Norman K. Denzin - The Cinematic Society: The Voyeurs Gaze (Theory, Culture & Society)

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title	:	The Cinematic Society : The Voyeur's Gaze Theory, Culture & Society (Unnumbered)
author	:	Denzin, Norman K.
publisher	:	Sage Publications, Inc.
isbn10 | asin	:	0803986580
print isbn13	:	9780803986589
ebook isbn13	:	9780585344621
language	:	English
subject	Motion pictures--Social aspects, Motion picture audiences--Psychology, Gaze--Psychological aspects.
publication date	:	1995
lcc	:	PN1995.9.S6D39 1995eb
ddc	:	302.32/43
subject	:	Motion pictures--Social aspects, Motion picture audiences--Psychology, Gaze--Psychological aspects.

Page i The Cinematic Society

Page ii Theory, Culture & Society Theory, Culture & Society caters for the resurgence of interest in culture within contemporary social science and the humanities. Building on the heritage of classical social theory, the book series examines ways in which this tradition has been reshaped by a new generation of theorists. It will also publish theoretically informed analyses of everyday life, popular culture, and new intellectual movements. EDITOR: Mike Featherstone, University of Teesside SERIES EDITORIAL BOARD Roy Boyne, University of Northumbria at Newcastle Mike Hepworth, University of Aberdeen Scott Lash, University of Lancaster Roland Robertson, University of Pittsburgh Bryan S. Turner, Deakin University Recent volumes include: The Body and Social Theory Chris Shilling Symbolic Exchange and Death Jean Baudrillard Sociology in Question Pierre Bourdieu Economies of Signs and Space Scott Lash and John Urry Religion and Globalization Peter Beyer Baroque Reason The Aesthetics of Modernity Christine Buci-Glucksmann The Consuming Body Pasi Falk Cultural Identity and Global Process Jonathan Friedman Established and the Outsiders Norbert Elias and John L. Scotson

Page iii The Cinematic Society The Voyeur's Gaze Norman K. Denzin

Page iv Norman K. Denzin 1995 First published 1995 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted or utilized in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publishers. Published in association with Theory, Culture & Society, School of Human Studies, University of Teesside. SAGE Publications Ltd 6 Bonhill Street London EC2A 4PU SAGE Publications Inc 2455 Teller Road Thousand Oaks, California 91320 SAGE Publications India Pvt Ltd 32, M-Block Market Greater Kailash - I New Delhi 110 048 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0 8039 8657 2 ISBN 0 8039 8658 0 (pbk) Library of Congress catalog card number 94-074913 Typeset by Mayhew Typesetting, Rhayader, Powys Printed in Great Britain by Redwood Books, Trowbridge, Wiltshire

Page v Contents Acknowledgments vii Introduction 1 1 The Birth of the Cinematic Society 13 2 The Voyeur's Desire 42 3 The Comic Voyeur's Gaze 64 4 The Asian Eye: Charlie Chan and Mr Moto Go to the Movies 88 5 Flawed Visions: The Obsessive Male Gaze 114 6 Women at the Keyhole: Fatal Female Visions 139 7 Paranoia and the Erotics of Power 162 8 The Voyeur's Future 190 References 223 Index 240 About the Author 248

Page vi Dedicated to the memory of Carl J. Couch born 9 June 1925 died 15 September 1994 'He will always be here'

Page vii Acknowledgments I would like to thank Mike Featherstone and Stephen Barr for their support of this project. Interactions in the Unit for Criticism and Interpretive Theory at the University of Illinois, and conversations with Mitch Allen, Robert Carringer, William R. Schroeder, Bryan Cooke, Ben Agger, Carl Couch, David Altheide, Patricia Clough, Laurel Richardson, James Carey, Avaid Raz, Katherine Ryan, Nate Stevens, Johanna Bradley, Richard Bradley, Rachel Denzin, Dilip P. Goaonkar, Larry Grossberg, Stanford M. Lyman, and Norbert Wiley helped to clarify my arguments. I wish to thank Rosemary Campbell for her careful copy editing and her patience and assistance throughout the production process and Paul Benson for his meticulous reading of the page proofs and the production of the index.

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