ACKNOWLEDGMENTS
To Victor H. Krulak, lieutenant general, USMC (Retd), my boss and friend in the Pentagon during the Kennedy years.
To Oliver Stone, for discovering in my ideas and experience the ingredient that made the theme of his great movie a challenge to America.
To my son, David, his wife, Bonnie, and my daughters, Jane and Lauren, all computer experts, without whose encouragement and assistance I could never have accomplished the burden of this work.
To Lauren Michele Prouty, again because she did all the computer chores essential to the technical quality of the final product.
To my editor, Hillel Black, for his understanding a complex manuscript and an intricate subject and for his inspiration.
To Thomas Whittle, editor of Freedom. magazine, for recognizing the value of this work and publishing some of these earlier articles.
To Michael Baybak, my literary agent, for steering me through the intricate pathways of publishing with good sense and good humor.
AFTERWORD
Stones JFK and the Conspiracy
FEW MOTION PICTURES of the past several decades have had the impact upon the general public as did Oliver Stones film JFK. The fact of the existence of a conspiracy to kill the President of the United States is shocking; yet many Americans try to brush it aside.
Although the great majority of Americans do not believe the Warren Commissions conclusion that Lee Harvey Oswald by himself killed Kennedy, they find it all but impossible to believe the alternative. This homespun psychological safety net was shattered by Stones film. From the time they saw that film they have been unable to accept the creative falseness of the cover story. That film made conspiracy the only true conclusion.
Of particular note was the films effect upon the professional community of assassination buffs. To begin with, these writers and researchers are not a homogeneous society. There are some who support the government line, with its Warren Commission, magic bullet, Lee Harvey Oswald, Jack Ruby, and all the rest of that massive, highly contrived fiction. Then there are the dedicated researchers who know that the Warren Commission Report was a smoke screen and that all of its mythology is a masterful cover story designed and nourished at the highest level by those who have spent a lifetime concealing the facts of the case. It was this latter group of buffs who found encouragement in Stones masterful film, as well as renewed strength in its message.
To these more or less well organized groupings, we must add the new and rapidly growing hordes of assassination investigators who encountered reality and encouragement in the film and who have become interested in its challenging message. For them Stones film presented a comprehensive coverage of the assassination and all of its ramifications, public and private, that provided everyone with material they may not have heard before.
And, then there are the pure professionals. Many of the more prominent of this group viciously attacked Oliver Stone and his movie. Now why would they, of all people, so violently denigrate the film that supported the fact of the conspiracy? Dont they see the truth? Have they made public their own personal beliefs? Quite frankly, I doubt it. These hard-liners comprise the most ardent sector of the assassination buff mlange because they are professional writers and journalists who work for some of the most important media outlets in the country.
One of them, Leslie Gelb, is the man Robert McNamara placed in charge of the task force that produced the Defense Department History of United States Decisionmaking on Vietnam, aka the Pentagon Papers. His task force is the one that came up with the following historical fact:
22 Nov 1963
Lodge confers with the President.
Having flown to Washington the day after the conference, Lodge meets with the President and presumably continues the kind of report given in Honolulu.
Gelb had all but concealed Kennedys NSAM #263 in the Pentagon Papers, by dividing it into meaningless sections, and continued his assault on that Kennedy policy as he berated Stone for his film.
Another of these prominent writers was Tom Wicker of the New York Times. He also attacked Stones use of Kennedys Vietnam policy statement, NSAM #263, with the comment, I know of no reputable historian who has documented Kennedys intentions. NSAM #263 is the official and complete documentation of Kennedys intentions. It was derived from a series of White House conferences and from the McNamara-Taylor Vietnam Trip Report, and it stated the views of the President and of his closest advisers as is made clear in the U.S. government publication Foreign Relations of the United States, 19611963, vol. IV, Vietnam: August-December 1963. That source is reliable history Wickers December 22, 1991, Times article was a lengthy and unnecessarily demeaning diatribe against Stone and his movie.
So many of these professional writers attacked the film, even well before it was on the screens of the nation, that Oliver Stone took the unusual step of publishing The Book of the Film in 1992. In this important work, Stone does what few others have done. He presents the full JFK debate by publishing the demeaning articles of his detractors and the responses of his supporters side by side in the text. This evenhanded approach is rare in such public debates.
For the record, these reactions and commentaries came from the following people (number of articles in parentheses):
David Ansen, (2); Robert Sam Anson, (1); David W. Belin, (3); Jimmy Breslin, (1); Joseph A. Califano, Jr., (1); Alexander Cockburn, (4); Alan M. Dershowitz, (1); Roger Ebert, (2); Gerald R. Ford, (1); Leslie H. Gelb, (1); Tom Hayden, (1); Robert Hennelly, (2); George Lardner, Jr. (4); Anthony Lewis, (1); Norman Mailer, (1); William Manchester, (1); Richard M. Mosk, (1); Daniel Patrick Moynihan, (1); John Newman, (1); Andrew OHehir, (1); L. Fletcher Prouty, (2); Ron Rosenbaum, (1); Arthur Schlesinger, Jr., (1); Katherine Seelye, (1); Brent Staples, (1); Oliver Stone, (12); Garry Trudeau, (1); and Tom Wicker, (1); and others.
This latter group, among them Robert Sam Anson, Leslie Gelb, George Lardner, Anthony Lewis, William Manchester, Arthur Schlesinger, and Tom Wicker came out of nowhere to attack Oliver Stone, Jim Garrison and myself for what the movie offered the public: much of their work was done before the film had been produced and shown to the public. This is a rare form of movie review and was almost universally adversarial, even though, in most cases, they, the writers, were in error and not the film itself. What is it that bonds these major writers together? The truth?
What is most interesting about this latter group of professional writers, most of whom work for major media bosses, is that they all wrote negatively about the film and all wrote in support of the anticonspiracy, lone-gunman, Warren Commission theory. They are a highly motived clan... for money.
Here is where this remarkable film of Stones hits the hardest among all of these experts. It strengthens the arguments of those who believe that there was a massive conspiracy, and it does battle, as did David versus Goliath, against the power of the throne. To all of this, the filmfor both sidesenlivened the game and created new flocks of believers.
One of the films major achievements was that it aroused the United States Congress to mandate a comprehensive review of all federal government records related to the assassination of President John F. Kennedy, including the records of the Warren Commission, the House Assassinations Committee, the Church Committee, and all Executive branch agencies, including the C.I.A. and the F.B.I. This was well intentioned; but in reality it is a sham. The answers to the source of the decision to murder John F. Kennedy are not in government files.