUMMER OF 2008, A TWENTY-EIGHT-YEAR-OLD FRENCH engineer from Brittany named Florent Lemaon, his wife, Chlo, and their three-year-old son, Colin, embarked on what looked to be the trip of a lifetime. After quitting their jobs, the Lemaons set sail from France in a boat into which they had poured their life savings, a restored yacht named the Tanit. Their ultimate destination was Zanzibar, an archipelago off the coast of Tanzania, and to help them sail around the clock, the Lemaons had picked up another couple. As the Tanit and its crew left Egypt and headed down into the Indian Ocean, they spoke to a French frigate that strongly advised them to turn back from a journey that would take them into some of the most lawless, pirate-infested waters in the world.

The undaunted adventurers continued on their way, and over the weekend of April 4, 2009, they were seized by Somali pirates who were intent on taking their five hostages back to the mainland, where they would be harder to find and, hence, easier to ransom. After negotiations with the pirates broke down, French commandos launched a rescue operation during which four of the Tanit crew were rescued. Mr. Lemaon himself was killed during the ensuing gunfight, perhaps by friendly fire as he tried to duck down into the yachts cabin.

Why did they continue their voyage, despite being repeatedly warned about the dangers? On a blog the couple kept of their trip, the Lemaons wrote: The danger is there and has indeed become greater over the past months, but the ocean is vast. The pirates must not be allowed to destroy our dream. And their dream, as they told everyone who would listen, was to protect their son, Colin, from the depraved elements of the modern world, especially the sterile government and its officious bureaucracy, the shallowness of the mass media, and the meaninglessness of consumer society and its destructive environmental impact. We dont want our child to receive the sort of education that the government is concocting for us, Florent told a French newspaper. We have got rid of the television and everything that seemed superfluous to concentrate on what is essential.

The story of a disillusioned young man looking for meaning outside the iron cage of modern life was a clich even by the time Henry David Thoreau went off to Walden Pond, and Florent Lemaon is not the first person to get himself killed while searching for a leaner and less complicated mode of existence. But there is something especially pathetic and pointless about this case, even discounting Florent and Chlos outrageous decision to bring their young son on such a trip. Civilization has its drawbacks, but if there is one unambiguous good that it provides it is safety, security, and the rule of law. It is one thing to look to escape into nature, something else entirely to head deliberately into a lawless realm of high-seas piracy at a time when the papers were full of stories about ships being taken and crews being held hostage for millions of dollars in ransom. Only someone in the grip of a seriously misguided ideological quest could imagine that taking his family through the Gulf of Aden is a more essential form of existence, or a reasonable and virtuous alternative to the life of a well-paid professional in contemporary France.

Yet for all their recklessness, there is nothing remotely eccentric about what Florent and Chlo Lemaon were searching for. The object of their desire, the essential core of life, is something called authenticity, and finding the authentic has become the foremost spiritual quest of our time. It is a quest fraught with difficulty, as it takes place at the intersection of some of our cultures most controversial issues, including environmentalism and the market economy, personal identity and consumer culture, and artistic expression and the meaning of life.

One widely accepted view is that it is impossible to build an authentic personal identity out of the cheap building blocks of consumer goods, while an essential part of living authentically involves treading softly upon the earth and leaving as small a footprint as possible. When it comes to personal fulfillment, many of us subscribe to the idea that the self is an act of artistic creation, and living a meaningful, creative life is impossible within the confines of the modern world. And so many of us seek a more authentic form of life outside of modernity or in opposition to it, a quest that is in many ways as old as the Romantic turn that arose in reaction to the Enlightenment.

Yet too often for comfort, the search for the authentic is itself twisted into just another selling point or marketing strategy, and once we appreciate the full implications of this, there is a real danger that cynicism will quickly set in: everyone is working an angle, everyone is looking to make a buck. Once we start down this path, it isnt long before we reach the same conclusion as Florent and Chlo Lemaon society is corrupt, commerce is alienating, and the whole system should be abandoned, if not completely destroyed.

We can tie ourselves into knots over this, but the fact is, the relationship between the stuff we buy and who we are, and the broader relationship among consumer culture, artistic vision, and the authentic self, is fraught with bad arguments and bad faith, and the usual themes and oppositions (between genuine needs and false wants, or between the shallowness of a branded identity and the depths of the true self) are too crude to be helpful.

We need a new approach, one that takes seriously our desire for an authentic, meaningful, ecologically sensible life, but that recognizes that the market economy, along with many other aspects of the modern world, are not evils, even necessary ones, but are instead a rich and vibrant source of value that we would not want to abandon, even if it were possible.

We live in a world increasingly dominated by the fake, the prepackaged, and the artificial. Whichever way we turn we are beset by outrageous advertising, lying politicians, and fraudulent memoirists. Some of us live in cookie-cutter suburban developments, others in gentrified urban neighborhoods almost indistinguishable from theme parks. We eat barely nutritious fast food, watch scripted reality television shows, and take prepackaged vacations complete with prepackaged memories. Meanwhile, we continuously find refuge on the Internet, where we spend enormous amounts of time hanging out on Facebook messaging our friends or wandering around virtual environments like Second Life or World of Warcraft, interacting with the avatars of people weve never actually met and couldnt recognize if we did.

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