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Irwin William - Blackwell Philosophy and Pop Culture Series: Arrested Development and Philosophy: Theyve Made a Huge Mistake

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A smart philosophical look at the cult hit television show, Arrested Development

Arrested Development earned six Emmy awards, a Golden Globe award, critical acclaim, and a loyal cult following--and then it was canceled. Fortunately, this book steps into the void left by the shows premature demise by exploring the fascinating philosophical issues at the heart of the quirky Bluths and their comic exploits. Whether its reflecting on Gobs self-deception or digging into Tobiass double entendres, youll watch your favorite scenes and episodes of the show in a whole new way.

  • Takes an entertaining look at the philosophical ideas and tensions in the shows plots and themes
  • Gives you new insights about the Bluth family and other characters: Is George Michaels crush on his cousin unnatural? Is it immoral for Lindsay to lie about stealing clothes to hide the fact that she has a job? Are the pictures really of bunkers or balls?
  • Lets you sound...

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CONTENTS The Blackwell Philosophy and Pop Culture Series Series Editor - photo 1

CONTENTS

The Blackwell Philosophy and Pop Culture Series

Series Editor: William Irwin

South Park and Philosophy

Edited by Robert Arp

Metallica and Philosophy

Edited by William Irwin

Family Guy and Philosophy

Edited by J. Jeremy Wisnewski

The Daily Show and Philosophy

Edited by Jason Holt

Lost and Philosophy

Edited by Sharon Kaye

24 and Philosophy

Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed

Battlestar Galactica and Philosophy

Edited by Jason T. Eberl

The Office and Philosophy

Edited by J. Jeremy Wisnewski

Batman and Philosophy

Edited by Mark D. White and Robert Arp

House and Philosophy

Edited by Henry Jacoby

Watchmen and Philosophy

Edited by Mark D. White

X-Men and Philosophy

Edited by Rebecca Housel and J. Jeremy Wisnewski

Terminator and Philosophy

Edited by Richard Brown and Kevin Decker

Heroes and Philosophy

Edited by David Kyle Johnson

Twilight and Philosophy

Edited by Rebecca Housel and J. Jeremy Wisnewski

Final Fantasy and Philosophy

Edited by Jason P. Blahuta and Michel S. Beaulieu

Alice in Wonderland and Philosophy

Edited by Richard Brian Davis

Iron Man and Philosophy

Edited by Mark D. White

True Blood and Philosophy

Edited by George Dunn and Rebecca Housel

Mad Men and Philosophy

Edited by James South and Rod Carveth

30 Rock and Philosophy

Edited by J. Jeremy Wisnewski

The Ultimate Harry Potter and Philosophy

Edited by Gregory Bassham

The Ultimate Lost and Philosophy

Edited by Sharon Kaye

Green Lantern and Philosophy

Edited by Jane Dryden and Mark D. White

The Girl with the Dragon Tattoo and Philosophy

Edited by Eric Bronson

Arrested Development and Philosophy

Edited by Kristopher Phillips and J. Jeremy Wisnewski

Copyright 2012 by John Wiley and Sons All rights reserved Published by John - photo 2

Copyright 2012 by John Wiley and Sons. All rights reserved

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com . Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions .

Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

For general information about our other products and services, please contact our Customer Care Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats and by print-on-demand. Some content that appears in standard print versions of this book may not be available in other formats. For more information about Wiley products, visit us at www.wiley.com .

ISBN 978-0-470-57559-8 (paper); ISBN 978-1-118-14609-5 (ebk); ISBN 978-1-118-14626-2 (ebk); ISBN 978-1-118-14627-9 (ebk)

ACKNOWLEDGMENTS

And Now a Few Words from the New CEOs of the Bluth Company

Three years ago we set out to keep this family together... and it looks as if... (pardon us if we get a bit choked up here) it looks as if weve succeeded in that goal. Okay, maybe were not really the CEOs of any company, and we certainly didnt succeed in keeping the Bluths on television, let alone together, but we do have some people to thank for making this book happen.

We really lucked out a number of times and would like to extend serious thanks to our Banana Stand staff both for moving the Bluth Company down one floor to save on costs and ultimately saving the company, and for contributing wonderful works to our book without having made too many huge mistakes. Were also endlessly grateful to Connie Santistiban for making this work sparkle, and Bill Irwin for his Michael-esque patience in working with Kriss (very) Buster-esque pestering (panic attacks and all) about the viability of the project.

Kris would like to thank Shawn Akbar and Amber Griffioen for their help and encouragement; you guys are the Gob and Lindsay to his Buster. He would also like to thank various co-graduate students at the U of I for reading papers and giving him invaluable feedback, in particular Seth Jones, Sam Taylor, and Matt Drabek. Kris would also like to extend thanks to his parents Jeff and Joyce Phillips, mostly for being nothing like George Sr. and Lucille, and by that he means, for encouraging him every step of the way. Most importantly, he would like to thank his wife Nateasa McGuire for reading, re-reading, and listening to him read the papers in this book, for giving him ideas much better than those that he came up with himself, and for all of your support.

Jeremy would like to thank Jackie Seamon for reading through the book, hunting out mistakes, and then yelling about them. He would also like to thank all of those friends who listened to him recite scenes from episodes of Arrested Development, patiently smiling, and indulging him despite the oodles of other things they had to do. You know who you are. Finally, Jeremy would like to thank his wife, Dorothy, for her continuous support. He wouldnt make it without her. The children also deserve a thank you. It aint easy being a philosophers kidso thanks are due to Audrey and Lucian.

Of course, frozen bananas dipped in chocolate deserve the most thanks of all. When things get rough, after all, theres always money in the Banana Stand.

INTRODUCTION

Kristopher Phillips

This is the story of a wealthy family who lost everything (including their show) and the group of philosophers who had no choice but to write a book about it.

Well, its a matter of philosophical debate whether or not we really had a choice in the matter (or ever), but one thing is for surewe really wanted to.

The reasons for wanting to write on the philosophical underpinnings in Arrested Development are probably as diverse as the characters in the showI, for one, had many different reasons, including (and certainly not limited to) an intense desire to watch and rewatch the entire series with friends and professors. As I watched, and rewatched, I found myself wondering whether the Bluths really are as unrelatable as they think they are (at least in the third season).

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