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Alexandra Pierce - Luminescent Threads: Octavia E. Butler

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Luminescent Threads celebrates Octavia E. Butler, a pioneer of the science fiction genre who paved the way for future African American writers and other writers of colour.Original essays and letters sourced and curated for this collection explore Butlers depiction of power relationships, her complex treatment of race and identity, and her impact on feminism and women in Science Fiction. Follow the luminescent threads that connect Octavia E. Butler and her body of work to the many readers and writers who have found inspiration in her words, and the complex universes she created.

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Luminescent Threads Connections to Octavia E Butler edited by Alexandra - photo 1
Luminescent Threads
Connections to Octavia E. Butler
edited by Alexandra Pierce
and Mimi Mondal
Picture 2
Contents
Introduction

Alexandra Pierce

I read two of the three books of the Xenogenesis trilogy (Dawn and Adulthood Rites) many years before I had any idea who Octavia Estelle Butler was; Im not sure whether I was reading while she was still alive, or not. I didnt know that she was African American. I certainly didnt know how important she was to so many people. Since then, I have become much more aware of both feminist science fiction and the importance of diversity in all fiction. In both of these arenas, Octavia Butlers name crops up.

In 2015, I coedited Letters to Tiptree in honour of James Tiptree Jr/Alice Sheldon. In the year of her centenary, we deemed it important to recognise this woman who wrote under a mans name, who seemed to be going unrecognised in the wider science fiction community but who had had such a significant impact on that community through her fiction and her life. The response was wonderful, with many people writing letters about how important she was as an author, and as a person. It also struck a chord with readers, and we started wondering which other writers ought to be paid tribute to in a similar way. Octavia Butler seemed obvious; not because she is in danger of being forgotten, but because she was remarkable in so many ways.

Octavia Butler was a pioneerthe first African American woman to make a living from science fiction writing. She wrote powerful, difficult, provocative and beautiful fiction. She had a personal impact on innumerable people by attending conventions, speaking at universities, and tutoring at writing workshops. As we had hoped, the responses we have had for the book in your hands have been humbling. They are personal, and political, and poetic; they are fierce and full of love. A lot like Butlers work itself.

This book collects some of the ways people relate and connect to Butler, with each sections title a quote from a letter or essay within it. The first section, Your work is a river I come home to, focuses on how Butler has inspired people: in their work, in their lives. In the second, which uses a line from Butlers own essay Positive Obsessions, authors reflect on systemic and current political issues that Butler either commented on or would have, were she still alive. Love lingers in between dog-eared pages includes letters and essays mainly interested in Butlers fictionfrom Kindred to Xenogenesis to Fledglingwith reactions, arguments, and reflections on her work. Next, in I am an Octavia E. Butler Scholar, are letters from some of the Octavia E. Butler Scholars: Clarion and Clarion West students who received the Octavia E. Butler Memorial Scholarship, set up by the Carl Brandon Society in Butlers honour after her death. The following chapter fits neatly after the Clarion one: Forget talent. There is only the work. It features writers reflecting on how Butler influenced their writing through tutoring at Clarion or otherwise. The subsequent section, I love you across oceans, across generations, across lives includes, broadly speaking, love letters. They recount ways in which Butler and her work changed something about the writers in situations as individual as the people describing them. The book is rounded out with a memorial that appeared in Science Fiction Studies in 2010, highlighting Butlers many contributions to science fiction as well as examining how Butler has been studied. And we end with Octavia Butlers own words, in an interview with Stephen W. Potts from 1996. It was important to us we allow Butler to speak for herself.

In 2008, Ritch Calvin noted that by that stage, a veritable cottage industry seem[ed] to have grown up around [Butlers] work. He compiled a bibliography to showcase both Butlers own work, and how much had been written by other people about her. His piece for Utopian Studies in their Octavia Butler Special Issue (Volume 19, Number 3) ran from page 493 to page 516 of that journal, and covered (lengthy) reviews, dissertations and theses, books and chapters of books, and journal or magazine articles. A search in JSTOR (a digital library that enables researchers to search through academic journals) for Octavia Butler limited to 2009-2017, to catch the work not covered by Calvin, returns 103 hits. Not all of them are especially relevant to Butler herself: some are reviews of books about Butler, which is getting a bit meta, and some have only a passing mention of Butler in relation to others. Nonetheless, this is testament to her enduring importanceas a writer and as a person. Luminescent Threads: Connections to Octavia Butler is a testament to that as well. Included are many moving, personal accounts of how Octavia Butler as a person, or through her fiction, influenced people in different places and times and ways.

After reading Xenogenesis, and especially when I learned more about Butler as a person, I always meant to go to more of her work but other books kept getting in the way. If you dont prioritise, its easy for that to happen. In working on this book, I have now read some of Butlers short work, and all but two of Butlers novels. I cant find Survivor, the book that Butler refused to allow to be reprinted; I hold out hope that one day, in a little country town second-hand bookshop or op-shop, Ill find it on the shelf for five dollars. And I also havent read Kindred. Because I am scared to. Because I know it will be a harrowing experience. And I know that these are weak excuses. I will get around to reading it one day.

In reading Luminescent Threads: Connections to Octavia Butler, I hope that you will be encouraged, and inspired. Encouraged to persist in writing, or whatever work you do; encouraged to keep railing against oppression and know that you are not alone. Inspired to read more work by Octavia Butler, or to re-read it, or read work by those featured here. And I hope you will be encouraged and inspired to share all of this with those around you.


A lexandra Pierce

Melbourne

Senior Editor

Introduction

Mimi Mondal

I came to this project late, after the call for submissions had already been out for a couple of months. I was familiar with the name of Twelfth Planet Press but had never met the editors. A previous editor for the project had become inconvenienced and needed replacement. I was recommended by someone, probably on the basis that I had been the Octavia Butler Memorial Scholar at the Clarion West Writers Workshop in 2015.

2015 was my first entry to the United States, through the West Coast, through Seattle, and it was made possible by a scholarship named after Octaviaa writer I had read only a little til then. I grew up in India, and honestly my route into speculative fiction hasnt been through science fiction and fantasy at all, but through magical realism. Most of the SFF that I tried to read as a child or teenager confused and alienated me. I did not have the words to understand or express this when I was young, but now I know whynone of those books reflected anything of the world I lived in. As the child of a barely-above-the-poverty-line family who learned her English from a bilingual dictionary and could never imagine visiting a First World country, I had no insight into the worlds in those books. I did not always understand the conflicts in their plots. I skipped large parts of intricate worldbuilding, because often the words, even when explained in a dictionary, did not carry any visual information for me. Those scientists, astronauts, spies, superheroes were probably cool, but only when cool was very far away from anything I understood.

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