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Sam Jefferson - In the Wake of the Gods: A cruising companion to the world of the Greek myths

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Sam Jefferson In the Wake of the Gods: A cruising companion to the world of the Greek myths
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In the Wake of the Gods: A cruising companion to the world of the Greek myths: summary, description and annotation

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This unique and entertaining travel guide to Greek waters recreates parts of voyages undertaken in myth, anchoring off landmarks or ports associated with ancient legends. It follows the trails of Odysseus, Hercules, and Jason and the Argonauts, as well as visiting the sites where Poseidon lost his trident (off Paxos) and built his temple (on the Saronic Gulf), the cliff where Theseuss father threw himself to his death after fearing his son had been killed by the minotaur, Odysseuss ship (petrified by Poseidon and now an island in a small bay) and Troy, the remains of which survive as a reminder of the city that withstood a 10-year siege.With almost 6,000 islands in the Aegean and Ionian Seas, Greece is a maritime nation like no other and according to its mythology this has been the case since the days when seafarers believed their fortunes, good or ill, lay in the hands of Poseidon. Sailing through these crystal clear waters today is a voyage into history, whether true or legendary.Retelling all the myths, from the very well-known to the less familiar, In the Wake of the Gods is a cruising companion to be read and enjoyed in its own right. With the authors in depth knowledge of the region, it is also packed with useful and practical pointers for pilotage and passage planning, including information about prevailing winds and anchoring, along with charts and photography.

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ADLARD COLES Bloomsbury Publishing Plc 50 Bedford Sq - photo 1

ADLARD COLES Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP - photo 2

ADLARD COLES

Bloomsbury Publishing Plc

50 Bedford Square, London, WC1B 3DP, UK

29 Earlsfort Terrace, Dublin 2, Ireland

This electronic edition published in 2022 by Bloomsbury Publishing Plc

BLOOMSBURY, ADLARD COLES and the Adlard Coles logo are trademarks of Bloomsbury Publishing Plc

First published in Great Britain 2022

Copyright Sam Jefferson, 2022

Sam Jefferson has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work

For legal purposes the constitute an extension of this copyright page

All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

A catalogue record for this book is available from the British Library

Library of Congress Cataloguing-in-Publication data has been applied for

ISBN: 978-1-4729-7536-2 (PB)
ISBN: 978-1-4729-7537-9 (eBook)
ISBN: 978-1-4729-7538-6 (ePDF)

Designed by Austin Taylor

Maps designed by Michael Parkin

To find out more about our authors and their books please visit www.bloomsbury.com where you will find extracts, author interviews and details of forthcoming events, and to be the first to hear about latest releases and special offers, sign up for our newsletters .

CONTENTS - photo 3

CONTENTS

The myth of Arion and the dolphin as portrayed by the French artist Franois - photo 4

The myth of Arion and the dolphin as portrayed by the French artist Franois - photo 5

The myth of Arion and the dolphin as portrayed by the French artist Franois Boucher. According to myth, Arion was a talented musician who was on his way home to Greece after winning a music competition in Sicily. On his way back, the crew got so sick of his lyre playing that they decided to steal his winnings and throw him overboard. Fortunately for Arion, he was rescued by a friendly dolphin who took him to shore. In true Greek myth style, he left the dolphin to die when he reached the shore.

I N THE BEGINNING it was all fire and hot stuff The gods were angry Not - photo 6

I N THE BEGINNINGit was all fire and hot stuff. The gods were angry. Not only that, much worse, they were bored and to pass their time they occupied themselves with a mixture of tormenting the human race and carrying out the most depraved acts imaginable. At any rate, that certainly seems to have largely been the Greek take on gods and how they behaved. During their time, they bestrode Greece and the wider Mediterranean behaving appallingly and with a very human level of wantonness and vindictiveness. In the process, their tales overlapped with reality with such regularity that Greece itself can be mapped out by their misadventures. This was the initial premise for this book, albeit in the form of a short article mapping out mythical Ithaca in relation to Odysseus and his many misadventures. However, I soon came to realise that the whole of the Ionian was full of mythical landmarks and that each story was well worth retelling.

This brings us straight to the nub of this book. The aim is to create a guide for sailors that will allow them to cruise the Greek coast while also placing landmarks, ports, bays and headlands within the context of the mythical tales. On one level, sailing around in search of sites linked to non-existent people and events that probably didnt happen might seem crazy, and yet the Greek mythical world is far more tangible than you might think and there is a clear correlation between mythical and real sites. Because, of course, many myths were constructed around the framework of at least somethingthat happened in an actual place. By following in the wake of the gods, it soon becomes clear that you can find out an awful lot about who the Greeks were, how their civilisation worked and, more broadly, how much our world today owes to them.

One thing to stress here is that this is not some scholarly book earnestly analysing the veracity of where and when a myth may/may not have occurred.

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