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Keith Cohen - Writing in a Film Age: Essays by Contemporary Novelists

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Writing in a Film Age Essays by Contemporary Novelists Keith Cohen - photo 1
Writing in a Film Age
Essays by Contemporary Novelists
Keith Cohen, editor
University Press of Colorado

title:Writing in a Film Age : Essays By Contemporary Novelists
author:Cohen, Keith.
publisher:University Press of Colorado
isbn10 | asin:0870811800
print isbn13:9780870811807
ebook isbn13:9780585004198
language:English
subjectMotion pictures and literature.
publication date:1991
lcc:PN1995.3.W75 1991eb
ddc:809/.04
subject:Motion pictures and literature.
Page iv

Copyright 1991 by the University Press of Colorado

P.O. Box 849

Niwot, Colorado 80544

All rights reserved.

The University Press of Colorado is a cooperative publishing enterprise supported, in part, by Adams State College, Colorado State University, Fort Lewis College, Mesa State College, Metropolitan State College of Denver, University of Colorado, University of Northern Colorado, University of Southern Colorado, and Western State College.

Library of Congress Cataloging-in-Publication Data

Writing in a film age: essays by contemporary novelists / edited by Keith Cohen.

p. cm.

Includes bibliographical references and index.

ISBN 0-87081-183-5 (alk. paper). ISBN 0-87081-180-0 (pbk.: alk. paper).

1. Motion pictures and literature. I. Cohen, Keith.

PN1995.3.W75 1991

809'.04dc20

91-12271

CIP

The paper used in this publication meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials. ANSI Z39.481984


10 9 8 7 6 5 4 3 2 1

Page v

for Paula, Alex, Marc, and Benjamin
Page vii

Contents
Preface
ix
Introduction
Capacities of Cinema: Thoughts, Dreams, and Repetition
The Word, the Image
Rules of the Game and the Question of Verisimilitude
Innovation, Avant-garde
Art, Ideology, Taste
1
4
17
23
29
37
Part 1: Up Against Cinema
1. William S. Burroughs
Screenwriting and the Potentials of Cinema
47
53
2. Marguerite Duras
Green eyes (Les Yeux verts): Selections
87
96
3. Alain Robbe-Grillet
For a New Cinema
104
112
4. Alexander Kluge
Word and Film
121
130
5. Ronald Sukenick
Film Digression
149
155
Part 2: Writing Film Into a System
6. Jorge Luis Borges
The Future of a Fiction
169
175

Page viii

7. Pier Paolo Pasolini
Aspects of a Semiology of Cinema
182
191
Part 3: Cinema: The Other Apprenticeship
8. Jonathan Baumbach
Seeing Myself in Movies
229
234
9. Ben Stoltzfus
Shooting With the Pen
243
246
10. Manuel Puig
How the Provincial Argentine Left Literature for the Movies, Thereby Discovering the Immense Potentials of the Novel
264
271
Bibliography
277
Filmography
289
Index
299

Page ix

Preface

I inherited this project from Frederick Ramey, who, as editor at Arden Press, first had the idea of gathering together original essays by writers whose works have crossed over into film. As Ramey worked with other editors in compiling the essays, he determined the scope of the selections and the cultural diversity of the authors. By the time I was brought onto the project, Ramey had generated five of the ten essays. He deserves credit for this initial compilation. I was charged with further expanding the international cast of writers, which I did by soliciting new essays. I also began the arduous task of editing the existing essays.

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