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Mary-Jane Rubenstein - Worlds Without End: The Many Lives of the Multiverse

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Mary-Jane Rubenstein Worlds Without End: The Many Lives of the Multiverse
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Multiverse cosmologies imagine our universe as just one of a vast number of others. While this idea has captivated philosophy, religion, and literature for millennia, it is now being considered as a scientific hypothesis -- with different models emerging from cosmology, quantum mechanics, and string theory.

Beginning with ancient Atomist and Stoic philosophies, Mary-Jane Rubenstein links contemporary models of the multiverse to their forerunners and explores the reasons for their recent appearance. One concerns the so-called fine-tuning of the universe: natures constants are so delicately calibrated that it seems they have been set just right to allow life to emerge. For some thinkers, these fine-tunings are evidence of the existence of God; for others, however, and for most physicists, God is an insufficient scientific explanation.

Hence the allure of the multiverse: if all possible worlds exist somewhere, then like monkeys hammering out Shakespeare, one universe is bound to be suitable for life. Of course, this hypothesis replaces God with an equally baffling article of faith: the existence of universes beyond, before, or after our own, eternally generated yet forever inaccessible to observation or experiment. In their very efforts to sidestep metaphysics, theoretical physicists propose multiverse scenarios that collide with it and even produce counter-theological narratives. Far from invalidating multiverse hypotheses, Rubenstein argues, this interdisciplinary collision actually secures their scientific viability. We may therefore be witnessing a radical reconfiguration of physics, philosophy, and religion in the modern turn to the multiverse.

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Worlds Without End
Worlds Without End
THE MANY LIVES OF THE MULTIVERSE
Worlds Without End The Many Lives of the Multiverse - image 1
in which are discussed pre-, early-, and postmodern multiple-worlds cosmologies; the sundry arguments for and against them; the striking peculiarities of their adherents and detractors; the shifting boundaries of science, philosophy, and religion; and the stubbornly persistent question of whether creation has been designed
Mary-Jane Rubenstein
Picture 2
Columbia University Press New York
Columbia University Press
Publishers Since 1893
New York Chichester, West Sussex
cup.columbia.edu
Copyright 2014 Columbia University Press
All rights reserved
E-ISBN 978-0-231-52742-2
Library of Congress Cataloging-in-Publication Data
Rubenstein, Mary-Jane.
Worlds without end: the many lives of the multiverse in which are discussed pre-, early-, and postmodern multiple-worlds cosmologies: the sundry arguments for and against them: the striking peculiarities of their adherents and detractors: the shifting boundaries of science, philosophy, and religion: and the stubbornly persistent question of whether creation has been designed / Mary-Jane Rubenstein.
pages cm
Includes bibliographical references and index.
ISBN 978-0-231-15662-2 (cloth : alk. paper)
ISBN 978-0-231-52742-2 (e-book)
1. CosmologyPopular works. I. Title.
QB982.R83 2014
523.1dc23
2013027560
A Columbia University Press E-book.
CUP would be pleased to hear about your reading experience with this e-book at .
COVER ART AND DESIGN: Kenan Rubenstein
References to Web sites (URLs) were accurate at the time of writing. Neither the author nor Columbia University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.
If the grandeur of a planetary world fills the understanding with wonder, with what astonishment are we transported when we behold the infinite multitude of worlds and systems which fill the extension of the Milky Way! But how is this astonishment increased, when we become aware that all these immense orders of star-worlds again form one of a number whose termination we do not know! There is here no end but an abyss of a real immensity, in presence of which all the capability of human conception sinks exhausted.
IMMANUEL KANT,
UNIVERSAL NATURAL HISTORY AND THEORY OF THE HEAVENS
All philosophy, I told her, is based on two things only: curiosity and poor eyesight. The trouble is, we want to know more than we can see.
BERNARD LE BOVIER DE FONTENELLE,
CONVERSATIONS ON THE PLURALITY OF WORLDS
CONTENTS
This book is the productand in a certain sense, the recordof a multitude of fortuitous conversations and collaborations. Thanks are due, first of all, to Clayton Crockett, whose stubborn insistence that I find something to say at a conference on energy threw me into the apophatic expanse of cosmic acceleration, which opened in turn onto the strange worlds of the multiverse. Having had very little advanced training in the natural sciences, I am grateful for the guidance and gentle corrections of Marcelo Gleiser, Laura Mersini-Houghton, Jamie Hinderks, Joe Rouse, Bill Herbst, Kirk Wegter-McNelly, Whitney Bauman, and especially Brian Wecht, who read the introduction and physics chapters with more care than I could have dared to request.
Other friends and colleagues provided invaluable orientation as I found myself wandering through their fields of expertise; my thanks to Elizabeth Castelli, Eirene Visvardi, Tushar Irani, and Andy Szegedy-Maszak for their help with the classical material; Constance Leidy for her mathematical breakdown of infinity; Michael Granada for clarifying late Renaissance cosmology; Jenna Supp-Montgomerie for her work on worlds in the American technoreligious imagination; Cate Williamson for introducing me to multiverse cosmologies in narrative theory; Liz Lerman for getting me to dance out the stages of cosmic expansion; Charles Jencks for talking me through his glorious Garden of Cosmic Speculation at Portrack, Scotland; and Alistair Clark, head gardener, for walking me through it.
This admittedly strange and syncretic project would have remained an inchoate set of potential connections were it not for the patience, energy, and brilliance of my students at Wesleyanespecially the members of my Worlding seminars in the fall semesters of 2010 and 2011. My research has been supported by a grant from the Andrew W. Mellon Foundation and a fellowship at Wesleyan Universitys Center for the Humanities, then under the directorship of Jill Morawski. It has benefitted immensely from the generosity and solidarity of my colleagues in the Religion Department and the Feminist, Gender, and Sexuality Studies Program; from the assistance of Rhonda Kissinger; and from the scrutiny of a number of working groups on campusmany thanks in this regard to Margot Weiss, Matthew Garrett, Joseph Fitzpatrick, Nima Bassiri, Isaac Kamola, Liza McAlister, Annalise Glauz-Todrank, Laura Harrington, Justine Quijada, Attiya Ahmad, Jennifer Tucker, Christina Crosby, and Lori Gruen. I am also grateful to Kendall Hobbs, Susanne Javorski, Diane Klare, Suzy Taraba, and Katherine Wolfe in the libraries at Wesleyan; to John Wareham and Kevin Wiliarty in Information Technology Services; to Annie Barva for her meticulous copyediting; and to Wendy Lochner, Christine Dunbar, and Irene Pavitt at Columbia University Press for their careful attention to the manuscript throughout the publication process.
I managed to clarify the prose of particularly tricky sections thanks to scrupulous readings by Lisa Cohen, Elizabeth Salzer, Andrew Aghapour, Wayne Proudfoot, and Helen Ashley. Veronica Warren provided enthusiastic and invaluable assistance with subtitles, scansion, and epigraphs. Isaac Rubenstein did his best to keep the prose from being too boring. Kenan Rubenstein drew and designed the cover; illustrated the quilted, inflationary, and connected multiverses; and talked me through so many conceptual and stylistic difficulties that I no longer know which ideas were his to begin with. And I relied throughout the course of this project on the patience and encouragement of Keera Bhandari, who found articles, read and improved chapters, and augmented my own excitement about the cosmological entanglement of physics and metaphysics.
Finally, I am indebted beyond measure to Catherine Keller, whose work has shaped nearly every part of this project, who responded with characteristic clarity to recalcitrant paragraphs and numerous drafts, and whose tireless encouragement made this whole thing seem, impossibly, possible.
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