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Bryan D. Estelle - Echoes of Exodus: Tracing a Biblical Motif

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Bryan D. Estelle Echoes of Exodus: Tracing a Biblical Motif
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Echoes of Exodus: Tracing a Biblical Motif: summary, description and annotation

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Israels exodus from Egypt is the Bibles enduring emblem of deliverance. It is the archetypal anvil on which the scriptural language of deliverance is shaped. More than just an epic moment, the exodus shapes the telling of Israels and the churchs gospel. From the blasting furnace of Egypt, imagery pours forth. In the Song of Moses Yahweh overcomes the Egyptian army, sending them plummeting to the bottom of the sea.But the exodus motif continues as God leads Israel through the wilderness, marches to Sinai and on the Zion. It fires the psalmists poetry and inspires Isaiahs second-exodus rhapsodies. As it pulses through the veins of the New Testament, the Gospel writers hear exodus resonances from Jesus birth to the gates of Jerusalem. Paul casts Christs deliverance in exodus imagery, and the Apocalypse reverberates with exodus themes.In Echoes of Exodus, Bryan Estelle traces the motif as it weaves through the canon of Scripture. Wedding literary readings with biblical-theological insights, he helps us weigh again what we know and recognize anew what we have not seen. More than that, he introduces us to the study of quotation, allusion, and echo, providing a firm theoretical basis for hermeneutical practice and understanding.Echoes of Exodus is a guide for students and biblical theologians, and a resource for preachers and teachers of the Word.

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ECHOES of EXODUS Tracing a Biblical Motif BRYAN D ESTELLE - photo 8ECHOES of EXODUS Tracing a Biblical Motif BRYAN D ESTELLE - photo 9
ECHOES of EXODUS Tracing a Biblical Motif BRYAN D ESTELLE - photo 10
ECHOES
of
EXODUS
Tracing a Biblical Motif
BRYAN D. ESTELLE
InterVarsity Press PO Box 1400 Downers Grove IL 60515-1426 ivpresscom - photo 11

InterVarsity Press
P.O. Box 1400, Downers Grove, IL 60515-1426
ivpress.com

2018 by Bryan Estelle

All rights reserved. No part of this book may be reproduced in any form without written permission from InterVarsity Press.

InterVarsity Pressis the book-publishing division of InterVarsity Christian Fellowship/USA, a movement of students and faculty active on campus at hundreds of universities, colleges, and schools of nursing in the United States of America, and a member movement of the International Fellowship of Evangelical Students. For information about local and regional activities, visit intervarsity.org.

All Scripture quotations, unless otherwise indicated, are taken from The Holy Bible, New International Version, NIV. Copyright 1973, 1978, 1984, 2011 by Biblica, Inc.Used by permission of Zondervan. All rights reserved worldwide. www.zondervan.com. The NIV and New International Version are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.

Cover design: David Fassett
Interior design: Daniel van Loon

ISBN 978-0-8308-8226-7 (digital)

ISBN 978-0-8308-5168-3 (print)

This digital document has been produced by Nord Compo.

TO
my mother

ACKNOWLEDGMENTS

C limbing a major mountain is a joint venture requiring the greatest degree of interdependence and trust. So also is writing a book like this. Climbers know that each peak has unique challenges. Every ascent involves hard work and a willingness to undergo a suffer fest. An eight-thousand-meter peak requires years of apprenticeship, knowledge of altitude and how it affects the human body, and lots of endurance. A rock and ice face like Cerro Torre or Fitzroy in Patagonia, or a Grade VI multiday ascent on Half Dome or El Capitan in Yosemite, demands a different set of technical skills and lots of experience, perhaps even more so than an eight-thousand-meter-peak in the Himalayas. Solo climbers are a rare breed. They take on greater risks without the psychological support and mental fortitude that comes through sharing climbing adventures with others. After all, courage is contagious. Writing a scholarly book should not be a solo endeavor. The margins for risk and death are too great. No wonder Flannery OConnor described writing a book as giving birth to a sideways piano.

Westminster Seminary in California (WSC) provided sources of funding that allowed me to work on this project. First, therefore, I am thankful especially to the board of trustees at WSC. This project was researched and written over a couple of sabbaticals but especially the last one. The board of trustees is very gracious with their sabbatical policy, and I hope that the support of board members is rewarded in some slight way when they take up this book and read. Additionally, I am indebted to the library staff at WSC, especially James Lund, Katherine VanDrunen, John Bales, and Brian Hecker. I appreciated their goodwill, competence, and forbearance especially with each new interlibrary loan request. They resupplied my research constantly by retrieving numerous books and articles quickly and efficiently.

It causes me mental anguish to try to recall all the people who helped me write this book and imparted the courage to attempt to do so. I owe a great debt of gratitude to so many. Harold Bloom said (roughly) years ago: teaching is a three in one with reading and writing. Hes right. Some people may look at the footnotes and think they are weighted too heavily with my colleagues work at WSC as if it is some kind of mutual congratulatory love-fest, but that has not been my aim. I have merely learned so very much from them that I wanted to acknowledge a debt of gratitude. Im sure they deserve more attribution than I have given in places. Moreover, many other colleagues from other sympathetic institutions (and nonsympathetic ones) will recognize their names in the footnotes as well.

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