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David Shields - The Very Last Interview

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David Shields The Very Last Interview
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    The Very Last Interview
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Praise for The Very Last Interview The moment I started reading this book the - photo 1
Praise for The Very Last Interview
The moment I started reading this book, the hair went up on my neck. I blasted through it in a night, thrilled by the energy. Shields doesnt wear out the form; it keeps doing remarkable tricks on the readers brain right to the finish. Stunning. Jonathan Lethem A sort of existential mixtape, and at the heart of it all is how others see us, what they imagine of us. Do you think anyone can understand anyone else, and if not, what are any of us doing other than walking around trapped for an eternity in our own space suits? The Very Last Interview attempts to answer this question and at the same time complicates it in an utterly thrilling way.

I love this book. Nick Flynn David Shields, the wild card in contemporary nonfiction, always challenges the presumptions of genre. His terrific new book, The Very Last Interview, is alternately hilarious, sad, and, for any author, excruciatingly recognizable. By submitting to a self-inquisition, Shields demonstrates how much of our self-image is determined or undermined by the outside world, how much the voice of that doppelgnger feeds our doubt and inevitable sense of failure. Ironically, the book itself is a triumph of honesty and craft. Phillip Lopate Not for the first time when confronted with a book by David Shields, I approached with skepticism, was initially irritated, then charmed, and ended up being thoroughly captivated.

Geoff Dyer Engaging, lively, funny, and fascinating, partly for the way the questions answer themselves and partly for the gaps we have to imagine when the questions are answered in a way that we cant hear. Shieldss preoccupations are very much in evidence, but I saw a lot of myself in it, as will, I would think, most readers. Quite wonderful. Charles Baxter

The Very Last Interview
Also by David Shields
The Trouble with Men Reflections on Sex, Love, Marriage, Porn, and Power Nobody Hates Trump More than Trump An Intervention Other People Takes & Mistakes War Is Beautiful The New York Times Pictorial Guide to the Glamour of Armed Conflict That Thing You Do with Your Mouth The Sexual Autobiography of Samantha Matthews, as told to David Shields Life Is ShortArt Is Shorter In Praise of Brevityco-editor with Elizabeth Cooperman I Think Youre Totally Wrong A Quarrel co-author with Caleb Powell Salinger co-author with Shane Salerno How Literature Saved My Life Fakes An Anthology of Pseudo-Interviews, Faux-Lectures,Quasi-Letters, Found Texts, and Other FraudulentArtifacts co-editor with Matthew Vollmer Jeff, One Lonely Guy co-author with Jeff Ragsdale and Michael Logan The Inevitable Contemporary Writers Confront Death co-editor with Bradford Morrow Reality Hunger A Manifesto The Thing About Life Is That One Day Youll Be Dead Body Politic The Great American Sports Machine Enough About You Notes Toward the New Autobiography Baseball Is Just Baseball The Understated Ichiro Black Planet Facing Race During an NBA Season Remote Reflections on Life in the Shadow of Celebrity Handbook for Drowning A Novel in Stories Dead Languages A Novel Heroes A Novel The Very Last Interview DAVID SHIELDS New York Review Books New York This is a New York Review Book published by - photo 2New York Review Books New York This is a New York Review Book published by The New York Review of Books 435 Hudson Street, New York, NY 10014 www.nyrb.com The author wishes to express his deep gratitude to the University of Washington for the Loren Douglas Milliman Distinguished Writer-in-Residence position, which enabled him to finish this book. Copyright 2022 by David Shields All rights reserved. Library of Congress Cataloging-in-Publication Data Names: Shields, David, 1956 author.

Title: The very last interview / by David Shields. Description: New York : New York Review Books, [2022] Identifiers: LCCN 2021027766 (print) | LCCN 2021027767 (ebook) | ISBN 9781681376424 (paperback) | ISBN 9781681376431 (ebook) Subjects: LCSH: Shields, David, 1956 Miscellanea. Classification: LCC PS3569 . H4834 Z46 2022 (print) | LCC PS3569 . H4834 (ebook) | DDC 813/.54 [B]dc23 LC record available at https://lccn.loc.gov/2021027766 LC ebook record available at https://lccn.loc.gov/2021027767 ISBN 978-1-68137-643-1 v1.0 For a complete list of titles, visit www.nyrb.com.

Contents
Beneath every question is an elegy. Adam Clay Remarks are not literature.

Gertrude Stein

Process
Life isnt about saying the right thing. And its certainly not about tape-recording everything so that you have to endure it more than once. Life is about failing. It is about letting the tape play. J onathan G oldstein Y ou ready? Ready to roll? Is this thing on? Can you sit up a little in your chair and turn toward me? Were six feet apart, wouldnt you say? Any chance you can project your voice out a little louder? Are you hearing as much feedback as I am? Do you have to be anywhere else later this morning, by which I mean do you have a hard out of, say, noon? I have no particular agenda going in, do you? Might we just start and see where our conversation takes us? Howmore broadlydo you choose the subjects for your books? What was the origin of your most recent book? How did it develop, then? Why would you choose that as your material? Doesnt it seem somewhat counterproductive to pursue that particular subject in this day and age? This latest book is, in my view, sui generis. The form is indistinguishable from the books content.

Which came firstthe approach or the argument? How many times have you been sued? The law is my musewhat does that mean? Do you really believe that? How can you tell a good idea for a book from a bad idea for a book? When you get a good idea for a book, what do you do next? Where do these ideasgood, bad, indifferentcome from? Have you ever had a great idea for a book and then dis-carded it? If youre working on a new book now, might you wind up discarding it? If you discard it, can I have it? While youre writing a book, do you discuss it with fellow practitioners? Is there really such a thing as a writing community? Do you ever wish you could tell a story in a more straightforward manner? Do you miss being a novelist? This is a wildly overused trope, but some of the reviews of your earlier books said you had the potential to become something approximating your generations version of Salinger. Youre now more like the baby boomers Hermann Broch; doesnt that feel like quite a letdown? Several of your books are very similar in approach; do you work on more than one at a time? Do any of them feel to you redundant? You once said to meas a joke, I supposethat all your books are brief, collaborative, and plagiarized, but, really, what is the secret to your somewhat monomaniacal rate of production, especially the last decade? Perish into the work, I suppose, per the Kunitz dictum? Did you always want to become a writer? Why? Which was the bigger influenceboth of your parents being journalists or your childhood stutter? Whats the first thing you ever published, outside of college magazines? Outside of academic journals? Outside of magazines edited by your friends? How do you find an agent? Is it difficult? How many agents have you had? Is that a lot? Seven agents but only one wife? Interesting. Ex-wife? I see. Recently? Sorry to hear that. Did you encounter much rejection at first? Do you still? What have you learned from rejection? According to E.M. Cioran, Only one thing matters: learning to be the loser.

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