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Padmasambhava - The Copper-Colored Mountain: Jigme Lingpa on Rebirth in Padmasambhavas Pure Land

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Padmasambhava The Copper-Colored Mountain: Jigme Lingpa on Rebirth in Padmasambhavas Pure Land

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A translation of Jigme Lingpas eighteenth-century Tibetan Buddhist aspiration prayer for taking rebirth in the pure land Copper-Colored Mountain, accompanied by a commentary and analysis by the translators.While Pure Land Buddhism is generally thought of as an East Asian tradition with an Indian origin, the Copper-Colored Mountain is in fact the first and only pure land with scriptural origins entirely in the Tibetan tradition. It represents Tibetan cultures fascinating intersection of traditional history with the liturgical tantric practice. The Copper-Colored Mountain is understood to be the current abode of Padmasambhava, the Indian master credited with first bringing Buddhism to Tibet and founding Tibets first monastery, Samye. After leaving Tibet, it is said that Padmasambhava set up residence on Cmara, one of the two islands on either side of the continent of Jambudvipa, our world according to Buddhist cosmology. After taming the resident ogres of Cmara and converting them to Buddhism, he then built an octagonal palace where Buddhist practitioners may be transported in visions and dreams or reborn through aspiration prayers. This work is a translation and analysis of one such aspiration prayer. This prayer was composed by Jigme Lingpa, a treasure revealer of the Nyingma tradition in the eighteenth century, and remains the most important prayer to this pure land in Tibetan Buddhism. Merging academic precision in representing the Tibetan texts and devotion to the principles of tantric Buddhism, translators Georgios T. Halkias and Christina Partsalaki enable a wider appreciation of the history and impact of this prayer in Tibetan Buddhist literature while elucidating its meaning for Buddhist practitioners.ReviewI am very encouraged that, even in this day and age, not only is the name Copper-Colored Mountain still uttered, but Professor Halkias and Christina Partsalaki have now put great effort into presenting a wide range of explanations of its meaning. . . . I am confident that just mentioning the name Copper-Colored Mountain will plant the seed of actually experiencing it, if not now, then definitely in the future.from the foreword by Dzongsar Jamyang Khyentse Im delighted to see Padmasambhavas Pure Land presented in Georgios T. Halkias and Christina Partsalakis book with academic rigor, philosophical acumen, and reverence for this sacred topic. It is a fine example of the compatibility of intellectual objectivity and spiritual insight, as it sheds a clear light on the depth of Mahayana Buddhist concepts of pure lands in general and the Copper-Colored Mountain in particular.B. Alan Wallace, founder, and director of the Santa Barbara Institute for Consciousness StudiesThe authors are sensitive in their reading of the verses, balancing a scholarly perspective with an interpretative angle that explicates the significance of each stanza for contemplative practice.BuddhadharmaAbout the AuthorGEORGIOS T. HALKIAS is an associate professor at The University of Hong Kong and author of Luminous Bliss: A Religious History of Pure Land Literature in Tibet. CHRISTINA PARTSALAKI has an MPhil from the University of Hong Kong and is the author of Heraclitus and the Buddha: Approaching Truth in Early Greek and Early Buddhist Thinking, published in the Stoa of Sciences journal. JIGME LINGPA was an eighteenth-century Tibetan treasure revealer of the Nyingma tradition of Tibetan Buddhism. Translations of his works into English have been published on the topics of Dzogchen nature of mind teachings, Vajrayana preliminary practices of Ngndro, and the complete Nyingma path.

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Snow Lion An imprint of Shambhala Publications Inc 2129 13th Street Boulder - photo 1
Snow Lion An imprint of Shambhala Publications Inc 2129 13th Street Boulder - photo 2

Snow Lion

An imprint of Shambhala Publications, Inc.

2129 13th Street

Boulder, Colorado 80302

www.shambhala.com

2022 by Christina Partsalaki

Cover art: Tashi Mannox

Cover design: Kate E. White

All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.

Shambhala Publications makes every effort to print on acid-free, recycled paper.

Snow Lion is distributed worldwide by Penguin Random House, Inc., and its subsidiaries.

library of congress cataloging-in-publication data

Names: Jigs-med-gling-pa Rang-byung-rdo-rje, 1729 or 17301798, author. | Halkias, Georgios, 1967 translator. | Partsalaki, Christina, translator.

Title: The copper-colored mountain: Jigme Lingpa on rebirth in Padmasambhavas pure land / Georgios T. Halkias and Christina Partsalaki.

Description: First edition. | Boulder, Colorado: Snow Lion, an imprint of Shambhala

Publications, Inc. [2022] | Includes bibliographical references and index.

Identifiers: lccn 2022007116 | isbn 9781611809701 (trade paperback)

eISBN 9780834844377

Subjects: lcsh : Padma Sambhava, approximately 717approximately 762Prayers and devotionsEarly works to 1800 | Zas-mdog-dpal-ri (Buddhism) | Rnying-ma-pa (Sect)Prayers and devotions. | Tantric BuddhismPrayers and devotions. | Buddhist cosmology. | Buddhist temples.

Classification: lcc bq 7950. p 327 j 54 2022 | ddc 294.3/925dc23/eng/20220315

lc record available at https://lccn.loc.gov/2022007116

a_prh_6.0_141664381_c0_r0

For the Lotus Born and his Lotus-Light Palace

Contents

Foreword Pure realm is one of the most misunderstood or only partially - photo 3

Foreword

Pure realm is one of the most misunderstood or only partially understood - photo 4

Pure realm is one of the most misunderstood or only partially understood subjects in Buddhism. Often, it is equated with the notion of heaven that is found in many other religions. Theres a good reason for that, because descriptions of pure realms like the Copper-Colored Mountain are often lofty and exalted, fitting what we human beings think of as comfortable and perfect.

Little do we pay attention to the actual in-depth study of pure realms, as contained in the Amitabha Sutra, even though we have been told time and again that pure realms are actually right here and now, where we now are, feeling the page of this book at this very moment.

Yet, for some reason, ignorant beings like ourselves with strong defilements of hope and fear always get trapped by these grand and sublime images of pure realms. Even such illusions, however, are not entirely rejected in the scriptures, as they can serve as a skillful means and stepping-stone on the path for certain kinds of disciples.

Among the many pure realms, Zangdok Palri, or the Copper-Colored Mountain, stands out in many different ways. Unlike descriptions of many other pure realms that are full of swans swimming in lotus-covered ponds and other idyllic images, Zangdok Palri is also described as the land of yakshas and rakshasas, or cannibals.

In particular, in so many tantric, and especially Nyingma, teachings, the Copper-Colored Mountain is none other than ones own heart or, even more importantly, the essence of ones own mind.

If, in this age where we shun all symbolism and ritual as archaic superstition, we were to state that the very act of longing to be reborn in the Copper-Colored Mountain is exactly the same as yearning to perfect vipassana, such a statement will not fit into peoples mind streams.

And so, I am very encouraged that, even in this day and age, not only is the name Copper-Colored Mountain still uttered, but Professor Halkias and Christina Partsalaki have now put great effort into presenting a wide range of explanations of its meaning.

Since I firmly believe in the law of cause, condition, and effect, I am confident that just mentioning the name Copper-Colored Mountain will plant the seed of actually experiencing it, if not now, then definitely in the future.

Dzongsar Jamyang Khyentse

May 2021

Preface

If we possess the image of a thing we possess half the thing C G Jung The - photo 5

If we possess the image of a thing, we possess half the thing.

C. G. Jung, The Red Book

Myths are powerful and all-pervasive. They enable us to structure our reality and encapsulate our worldviews. Being neither fictional nor untrue, they communicate our deepest human aspirations and experiences symbolically, even before we can grasp them on a conceptual level. Mythical narratives may be figurative, symbolic, or archetypal in preserving the hidden meaning behind the mystical journeys to other worlds. People throughout the ages and times have envisioned, and perhaps even visited, realms beyond our owncelestial, terrestrial, and otherworldly places located beyond the reality determined by our ordinary sense perception. Myths, beliefs, and longings centered on other worlds inform Buddhist and non-Buddhist descriptions of visionary dreams, mystical journeys, and numinous encounters.

The present work is about an extraordinary contemplative journey to an exalted Pure Land, Padmasambhavas Glorious Copper-Colored Mountain. It is preserved in the form of an eighteenth-century aspiration prayer (mnlam) authored by the renowned Tibetan Buddhist mystic Jigme Lingpa (1729/3098). The Secret Path to the Glorious Mountain: A Prayer of Aspiration for the Glorious Copper-Colored Mountain (hereafter Secret Path) is a seminal text of Tibetan culture, religion, and tantric practice. It is the testimony of Jigme Lingpas vision of the Glorious Copper-Colored Mountain, which ultimately transcends the limitations of the written word, conceptual knowledge, and cultural conventions. This form of transcendence is ineffable, marked by an absence of a subject-object dichotomy.

It is often said that the map is not the territory. In the case of the Secret Path, the map Jigme Lingpa presents to us does not simply reflect Mahayana soteriology in a Tibetan cultural context but rather offers an occasion to recognize new possibilities. The pure land that emerges from a close reading of the Secret Path exists in the never-ending here and the always-present now, where yearning and aspiration, representation and memory, blend together in an indistinguishable harmony. The Secret Path is the map, and Padmasambhavas Pure Land the territory.

This book provides a guide to Jigme Lingpas Secret Path. The introduction includes a discussion of the Seminal Heart (Longchen Nyingthig), the visionary tradition of which the Secret Path is a part. The important figures of Padmasambhava and Jigme Lingpa are then presented, followed by the esoteric conceptualization of the pure lands, testifying to a harmonious synthesis of aspirational (

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