Peck - Bonnie & Clyde
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- Book:Bonnie & Clyde
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- Year:2014
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Bonnie & Clyde: summary, description and annotation
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OBERON BOOKS
LONDON
First published in 2011 by Oberon Books Ltd
Electronic edition published in 2012
Oberon Books Ltd
521 Caledonian Road, London N7 9RH
Tel: 020 7607 3637 / Fax: 020 7607 3629
e-mail:
www.oberonbooks.com
Copyright Adam Peck 2010
Adam Peck is hereby identified as author of this play in accordance with section 77 of the Copyright, Designs and Patents Act 1988. The author has asserted his moral rights.
All rights whatsoever in this play are strictly reserved and application for performance etc. should be made before commencement of rehearsal to the author c/o Oberon Books Ltd. No performance may be given unless a licence has been obtained, and no alterations may be made in the title or the text of the play without the authors prior written consent.
You may not copy, store, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or binding or by any means (print, electronic, digital, optical, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
Excerpt on page 15 is reproduced from Timothy Egans The Worst Hard Time: The Untold Story of Those Who Survived the Great American Dust Bowl (Houghton Mifflin, 2006).
A catalogue record for this book is available from the British Library.
PB ISBN: 978-1-84943-123-1
EPUB ISBN: 978-1-84943-271-9
Cover image: Andreas Gradin / istockphoto.com
Printed, bound and converted in Great Britain by CPI Group
(UK) Ltd., Croydon, CR0 4YY.
Visit www.oberonbooks.com to read more about all our books and to buy them. You will also find features, author interviews and news of any author events, and you can sign up for e-newsletters so that youre always first to hear about our new releases.
AUTHORS NOTES
A shift. indicates a shift in mode, mood, space, time etc. It should be interpreted as you see fit.
Bonnie and Clyde have Texan accents. To this end:
- the letter g has been omitted from most words normally ending in ing.
- the word of has been replaced by the letter a, in some instances as a suffix, in others as a separate word.
- the word you appears in the script as both you and ya depending on the context.
However, pronunciation of all words should be as you see fit.
I have tried to apostrophise as few words as possible to facilitate reading/performance.
I am hugely indebted to Jeff Guinn for his excellent biography of
Bonnie and Clyde, Go Down Together: The True, Untold Story of Bonnie
and Clyde it was an invaluable resource to both myself and the
creative team behind the original production.
With thanks to Morgan Matthews, Ali Robertson, Emma
Stenning, Mary and Geoff Peck, Kate Yedigaroff, Sharon Clark,
and all at Tobacco Factory Theatre.
With special thanks to the people who were involved in the
workshops and discussions that took place before and during the
writing process you know who you are.
by Adam Peck
Performers
Catherine McKinnon
Eoin Slattery
Written by Adam Peck
Directed by Tid
Composition, lyrics and sound design by Peter Swaffer-Reynolds
Designed by Chris Gylee
Lighting designed by Matthew Graham
Assistant director Emily Thompson
Assistant producer Eleanor Fogg
Assistant designer Ruby Spencer
Assistant stage manager Jesse Meadows
Costume supervisor Corina Bona
Costume maker Eleanor Condon
Scenic artist Philippa Thomas
May 1932.
A disused barn in an unnamed southern state of the United States of America.
BONNIE and CLYDE look out.
BONNIE & CLYDE | We humbly acknowledge there is a time to live, and a time to die. (Beat.) For the gift of life, we are grateful. (Beat.) You have breathed into us the breath of existence given us the minds and bodies in which we now live. (Beat.) For this place in which we temporarily dwell, for the devotion that continues to unite us, for the peace bequeathed to us this day, we thank you. |
Pause. | |
We have not allowed ourselves to become victims. We have decided our own destiny. We have chosen to live lives less ordinary. | |
A shift. | |
BONNIE picks up a newspaper and reads out loud. | |
BONNIE | We have done what no hailstorm, no blizzard, no tornado, no drought, no epic siege of frost, no prairie fire, nothing in the natural history of the southern plains has ever done. We have stripped the land so bare, removed the grass so completely, that these thirty-three million acres of land will never be the same again. (Beat.) These 10,000 foot high black blizzards are encasin bodies with whirlin sand, flailinskin with edges like steel wool, fillin lungs with enough grit to make it feel as though we have already drawn our last gasp of air. |
BONNIE stops reading. | |
They sure as hell got that right. | |
Clyde, are you listenin to me? (Beat.) Daddy? | |
CLYDE | What is it? |
BONNIE | You listenin to me? |
CLYDE | Sure I am... Just thinkins all. |
BONNIE | Everythin alright...? |
CLYDE | Everythins fine. |
BONNIE | Well why dont ya come sit with me? |
CLYDE | Cos I dont wanna come sit with ya. |
BONNIE | Fine. Ill just sit here on my own then. |
CLYDE | Fine. |
BONNIE | Fine, I will. But I sure would like it if youd listen to me when Im talkin to ya. |
CLYDE | I thought you was readin the paper... |
BONNIE | I was readin the paper. I was readin the paper to you. |
CLYDE | Right. Well maybe next time ya can give me a bit a warnin. |
BONNIE | Next time I wont bother. |
CLYDE | Fine. |
BONNIE | Fine. |
Long Pause. | |
Ya thought about maybe just spendin some time together? Ya thought a that...? | |
CLYDE | We are spendin time together. |
BONNIE | Oh we are...! Forgive me for not noticin. |
CLYDE | Im thinkin is all! |
BONNIE | Sure yare youve been thinkin all day! What about me? |
CLYDE | You got somethin important to say?! Go ahead say it. But all Im hearins prattlin. (Beat.) If I wanted to know the news Id ask, or else Id read it myself, alright?! (Beat.) So are ya gonna shut up, or ya got somethin to say? |
BONNIE | No. |
Beat. | |
CLYDE | Good. Im havin a wash. |
CLYDE goes outside and washes, tending to a bullet wound on his shoulder. BONNIE tends to her damaged leg, removing old bandages, cutting new ones, etc. | |
BONNIE | (Shouting outside.) Daddy? |
CLYDE | What is it? |
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