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Pearson Morna - Interference

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Pearson Morna Interference

Interference: summary, description and annotation

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Can you ever really trust a machine?
It is the near future.
A couple are struggling to conceive, but fortunately their company has the perfect solution.
A woman waits in a VR metaverse to do homework with her young daughter.
In a care home staffed by advanced AIs, a woman struggles to make a connection with her android carer.
Interference is a trilogy of near-future plays. Staged in an empty office block transformed with vivid projection and atmospheric soundscapes. It asks the question: will technology interfere with what we really need from each other?
This edition was published to coincide with National Theatre of Scotlands 2019 production.

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METHUEN DRAMA Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP UK - photo 1
METHUEN DRAMA Bloomsbury Publishing Plc 50 Bedford Square London WC1B 3DP UK - photo 2 METHUEN DRAMA Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, METHUEN DRAMA and the Methuen Drama logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2019 Copyright Morna Pearson, Hannah Khalil and Vlad Butucea, 2019 Morna Pearson, Hannah Khalil and Vlad Butucea have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as authors of this work. Cover design: Ben Anslow Cover image Simon Annand All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes.

No rights in incidental music or songs contained in the work are hereby granted and performance rights for any performance/presentation whatsoever must be obtained from the respective copyright owners. All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before rehearsals by professionals and by amateurs as follows: For Darklands: please contact Knight Hall Agency Ltd, 7 Mallow St, London EC1Y 8RQ, email For Metaverse: please contact Curtis Brown Group Ltd., Haymarket House, 2829 Haymarket, London, SW1Y 4SP, email For Glowstick: please contact Bloomsbury Publishing Plc, 50 Bedford Square, London WC1B 3DP, email No performance of any of these plays may be given unless a licence has been obtained. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. Interference Cast and CreditsCreative Team

Writer DarklandsMorna Pearson
Writer MetaverseHannah Khalil
Writer GlowstickVlad Butucea
DirectorCora Bissett
DesignerJen McGinley
Video Designer & Movement DirectorGail Sneddon
Lighting DesignerSimon Wilkinson
Sound DesignerGarry Boyle
Associate Video DesignerLewis den Hertog
DramaturgRosie Kellagher
Casting DirectorLaura Donnelly, CDG
Cast
Daughter in Metaverse/Brie in DarklandsShyvonne Ahmmad
Woman in Metaverse/IDA in GlowstickMoyo Akand
Mother in Metaverse/Moira in Darklands/River in GlowstickMaureen Beattie
Mute AI in Metaverse/Logan in DarklandsNicholas Ralph
Production Team
Production ManagerChris Holmes
Assistant ProducerSeona McClintock
Company Stage ManagerAnne E. Interference Cast and CreditsCreative Team
Writer DarklandsMorna Pearson
Writer MetaverseHannah Khalil
Writer GlowstickVlad Butucea
DirectorCora Bissett
DesignerJen McGinley
Video Designer & Movement DirectorGail Sneddon
Lighting DesignerSimon Wilkinson
Sound DesignerGarry Boyle
Associate Video DesignerLewis den Hertog
DramaturgRosie Kellagher
Casting DirectorLaura Donnelly, CDG
Cast
Daughter in Metaverse/Brie in DarklandsShyvonne Ahmmad
Woman in Metaverse/IDA in GlowstickMoyo Akand
Mother in Metaverse/Moira in Darklands/River in GlowstickMaureen Beattie
Mute AI in Metaverse/Logan in DarklandsNicholas Ralph
Production Team
Production ManagerChris Holmes
Assistant ProducerSeona McClintock
Company Stage ManagerAnne E.

Page

Deputy Stage ManagerMarian Sharkey
Assistant Stage ManagerLaurie Sutton
Stage SupervisorDavid Hill
Stage TechnicianAdam Quinn
Lighting SupervisorPaul Froy
Lighting TechnicianJames Gardner
Sound SupervisorAndy Stewart
Video SupervisorEllie Thompson
Costume SupervisorJessica Griffiths
Costume TechnicianBeth Hicks
Access
Yvonne StrainBSL Performance Interpreter
Lisa LiBSL Performance Interpreter
Chris McKiddieAudio Describer
To find out about the National Theatre of Scotland staff involved in this and all productions, please visit nationaltheatrescotland.com/about/contact-us National Theatre of Scotland is a Theatre Without Walls. We dont have our own building. Instead, we bring theatre to you. From the biggest stages to the smallest community halls, we showcase Scottish culture at home and around the world. We have performed in airports and tower blocks, submarines and swimming pools, telling stories in ways you have never seen before. We want to bring the joy of theatre to everyone.

Since we were founded in 2006, we have produced hundreds of shows and toured all over the world. We strive to amplify the voices that need to be heard, tell the stories that need to be told and take work to wherever audiences are to be found. nationaltheatrescotland.com

Jackie WylieArtistic Director and Chief Executive
Seona Reid DBEChair
The National Theatre of Scotland a company limited by guarantee and registered - photo 3 The National Theatre of Scotland, a company limited
by guarantee and registered in Scotland (SC234270),
is a registered Scottish charity (SC033377). Directors Note by Cora Bissett Back in 2017, the seed for Interference began with my feeling that our freedoms of speech, thought and actions were being insidiously eroded at the same time as the UK government was announcing that the UN Declaration of Human Rights would be scrapped and replaced with a British Bill of Rights with very little clarity or interrogation. This evolved into an interest in the myriad ways in which our entire private spaces were being accessed, often with our complete collusion, whether that be our online data, our homes, our dating patterns or our thoughts. Scientists have already connected a paralyzed mans brain to a computer to help him walk, for example, and Facebook says its working on software that allows you to type just by thinking.
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