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Dan Moyane - I Dont Want to Die Unknown: We Need To Listen To Our Inner Voice

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I Dont Want to Die Unknown: We Need To Listen To Our Inner Voice: summary, description and annotation

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Dan Moyane was 10 years old when he lay on his back on a patch of grass at his parents home in White City Jabavu, Soweto, looking at the moon and thinking, I dont want to die unknown. The year was 1969, and Neil Armstrong and his team had recently achieved immortality by completing the first moon landing.

It was the knowledge that the astronauts would be remembered as long as the world turned that made Dan realise that he, too, would like to be remembered by people outside of his immediate community, just as he would like to find out more about what lay beyond his horizon.

Dans insatiable curiosity and love of learning have ensured that his name has, indeed, become known throughout South Africa. This is the story of how he achieved his goal from his days as a student at the apex of South Africas political turmoil, to his years in exile in Mozambique and his first job in media, and the trajectory of a career that would see him become one of South Africas most highly regarded and influential broadcasters. It is a career that led Dan to interview prominent leaders in Mozambique and South Africa and become acquainted with the likes of Nelson Mandela and Graa Machel, and saw him cover the countrys birth into democracy, and help shape South Africans understanding of the changed world around them.

I Dont Want to Die Unknown delves into these experiences, giving a glimpse into the inquisitiveness and desire to know more, do more and be more that has driven Dan Moyane. It offers a rare insight into the man behind the microphone his ambitions, trials, and motivations.

Part memoir, part legacy, this book bears testimony to the fact that far from dying unknown, Dan is one of South Africas most important, high profile media players and his story provides the framework for his next significant question: How best to use his public profile to benefit his countrymen.

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First published by Tracey McDonald Publishers 2021 Suite No 53 Private Bag - photo 1

First published by Tracey McDonald Publishers 2021 Suite No 53 Private Bag - photo 2

First published by Tracey McDonald Publishers 2021 Suite No 53 Private Bag - photo 3

First published by Tracey McDonald Publishers, 2021

Suite No. 53, Private Bag X903, Bryanston, South Africa, 2021

www.traceymcdonaldpublishers.com

Copyright Dan Moyane, 2021

All rights reserved.

No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission from the publisher.

ISBN 978-1-920707-25-5

e-ISBN 978-1-920707-26-2

Text design and typesetting by Patricia Crain, Empressa

Narrative compilation by Lisa Witepski, Creative Copy

Cover design by Tomangopawpadilla

Front cover photograph courtesy of eNCA

Digital conversion by Wouter Reinders

This book is a memoir. Many events described are in the public domain in one form or another. I have made every effort to ensure factual accuracy in my recollections but should there be errors, I apologise. Of course, the dialogue I quote as verbatim, in some narration, could not have transpired exactly as I have written it down. But I have done my best to ensure this book represents the truth as I know it. All photographs are from my personal collection and are used by permission.

Dan Moyane

In loving memory of my parents,

Guwela Moyana and Sina Michaels.

PREFACE

Until the lions have their own historians, the history of the hunt will always glorify the hunter.

Chinua Achebe

T hese words by Nigerian writer Chinua Achebe, expressed to me during an interview I conducted in December 2020, convinced me that it was time for me to write this book.

However, the true genesis of this book lies in my deeply held desire not to die unknown; a desire that I was aware of from when I was a boy. It lies in the quest to make a difference, no matter how small, in the world. It lies in the desire to leave behind a footmark that will memorialise my roots. It lies in the desire that the children of my children (if we are blessed one day), and their children, must know that their identity is rooted in my fathers Moyana lineage, which goes back to an ancestor who was in the army of Ngungunyane Nxumalo, the last King of the Gaza Empire, who resisted the Portuguese colonial settlers in Mozambique. It is rooted in my mothers family; the Michaels of the Cape, who are descendants of the Cape Malay slaves, their Dutch colonial masters and the indigenous Khoisan of our land.

I know all of this because my father and mother told me as much as they could about their origins from memory, but a lot of detail has been lost along the way through our oral history. Memory has a funny way of fading; hence the importance of recording it in written form and hence my decision to commit, in writing, some of my memories.

I have thought about writing a book for quite some years now, but I was not sure about the topic. Around me fellow journalists have written books about events that have shaped our countrys march to freedom in 1994, and our post-democracy developments. I must confess I was tempted to go in a similar direction.

But, towards the end of 2020, Brand Africa founder Thebe Ikalafeng mentioned Chinua Achebes words during an interview for my #ConnectAfricaMoyane YouTube channel. Thebe was explaining why it is important for Africans to tell their own stories and that insight helped to crystallise the topic of my book.

This book is not about the history of the battles of my Moyana ancestors against Portuguese colonialism in Mozambique, or my Michaels ancestors tribulations under Dutch domination in the Cape. Even if I wanted to document their history, it would be a near impossible task for me to undertake and do justice to. This book is simply the story of my personal and professional journey, starting with early childhood memories of my upbringing in Soweto, to my 12 years in Mozambique and my entry onto the airwaves of radio and television news stations and corporate boardrooms in Mozambique and South Africa. It is part memoir and part legacy. I am writing it so that, in future, the children of my children, and their children, will have a written account of my lived experiences, which are a product of a richly diverse region of Southern Africa, of which I am proud.

In writing, I had to go back into the recesses of my memory and assemble some recollections. This exercise has helped to enrich my awareness of where I come from, and therefore who the future progeny of my line will come to know as their ancestors, whose roots are richly entrenched in Southern Africa. Like me, I hope that they will be proud of their multiracial ethnic roots in whose blood flows Bantu (Tsonga and Ndau), Khoisan, Dutch and South-East Asian paternal DNA from my side, as well as Bantu (Gitonga) and Goan (Indo-Portuguese) maternal DNA from my wife, Odete Sousa.

I believe that nothing can be as uplifting as knowing your roots, understanding who you are, appreciating the journey you have travelled and ensuring that those who are yet to walk this earth after you will access your memory in written form. And with that consciousness they will continue to drive for more change, as did my Moyana and Michaels ancestors.

I hope that readers will be enriched and inspired by the accounts contained in this book. If even one reader resonates with something they have read here, I will have achieved the goal of ten-year-old Dan Tsakani Moyana, lying on his back and watching the moon from his home in White City Jabavu, dreaming that one day, he would not be unknown.

Nankhensa swinene thank you very much.

Moyana is our actual family surname, but when my father went to register me in the Native Affairs Department in 1959, the white Afrikaner official who took down my name spelt it incorrectly as Daniel Tsakani Moyane . Later, in the 1970s, when my father insisted that I must get my dompas, also known as a reference book (an ID document for blacks under apartheid), the officials refused to correct the spelling. My father didnt fight them. He told me, You know you are a Moyana. We are Moyanas. Thats what matters. We know who we are, no matter what is written in your pass.

Moyana! Mazole!

Tshuma!

Atshuma ayiheli, ihela hikufa!

Moyana! The one of the morning dew!

The one who prospers!

Your wealth does not end, it ends only with death!

INTRODUCTION

To expand my horizons, from an early age I devoured books, asked questions and fed my curiosity.

T he moon is peeking through the fruit trees in our small yard in White City Jabavu, Soweto. Im lying on my back, underneath the fig tree where we sometimes sit on hot days, and Im looking at that moon shining down. The small transistor radio (the successor of umsakazo, which used to be pinned in the top corner of the wall in the dining room), is on, as it always is in my house my father loved listening to Springbok Radio, Radio Zulu and the SABCs English service and had told me earlier that Americas astronauts had just landed on that very same moon.

On the one hand, I cant believe there are men up there, especially since I cant see them. On the other hand, all I can think is that right now, these men are the main topic of conversation for people around the world, and that they will be remembered for as long as there are people on earth. Even here in Soweto, the ten-year-old son of a labourer and a domestic worker cant stop thinking about them. And thats when it dawns on me: how tragic it would be to die without leaving a legacy, so that only your family members, friends and neighbours remember you. This is followed swiftly by another thought: I dont want to die unknown.

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