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Zoë L. Devlin (editor) - Death Embodied: Archaeological approaches to the treatment of the corpse

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In April 1485, a marble sarcophagus was found on the outskirts of Rome. It contained the remains of a young Roman woman so well-preserved that she appeared to have only just died and the sarcophagus was placed on public view, attracting great crowds. Such a find reminds us of the power of the dead body to evoke in the minds of living people, be they contemporary (survivors or mourners) or distanced from the remains by time, a range of emotions and physical responses, ranging from fascination to fear, and from curiosity to disgust.
Archaeological interpretations of burial remains can often suggest that the skeletons which we uncover, and therefore usually associate with past funerary practices, were what was actually deposited in graves, rather than articulated corpses. The choices made by past communities or individuals about how to cope with a dead body in all of its dynamic and constituent forms, and whether there was reason to treat it in a manner that singled it out (positively or negatively) as different from other human corpses, provide the stimulus for this volume. The nine papers provide a series of theoretically informed, but not constrained, case studies which focus predominantly on the corporeal body in death. The aims are to take account of the active presence of dynamic material bodies at the heart of funerary events and to explore the questions that might be asked about their treatment; to explore ways of putting fleshed bodies back into our discussions of burials and mortuary treatment, as well as interpreting the meaning of these activities in relation to the bodies of both deceased and survivors; and to combine the insights that body-centered analysis can produce to contribute to a more nuanced understanding of the role of the body, living and dead, in past cultures.
Table of Contents
Chapter 1. Introduction: embodying death in archaeology
Emma-Jayne Graham
Chapter 2: Neither fish nor fowl: burial practices between inhumation and cremation in later European Prehistory
Katharina Rebay-Salisbury
Chapter 3: Corporeal concerns: the role of the body in the transformation of Roman mortuary practices
Emma-Jayne Graham
Chapter 4: (Un)touched by decay: Anglo-Saxon encounters with dead bodies
Zo L. Devlin
Chapter 5: Funerary and post-depositional body treatments at the middle Anglo-Saxon cemetery Winnall II: norm, variety and forms of deviance
Edeltraud Aspck
Chapter 6: The burnt, the whole and the broken: funerary variability in the Linearbandkeramik
Daniela Hofmann
Chapter 7: Practices of ritual marginalization in late prehistoric Veneto: evidence from the field
Elisa Perego, Massimo Saracino, Lorenzo Zamboni, Vera Zanoni
Chapter 8: Maltese death: democratic theatre or elite democracy?
Simon Stoddart and Caroline Malone

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Published in the United Kingdom in 2015 by
OXBOW BOOKS
10 Hythe Bridge Street, Oxford OX1 2EW
and in the United States by
OXBOW BOOKS
908 Darby Road, Havertown, PA 19083
Oxbow Books and the individual contributors 2015
Paperback Edition: ISBN 978-1-78297-943-2
Digital Edition: ISBN 978-1-78297-944-9
Kindle Edition: ISBN 978-1-78297-945-6
PDF Edition: ISBN 978-1-78297-946-3
A CIP record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Death embodied : archaeological approaches to the treatment of the corpse / edited by Zo L. Devlin and
Emma-Jayne Graham.
pages cm. -- (Studies in funerary archaeology ; volume 9)
Includes bibliographical references.
ISBN 978-1-78297-943-2 (paperback) -- ISBN 978-1-78297-216-7 (digital) 1. Human remains
(Archaeology) 2. Dead--Social aspects--History--To 1500. 3. Death--Social aspects--History--To 1500. 4.
Burial--History--To 1500. 5. Funeral rites and ceremonies, Ancient. 6. Excavations (Archaeology) 7. Social
archaeology. I. Devlin, Zoe. II. Graham, Emma-Jayne.
CC79.5.H85D435 2015
930.1--dc23
2015016980
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording or by any information storage and retrieval system, without permission from the publisher in writing.
Printed in the United Kingdom by XXXXXXXXXXXXXXXX
For a complete list of Oxbow titles, please contact:
UNITED KINGDOMUNITED STATES OF AMERICA
Oxbow BooksOxbow Books
Telephone (01865) 241249Telephone (800) 791-9354
Fax (01865) 794449Fax (610) 853-9146
Email:Email:
www.oxbowbooks.comwww.casemateacademic.com/oxbow
Oxbow Books is part of the Casemate group
CONTENTS
Emma-Jayne Graham
Katharina Rebay-Salisbury
Emma-Jayne Graham
Zo L. Devlin
Edeltraud Aspck
Daniela Hofmann
Elisa Perego, Massimo Saracino, Lorenzo Zamboni, Vera Zanoni
Simon Stoddart and Caroline Malone
Chapter 1
INTRODUCTION: EMBODYING DEATH IN ARCHAEOLOGY
Emma-Jayne Graham
In April 1485, an unprecedented discovery was made on the outskirts of Rome. A marble sarcophagus, itself relatively unremarkable, was opened to reveal the well-preserved body of a young woman. Over four hundred years later, the nineteenth-century archaeologist Rodolfo Lanciani collated a series of contemporary accounts describing the discovery, amongst which were the following evocative passages:
The body seems to be covered with a glutinous substance, a mixture of myrrh and other precious ointments, which attract swarms of bees. The said body is intact. The hair is long and thick; the eyelashes, eyes, nose, and ears are spotless, as well as the nails. It appears to be the body of a woman, of good size; and her head is covered with a light cap of woven gold thread, very beautiful. The teeth are white and perfect; the flesh and the tongue retain their natural colour; but if the glutinous substance is washed off, the flesh blackens in less than an hour.
(Diary of Antonio di Vaseli, cited in Lanciani 1892, 295296)
a young girl, intact in all her members, covered from head to foot with a coating of aromatic paste, one inch thick. On the removal of this coating, which we believe to be composed of myrrh, frankincense, aloe, and other priceless drugs, a face appeared, so lovely, so pleasing, so attractive, that, although the girl had certainly been dead fifteen hundred years, she appeared to have been laid to rest that very day. The thick masses of hair, collected on the top of the head in the old style, seemed to have been combed then and there. The eyelids could be opened and shut; the ears and the nose were so well preserved that, after being bent to one side or the other, they instantly resumed their original shape. By pressing the flesh of the cheeks the colour would disappear as in a living body. The tongue could be seen through the pink lips; the articulations of the hands and feet still retained their elasticity.
(Letter written by Daniele da San Sebastiano, cited in Lanciani 1892, 296)
The remains of the woman were transported immediately to the Palazzo dei Conservatori in order to be viewed by a large crowd of citizens and noblemen (Antonio di Vaseli, cited in Lanciani 1892, 295) composed especially of women attracted by the sight (letter dated 15th April 1485, among Schedels papers in Cod. 716 of the Munich library, cited in Lanciani 1892, 298). These eyewitness accounts offer some sense of the incredulity that the discovery provoked, and the attention that the body of the woman received from the diarists and letter writers of Rome. She was evidently subjected to much prodding and poking by those who went to see her and, beyond the elasticity of her limbs, it was even reported that if one drew the tongue out slightly it would go back to its place of itself (Lanciani 1892, 299). As well as assembling the evidence for the recovery of the sarcophagus and the human remains within it, Lanciani also commented on their unfortunate fate: after several days of exposure to the air, and the removal of the perfumed coating, the body rapidly turned black and decayed. He notes that she was most abominably treated, eventually being buried under cover of darkness at the foot of the city walls or possibly even thrown into the Tiber (ibid., 301).
A discovery such as this was unusual in the fifteenth century but would nevertheless be extraordinary even today, when we might assume that this woman would become the focus of similarly intense (media) scrutiny. We have become so accustomed to our archaeological encounters with the people of the past taking the form of skeletal remains that the presence of malleable flesh, fluids and other organic materials still has immense emotive power, as the continued widespread interest in the recovery and subsequent investigation of mummified remains attests. This fascination with the customarily absent corporality of archaeological remains might also be linked with the modern desire to re-flesh the bones of the long dead with increasingly sophisticated techniques of facial reconstruction which seek to enable people to connect more easily with, and to somehow understand better, the character of these people as living humans. The discovery, in 2012, of the remains of King Richard III in Leicester, and the rapid facial reconstruction which followed, provide an instructive example of how important this sort of encounter might be within both the public and academic consciousness (on facial reconstruction see Prag and Neave 1999; Wilkinson 2004).
Interestingly, Lanciani (1892, 301305) parallels the treatment of the body of the unknown woman with that of another, much more poorly preserved young woman found in 1889. In this instance her sarcophagus, inscribed simply with the name Crepereia Tryphna, was discovered embedded in clay on the right bank of the Tiber, close to the tomb of the emperor Hadrian. It was found to be filled with water and, when opened, we were almost horrified at the sight before us. Gazing at the skeleton through the veil of the clear water, we saw the skull covered, as it were, with long masses of brown hair, which were floating in the liquid crystal (ibid., 302). Ultimately, it became apparent that the hair was in fact an aquatic plant which had attached itself to the skull whilst the body had been submerged by river water, although news of her apparently prodigious hair spread like wild-fire among the populace of the district and its remembrance will last for many years in the popular traditions of the new quarter of the Prati di Castello (
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