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Joseph M. Murphy - Working the Spirit: Ceremonies of the African Diaspora

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A brilliant comparative study of the workings of the Spirit among practitioners of African-derived religions. . . . A must read for students of African, Caribbean, Brazilian, and African American religions. Choice

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title Working the Spirit Ceremonies of the African Diaspora author - photo 1

title:Working the Spirit : Ceremonies of the African Diaspora
author:Murphy, Joseph M.
publisher:Beacon Press
isbn10 | asin:0807012211
print isbn13:9780807012215
ebook isbn13:9780807012284
language:English
subjectAfrican Americans--Religion, Blacks--Latin America--Religion, Voodooism, African diaspora.
publication date:1994
lcc:BL2490.M87 1994eb
ddc:200/.89/96
subject:African Americans--Religion, Blacks--Latin America--Religion, Voodooism, African diaspora.
Page iii
Working the Spirit
Ceremonies of the African Diaspora
Joseph M. Murphy
Working the Spirit Ceremonies of the African Diaspora - image 2
Page iv
Beacon Press
25 Beacon Street
Boston, Massachusetts 021082892
Beacon Press books
are published under the auspices of
the Unitarian Universalist Association of Congregations.
1994 by Joseph M. Murphy
All rights reserved
Printed in the United States of America
The author would like to thank Judith Gleason for permission to use material from her film The King Does Not Lie; song from Life in a Haitian Valley by Melville J. Herskovits, copyright 1937 by Alfred A. Knopf, Inc., renewed 1965 by Frances S. Herskovits, reprinted by permission of Alfred A. Knopf, Inc., songs from Voodoo Heritage by Michel Laguerre, copyright 1980 by SAGE Publications, Inc., reprinted by permission of SAGE Publications, Inc.
Library of Congress Cataloging-in-Publication Data
Murphy, Joseph M., 1951
Working the spirit : ceremonies of the African diaspora / Joseph
M. Murphy.
p. cm.
Includes bibliographical references and index.
ISBN 0-8070-1220-3 (cloth)
ISBN 0-8070-1221-1 (paper)
1. Afro-AmericansReligion. 2. BlacksLatin AmericaReligion.
3. Voodooism. 4. African diaspora. I. Title.
BL2490.M87 1994
200'.89'96dc20 93-3929
99 8 7 6 5 4
Text design by David Bullen
Page v
to our African ancestors
Page vii
Contents
Preface
ix
Note on Orthographies
xiii
1. Introduction
1
2. Haitian Vodou
10
3. Candombl in Brazil
44
4. Cuban and Cuban American Santera
81
5. Revival Zion in Jamaica
114
6. The Black Church in the United States
145
7. Working the Spirit
176
Acknowledgments
201
Notes
203
Glossary
239
Selected Bibliography
247
Index
257

Page ix
Preface
When I began planning this book in the winter of 1989 I had in mind a kind of handbook of religions of the African diaspora. The book would organize basic information about the traditions and show something of their spirit. As the research and writing continued I began to realize that it was this spirit that interested me, especially the special ways that the spirit was "worked" in the communal ceremonies of each tradition. After years of attending santera drum and dance ceremonies, I started to see, hear, and feel many of the same "workings" during visits to African American churches. The book began to focus on what an outsider might experience at services of the spirit in five diasporan communities, and how these experiences might relate to the communities' own interpretation of their actions.
I've discovered that while it is difficult enough to relate basic information about the traditions, it is quite something more to presume to understand their spirit. As a white, North American, middle-class male, I've continually discovered new limitations in my understanding of religions of the African diaspora as I have projected my own interests and issues on people with very different ones. As I have grown in my understanding of their traditions, I have experienced a continual correction of these projections, a challenge to my prejudices by diasporan realities. Yet
Page x
further on the road of understanding, I have found new commonalities of material and spiritual values. At each level of understanding I've learned that I am more like and more different from the people whom I have been getting to know. I hope that I have been able to give an account that is acceptable to them and intelligible to outsiders.
One of the highest hurdles to overcome in interpreting diasporan traditions to outsiders is the deep-seated popular image of them as "voodoo," malign "black magic." Hundreds of books and scores of films have portrayed the spirituality of millions of people of African descent as crazed, depraved, or demonic manipulations of gullible and irrational people. These images have their origin in the French colonial reaction to the revolt of Haitian slaves whose motive in liberating themselves from grinding and brutal enslavement was thought to rest in
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