MEDIEVAL ITALY
AN ENCYCLOPEDIA
MEDIEVAL ITALY
An Encyclopedia
Volume 1-2
A to Z
Index
Christopher Kleinhenz, Editor
Associate Editors
John W. Barker
Gail Geiger
Richard Lansing
Published in 2004 by
Routledge
711 Third Avenue, New York, NY 10017
Published in Great Britain by
Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright 2004 by Christopher Kleinhenz
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
ISBN 13: 978-0-415-93929-4 (hbk) (set)
ISBN 13: 978-0-415-93930-0 (hbk) (vol 1)
ISBN 13: 978-0-415-93931-7 (hbk) (vol 2)
Library of Congress Cataloging-in-Publication Data.
Medieval Italy: an encyclopedia / Christopher Kleinhenz, editor.
p. cm. (The Routledge encyclopedias of the Middle Ages) Includes bibliographical
references and index.
ISBN 0415939291 (set) ISBN 0415939305 (v. 1) ISBN 0415939313 (v.2)
1. ItalyCivilization4761268Encyclopedias. 2. ItalyCivilization12681559
Encyclopedias. I. Kleinhenz, Christopher. II. Series.
DG443.M43 2003
945 '.03'03dc21
2003007183
Cover photos: Archivo Iconografico, S.A./CORBIS
Volume 1: Detail from Ambrogio Lorenzetti, The Allegory of Good Government: The Effects of Good Government in the City , 13381340. Volume 2: Detail from Ambrogio Lorenzetti, The Allegory of Good Government: The Effects of Good Government in the Countryside , 1337
CONTENTS
Medieval Italy: An Encyclopedia provides an introduction to the many and diverse facets of Italian civilization from the late Roman empire to the end of the fourteenth century. To speak of "Italy" is, of course, anachronistica geographical rather than a political designationgiven that Italy did not become a nation until the second half of the nineteenth century. Nevertheless, the idea of "Italy" was present in the mind of Dante and Petrarch and many others who longed for the peace and stability that they presumed and hoped a nation-state would provide. The two volumes of this encyclopedia present articles, both long and short, on a wide range of topics that concern the civilization of medieval Italy: history, literature, art, music, urban development, commerce and economics, social and political institutions, religion and hagiography, philosophy, science, and so on. We have attempted to bring together in one convenient reference work all these aspects of Italian civilization; however, given the vastness and the complexity of the subject matter, we make no claim for completeness. We hope to have provided a well-balanced, informative, and up-to-date reference work that will serve the interests of students and the general public, as well as those of scholars in a variety of disciplines.
The entries in this encyclopedia range in length from about 100 words to more than 10,000. Shorter entries usually treat very specific topics; longer entries are intended to trace the history and development of individual cities and to explain and interpret major institutions, writers and works, cultural movements, and monuments. As much as possible, we have tried to provide an interdisciplinary focus, for that sort of integrative approach not only will make a topic more accessible to a larger audience but also will enable readers to see relationships and connections that might not be immediately apparent. Although scholars will generally be familiar with the basic information and bibliographies found in those articles in their own areas of expertise, they should find articles in other areas valuable for critical orientation, interpretation, and bibliography. The analytical index at the end of Volume 2 and the cross-references at the end of most articles will serve as indispensable aids to using the work.
Entries are arranged alphabetically, and individual entry titles are in either English or Italian, depending on what we considered the more common usage. The works of a specific author are usually discussed in the entry devoted to that author, although some general entries (e.g., Italian Poetry: Lyric) discuss in a chronological, topical, or synthetic way numerous authors, each of whom has a separate entry. Some problems emerged in the alphabetizing of personal names, and some inconsistencies may have been unavoidable. The guiding principle has been to list the person under the name that would be most natural or most familiar to most readers; thus Dante Alighieri is listed under D and Cino da Pistoia under C, while Giovanni Boccaccio is found under B and Guido Cavalcanti under C; Peter Damian is found under D, but Peter Lombard is listed under P. The bibliographies were prepared for specialists and nonspecialists alike and include, when appropriate, indications of primary sources (editions), translations, and a wide variety of secondary sources and critical studies, all of which provide a wealth of material for further reading and study. This encyclopedia also includes maps, illustrations for many entries, and an appendix listing popes and rulers.
A work of this size (almost 1,000 entries) requires the cooperation and collaboration of many persons, and over the yearstoo many years, I should probably add, and our contributors will undoubtedly agreeI have accumulated many debts. I am very grateful to the many colleagues (192 in all) who gave generously of their time and expertise to write the articles that make up these two volumes. Their names are listed both at the beginning of the encyclopedia and after each of their entries. In particular, I thank my associate editorsJohn Barker, Gail Geiger, and Richard Lansingwho have provided invaluable assistance in the recruiting of contributors, in the editing of their articles, and in the writing of original entries for the encyclopedia. I also thank those colleagues who provided photographs: John Barker, Teresa Gualtieri Clarke, Gail Geiger, and Richard Lansing. I am very grateful to Lou Jordan and his staff (in particular, Christian Du Pont and Sara Weber) in the Department of Special Collections for placing at my disposal their very rich holdings during my several photographic expedi tions to the Hesburgh Library at the University of Notre Dame. I am similarly indebted to the former and present curatorsRobin Rider and Geraldine Laudatiof the Department of Special Collections of Memorial Library, University of Wisconsin-Madison, for allowing me to take photographs of materials in their wonderful collection.
Work on the encyclopedia began with the encouragement and sure guidance of Gary Kuris at Garland Publishing and proceeded under the editorial supervision of Marianne Lown, Joanne Daniels, and Richard Steins. Most recently the project has benefited enormously from the support of Sylvia Miller and the expert editorial hand of Susan Gamer and their many assistants at Routledge. On a more personal note, I owe more than words can say to the support always generously given me by my wife Marge and our sons Steven and Michael, who can now, I believe, breathe a great sigh of relief, in the knowledge that this project is indeed truly and finally done. It is to them, for their love of Italy both medieval and modern, that I dedicate these volumes.