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Alan Rosenthal - Jerusalem, Take One!: Memoirs of a Jewish Filmmaker

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    Jerusalem, Take One!: Memoirs of a Jewish Filmmaker
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Jerusalem, Take One!: Memoirs of a Jewish Filmmaker: summary, description and annotation

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Jerusalem, Take One! Memoirs of a Jewish Filmmaker is a behind-the-scenes look at the life of documentary filmmaker Alan Rosenthal, the maker of over sixty films including Day of Peace, Out of the Ashes, A Nation Is Born, and On the Brink of Peace. As a witness to so much recent Israeli history through a cameras viewfinder, Rosenthal himself makes as much of an interesting subject as the events he documents. Born in London in 1936, Rosenthal studied law at Oxford before beginning his work in television directing in Israel and the United States. By the 1960s he was an established young filmmaker who had participated in the filming of the Eichmann trial in Jerusalem in 1961. He returned in 1968, initially for just one year, as part of a team invited by the Israeli government to set up the first television network; that year turned into the thirty-plus years that inspired this book. The Eichmann trial, the development of Israel Television, the Oslo agreement, the search for the menorah from the Second Temple, the history of Zionism on the television screen, and the Yom Kippur War and Project Renewal are but a few of the recent moments in Israeli history that Rosenthal and his camera have witnessed. As he recalls these events with humor and wit, Rosenthals words recapture the emotions and feel of those times as vividly as his lens recorded their passing. This is a memoir, not a history textbook, and Rosenthal himself is the true subject of the books most intensely personal and introspective moments, stories of growth and learning, of England and family, of love and loss, of ideological disappointment and renewed hope. Rosenthals tale is one of progress toward the man he wishes to be, the films he feels he must make, and the cultural identity he seeks to develop for himself and all Jewish people.

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title Jerusalem Take One Memoirs of a Jewish Filmmaker author - photo 1

title:Jerusalem, Take One! : Memoirs of a Jewish Filmmaker
author:Rosenthal, Alan.
publisher:Southern Illinois University Press
isbn10 | asin:0809323125
print isbn13:9780809323128
ebook isbn13:9780585313030
language:English
subjectRosenthal, Alan,--1936- , Television producers and directors--Israel--Biography, Television broadcasting of news--Israel.
publication date:2000
lcc:PN1992.4.R58A3 2000eb
ddc:791.43/0233/092
subject:Rosenthal, Alan,--1936- , Television producers and directors--Israel--Biography, Television broadcasting of news--Israel.
Page iii
Jerusalem, Take One!
Memoirs of a Jewish Filmmaker
Alan Rosenthal
Page iv Copyright 2000 by Alan Rosenthal All rights reserved Printed in the - photo 2
Page iv
Copyright 2000 by Alan Rosenthal
All rights reserved
Printed in the United States of America
03 02 01 00 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Rosenthal, Alan, 1936
Jerusalem, take one! : memoirs of a Jewish filmmaker / Alan Rosenthal.
p. cm.
1. Rosenthal, Alan, 1936 . 2. Television producers and directorsIsraelz Biog
raphy. 3. Television broadcasting of newsIsrael. I. Title.
PN1992.4.R58A3 2000
791.43'0233'092dc21
[B] 99-43223
CIP
ISBN 0-8093-2311-7 (cloth : alk. paper)
ISBN 0-8093-2312-5 (pbk. : alk. paper)
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1992.
Picture 3
Page v
For Miki,
Gil and Tzofnat,
Tal and Yifat,
and for my brothers and sisters,
especially Raymond,
who shared the journey
Page vii
Contents
Preface
ix
1. New Boy at Israel TV
1
2. Only Madmen Go There
26
3. Next Year in Jerusalem
46
4. Eichmann on TV
65
5. Six Days in June
88
6. Selling Zion
115
7. The Wars: Yom Kippur and After
137
8. Of Heroes and Treasures
169
9. The Brink of Peace
201
10. Civilization and the Jews
235
11. Moses, Come Home!
260
Selected Filmography
277
Index
279
Illustrations following pages
18 and 114

Page ix
Preface
Picture 4
I see you a Stranger.
I see you a Stranger.
Tell me, where have you come from.
Tell me, where are you going...
Stranger.
African tribal tale
My friend Andrew Tracey used to recite these lines to me at college, in between telling me exotic tales of growing up in Kenya, learning Swahili, going on safari, and hunting for diamonds. My own background was more prosaic, more banal. It could be told in fewer words. English. Jewish. London. Middle class. Oxford. Law. It would all have led to a very conventional journey had not Israel inserted itself into my life in a most devious way and had I not become a documentary filmmaker.
In the sixties I was living in London, working as a solicitor, and making the occasional short film. I'd flirted with the idea of Israel for years and then in 1968 was invited to Jerusalem to help set up the new television station. I thought that would just mean a year off. Now, a few decades later, to my amazement I find I'm still here, have made about fifty films about the place, am still bemused by it, still intrigued by it, and am still wondering whether I love it or hate it.
It's an Israeli journey I never expected to take. This book explains a little bit about that journey. The stranger is telling where he came
Page x
from and what happened on the way. It's a wandering that starts with the filming of the Eichmann trial, the recording of kibbutzim under fire, and Bedouin life and goes on to cover all the wars, the Intifada, and the peace process. It's been a bit of a haphazard drunken progression, so that stops on the way have included hunting for the Temple treasures in southern France, looking for underwater archaeology in the Red Sea, and trying to fathom the secrets of Jerusalem.
So, for many years, my life has revolved around putting Israel on record. As a documentary filmmaker I was, of course, privileged. I was invited, so to speak, into secret rooms, shown secret passages, and allowed to see and observe goings-on hidden from many others. I was allowed to poke, probe, insert, ask, and generally make a nuisance of myself, all in the name of the supposed good of the public. It is this privileged recording of Israel that I want to tell about in this book.
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