Greg Scheer - Essential Worship: A Handbook for Leaders
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2016 by Greg Scheer
Published by Baker Books
a division of Baker Publishing Group
P.O. Box 6287, Grand Rapids, MI 49516-6287
www.bakerbooks.com
Ebook edition created 2016
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any meansfor example, electronic, photocopy, recordingwithout the prior written permission of the publisher. The only exception is brief quotations in printed reviews.
Library of Congress Cataloging-in-Publication Data is on file at the Library of Congress, Washington, DC.
ISBN 978-1-4934-0544-2
Unless otherwise indicated, Scripture quotations are from the New Revised Standard Version of the Bible, copyright 1989, by the Division of Christian Education of the National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.
Scripture quotations labeled KJV are from the King James Version of the Bible.
Scripture quotations labeled Message are from THE MESSAGE. Copyright by Eugene H. Peterson 1993, 1994, 1995, 1996, 2000, 2001, 2002. Used by permission of NavPress. All rights reserved. Represented by Tyndale House Publishers, Inc.
Scripture quotations labeled NIV are from the Holy Bible, New International Version. NIV. Copyright 1973, 1978, 1984, 2011 by Biblica, Inc. Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com
Scripture quotations labeled NLT are from the Holy Bible , New Living Translation, copyright 1996, 2004, 2015 by Tyndale House Foundation. Used by permission of Tyndale House Publishers, Inc., Carol Stream, Illinois 60188. All rights reserved.
This book is dedicated to my sons,
Simon and Theo.
Love God.
Stay weird.
Cover
Title Page
Copyright Page
Dedication
Prelude
Acknowledgments
About Me (Or, Confessions of a Failed Pentecostal)
About This Book
Beginning with a Funeral
Part 1: Principles
1. What Is Worship?
2. What Is Biblical Worship?
3. Who Is the Audience of Worship?
4. What Does Worship Do?
Part 2: Past
5. Learning from the Past
6. Liturgy: A Four-Letter Word?
7. The Church Year
8. The Fourfold Worship Order
9. The Psalms in Worship
10. The Senses, the Arts, and Worship
11. The Gospel Intoned: Music
12. A Balanced Congregational Song Repertoire
Part 4: Practice: The Arts in Worship
13. The Gospel Enacted: Drama and Wordsmithing
14. The Gospel Embodied: Dance and Movement
15. The Gospel Envisioned: The Visual Arts and Architecture
16. The Gospel Intensified: Technology in Worship
17. The Gospel in Time: Worship Pacing and Other Intangibles
Part 5: People
18. The World
19. The Congregation
20. Worship Leaders
21. Pastors
22. You
23. Mentoring
Postlude
Ending with a Funeral
Notes
Index
Scripture Index
About the Author
Back Ads
Back Cover
It takes a village to raise a book. My village included:
- The wise folks who gave me feedback on the manuscript: David Bailey, Jordan Clegg, Maria Cornou, Laura de Jong, Scott De Young, Eric Mathis, Neal Plantinga, Ron Rienstra, Samuel Tandei, Howie Vanderwell, and Michael Weller.
- The good people of Richmond, where I began this book on a too short but very sweet sabbatical: East End Fellowship, David Bailey and his Arrabon community, the Urban Doxology interns, and Danny and Mary Kay Avula, who opened their home to me.
- My fellow staff at the Calvin Institute of Christian Worship, whose sharp minds are surpassed only by their open hearts, especially John Witvliet, who took a chance on me.
- The staff, musicians, artists, and congregation of Church of the Servant, especially Maria Poppen, who somehow keeps everything running smoothly even when Im writing a book. You have provided a gracious church home in which I could develop as a worship director and as a worshiper.
- The many mentors, teachers, and fellow worship leaders who have been a part of my journey, especially Michael Hawn, who has been all three. I am always grateful for the gifts youve been in my life.
- My Three Muskabeers, Todd Kapitula, Matt Plescher, and Scott Yonkers, who have done their best to keep me on the straight and narrow.
This book began to take shape on trips to Indonesia, Uganda, and Ukraine, where Ive taught and learned from a wide variety of brothers and sisters in Christ. The common denominator in all of these situations was that local musicians and pastors were lacking adequate training materials. Topics I assumed would be a review turned out to be a revelation for leaders who were patching together their worship philosophy from whatever they came across on YouTube or saw in other local churches. Closer to home, a friend who worked in a prison congregation asked if I could recommend a book on worship that would provide a simple overview of worship and worship leading. There are lots of great resources but nothing that laid out all the basics in one book.
What is missing is a primer on worship. Whether were in Peru, Peoria, or prison, we all need to learn the fundamentals. It took me over twenty years of leading, reading, and teaching to slowly piece together my worship theology and practice. I hope I can save you some time by putting it all into one book.
As a starting point, this book is biblical . All Scripture is inspired by God and is useful for teaching, for reproof, for correction, and for training in righteousness, so that everyone who belongs to God may be proficient, equipped for every good work (2 Tim. 3:1617). Scripture is the foundation upon which we build. (Ill be using the NRSV translation throughout, unless otherwise noted.)
Second, you will quickly notice that this book gives special consideration to historical worship forms . This is not some strange nostalgia for the good old days, but instead a conviction that we need to allow the cloud of witnesses (Heb. 12:1) to speak into our modern context. The longer a worship practice has been a part of Christian worship (psalm singing, for example), the more likely we should continue its practice today. This doesnt mean we shouldnt look to the future or try new things; it simply means that each new generation doesnt need to reinvent the wheel.
Third, this book is for worship directors. I use the term worship director throughout to denote someone who is responsible for worship decisions, planning, and leading leaders. Many musicians will read it, of course, but this book is written for anyone who is involved in a churchs worship leadership, from pastors honing nonpreaching worship skills, to worship committees providing direction, to dancers who want to learn more about the context in which they contribute their choreography.
Finally, this book is personal . I wish I could tell you that the Holy Spirit dictated these chapters directly into my laptop or that this book defines, once and for all, the right way to worship. But instead you will find my best attempt at boiling down everything Ive learned from the Bible, the church of yesterday and today, and the fellowship of worshipers throughout the planet. Some of this will be my own story, but I hope it will also be our story. I have tried to discern the unity underlying a variety of worship traditions, allowing readers to apply the ideas to their own cultural or denominational context.
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