Hayao Miyazaki - Turning Point: 1997-2008

Hayao Miyazakis Original Drawings for Studio Ghibli
New Years Cards, 19972008

The Battle Between Humans and Ferocious Gods
The Goal of This Film

Poems: Princess Mononoke; The Legend of Ashitaka;
The People Who Were Lost; The Demon Spirit;
Wolf Goddess Moro; Lady Eboshi; Kodama Tree Spirits;
Yakul; The Forest of the Deer God

The Elemental Power of the Forest Also Lives Within
the Hearts of Human Beings

Those Who Live in the Natural World All Have the Same Values

You Cannot Depict the Wild Without Showing Its Brutality and Cruelty: A Dialogue with Tadao Sat

Princess Mononoke and the Attraction of Medieval Times:
A Dialogue with Yoshihiko Amino

On Japans Animation Culture

A Childs Five Minutes Can Be Equivalent to a Grown-ups Year

I Want to Fill the Space Between Myself and the Audience

Forty-four Questions on Princess Mononoke for Director Hayao Miyazaki
from International Journalists at the Berlin International Film Festival

Animation and Animism: Thoughts on the Living Forest:
A Discussion with Takeshi Umehara, Yoshihiko Amino, Seiry Ksaka; Moderator: Keiichi Makino

Recalling the Days of My Youth

Animation Directing Class, Higashi Koganei Sonjuku II School Opening:
Urging at Least One Seedling to Sprout! Theories on Directing for Aspiring Young Directors

To Energize People, Towns, and the Land:
A Dialogue with Yoshio Nakamura

What Grown-ups Can Tell Children So That They Can Live in a Happy Time

What Is Most Important for Children

Sacrifices of the Sky

The Sky That Saint-Exupry Flew Through

Traditional Japanese Aestheticism in Princess Mononoke :
An Interview by Roger Ebert

Words of Farewell

Chihiro, from a Mysterious TownThe Goal of This Film

Notes for the Spirited Away Image Album

Room to Be Free: Speaking About Spirited Away at the Press Conference Held Upon Completion of the Film

Dont Worry, Youll Be All Right: What Id Like to Convey to Children

The Heart That Accepts a Lonely Man
Tokiko Kat (singer)

Its a Tough Era, But It May Be the Most Interesting of All:
A Conversation with Tetsuya Chikushi

Once Again, a World Where People Believe Everything Is Alive:
A Dialogue with Tetsuo Yamaori

So, Where Do We Go from Here? An Interview with the Winner of the 2001 Kinema Junp Best Ten, Readers Choice for Best Japanese Film Director

This Is the Kind of Museum I Want to Make

Children Have a Future That Transcends Imagination

Nothing Makes Me Happier Than Watching Children Enjoy Themselves

We Should Each Start Doing What We Can

The Lights of Zenshen

On the Film Dark Blue World : A Dialogue with Producer Toshio Suzuki

Comments on Receiving the 75th Academy Award for Best Animated Feature Film

The Fujimi Highland Is Fascinating

On the Occasion of the Republication of Three Works by Yoshie Hotta

Two Pages Are Fine. Just Draw Them!

To Everyone at Ghibli

Ive Always Wanted to Create a Film About Which I Could Say, Im Just Glad I Was Born, so I Could Make This

The Question Is Whether You Really Find It Interesting or Not:
A Talk with Director Nick Park at the 18th Tokyo International Film Festival

An Attempt at a Short Film: Remarks on Accepting the Japan Foundation Award for 2005

Whats Important for the Spirit: Text of a Speech to Be Given on the Occasion of Receiving the Japan Foundation Award for 2005

Robert Westalls Blackhams Wimpey: Proposal for a Book with a Supplementary Guide of Random Thoughts

I Like Westall

A Man Who Lived Bravely, Confronting a Tough Reality

Proposal for an Original Animated Short Titled Mon Mon the Water Spider, for the Saturn Theater in the Ghibli Museum, Mitaka

Welcome to the Ghibli Forest Short Film Mon Mon the Water Spider

Proposal for The Day I Bought a Star

Welcome to the Ghibli Forest Short Film The Day I Bought a Star

Proposal for House Hunting

Welcome to the Ghibli Forest Short Film House Hunting

Remarks to the Staff of the Ghibli Museum at the Screening of Mon Mon the Water Spider, The Day I Bought a Star, and House Hunting

Worlds of Insects, Trees, and Humans: A Dialogue with Takeshi Yr

Feeling Responsible for the Future of Children and Not Wanting to Make Halfhearted Films

Memories of Lost Landscapes: On Genzabur Yoshinos Kimitachi wa D Ikiruka (How Will You Young People Live?)

Words of Farewell

The House of Three Bears

From the Anthill: An Introduction

Snezhnaya Koroleva (The Snow Queen):
A Film That Made Me Think Animation Was Worthy Work

On Ponyo

Memo on Music for Joe Hisaishi

Princess Mononoke, Ponyo, and As an Afterword translated by Beth Cary.