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Hub Berthold - Images of Sex and Desire in Renaissance Art and Modern Historiography

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Hub Berthold Images of Sex and Desire in Renaissance Art and Modern Historiography
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Images of Sex and Desire in Renaissance Art and Modern Historiography Revolving - photo 1
Images of Sex and Desire in Renaissance
Art and Modern Historiography

Revolving around notions of Lacanian desire, this provocative volume aims to expand our understanding of the relationship between sexuality and visual culture. The twelve essays assembled here, paying careful attention to historiography, deconstruct a multitude of myths and ideologies in order to advance a more nuanced sense of self and desire. This innovative collection will make a significant contribution to the fields of art history, gender and sexuality studies, and literary theory.

Allison Levy, author of Sex Acts in Early Modern Italy (Routledge, 2010)

Studies on gender and sexuality have proliferated in the last decades, covering a wide spectrum of disciplines. This collection of essays offers a metanarrative of sexuality as it has been recently embedded in the art historical discourse of the European Renaissance. It revisits canonical forms of visual culture, such as painting, sculpture and a number of emblematic manuscripts. The contributors focus on one imageeither actual or thematicand examine it against its historiographic assumptions. Through the use of interdisciplinary approaches, the essays propose to unmask the ideology(ies) of representation of sexuality and suggest a richer image of the ever-shifting identities of gender. The collection focuses on the Italian Renaissance, but also includes case studies from Germany and France.

Angeliki Pollali is Associate Professor and Program Coordinator of Art History at DereeThe American College of Greece.

Berthold Hub is fellow of the Kunsthistorisches Institut in Florenz (Max-Planck-Institut) and lecturer at the University of Vienna.

Visual Culture in Early Modernity

Series Editor: Kelley Di Dio, University of Vermont

A forum for the critical inquiry of the visual arts in the Early Modern world, Visual Culture in Early Modernity promotes new models of inquiry and new narratives of early modern art and its history. The range of topics covered in this series includes, but is not limited to, painting, sculpture and architecture, as well as material objects, such as domestic furnishings, religious and/or ritual accessories, costume, scientific/medical apparata, erotica, ephemera and printed matter.

For a full list of titles in this series, please visit www.routledge.com/Visual-Culture-in-Early-Modernity/book-series/ASHSER2107

Early Modern Merchants as Collectors

Edited by Christina M. Anderson

Visual Culture and Mathematics in the Early Modern Period

Edited by Ingrid Alexander-Skipnes

Knowledge and Discernment in the Early Modern Arts

Edited by Sven Dupr, Christine Gttler

Renaissance Porticoes and Painted Pergolas

Nature and Culture in Early Modern Italy

Natsumi Nonaka

Federico Barocci

Inspiration and Innovation in Early Modern Italy

Edited by Judith W. Mann

The Realism of Piero della Francesca

Joost Keizer

Thresholds and Boundaries

Liminality in Netherlandish Art (13851550)

Lynn F. Jacobs

Images of Sex and Desire in Renaissance Art and Modern Historiography

Edited by Angeliki Pollali and Berthold Hub

Images of Sex and Desire
in Renaissance Art and Modern
Historiography

Edited by Angeliki Pollali and Berthold Hub

Images of Sex and Desire in Renaissance Art and Modern Historiography - image 2

First published 2018
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2018 Taylor & Francis
The right of Angeliki Pollali and Berthold Hub to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging in Publication Data
A catalog record for this book has been requested
ISBN: 978-1-138-05424-0 (hbk)
ISBN: 978-1-315-09800-5 (ebk)
Typeset in Sabon
by Sunrise Setting Ltd, Brixham, UK
Cover image: Titian, Bacchanal of the Andrians, 15236, oil on
canvas, 175 cm 193 cm. Madrid, Museo del Prado.
Contents
ANGELIKI POLLALI
PART I
The Politics of Desire: Stereotypes and Ambiguity of Gender Identity
LINDA C. HULTS
PETER BELL
ROBIN OBRYAN
NANCY M. FRELICK
PART II
Mechanisms for Actualizing Desire: From Seduction to Post-Coital Man
SABINE ENGEL
ROMANA SAMMERN
TATIANA C. STRING
ANGELIKI POLLALI
PART III
Beyond the Pleasure Principle or the Polysemy of Desire
LILIANA LEOPARDI
FRANOIS QUIVIGER
YVONNE OWENS
KATHERINE CRAWFORD

Photo: Erich Lessing / Art Resource, New York.

Courtesy National Gallery of Art, Washington.

Courtesy Photofest, New York.

Courtesy Photofest, New York.

Germanisches Nationalmuseum, Nrnberg.

Courtesy National Gallery of Art, Washington.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Per gentile concessione della Fabbrica di San Pietro in Vaticano.

Photo: Mondadori Portfolio / Archivio Antonio Quattrone / Antonio Quattrone.

Photo: Scala / Art Resource, New York.

Photo: Mondadori Portfolio / Archivio Antonio Quattrone / Antonio Quattrone.

Photo: Alfred Dagli Orti / The Art Archive at Art Resource, New York.

Photo: Scala / Art Resource, New York.

Photo: Scala / Art Resource, New York.

Kupferstichkabinett. Staatliche Museen zu Berlin.

Staatsbibliothek zu BerlinPK, http://resolver.staatsbibliothek-berlin.de/SBB0001C87400000000.

Italian Artists of the Sixteenth Century: The School of Fontainebleau, ed. by Henri Zerner (The Illustrated Bartsch, vol. 33) (New York: Abaris Books, 1979), 382.

Staatsbibliothek zu BerlinPK.

Staatsbibliothek zu BerlinPK.
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