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Shuman Bob - One on one: the best mens monologues for the 21st century

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Shuman Bob One on one: the best mens monologues for the 21st century

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Intro; Part One; The Adventures Of Nervous-Boy (A Penny Dreadful); Aliens, 3 Miles, Turn Left; An Almost Holy Picture; An Almost Holy Picture; At Said; Auntie Mayhem; The Beginning Of August; A Bicycle Country; Big Bill; Big Love; Bitter Bierce; The Black Monk; Black Thang; Black Thang; The Bosss Daughter; Burning The Old Man; Catch & Release; Chaucer In Rome; Chaucer In Rome; Clean Alternatives; Communicating Through The Sunset; Corps Values; Cuban Operator, Please; Dedication Or The Stuff Of Dreams; The Dog Problem; Doubt; Dust; Dust; End Zone; The Exonerated; Expecting Isabel;Covering the best of Broadway, Off-Broadway, regional, and experimental theatre since 2000, One on One challenges actors to explore the inner self, develop skill and artistry for auditions, and deliver a knockout onstage performance. These monologues sometimes comic, sometimes serious, and often both tackle issues ranging from race, class, gender, relationships and romance to coming of age, mortality, 9/11, and the Iraq war.

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Table of Contents PLAY SOURCES AND ACKNOWLEDGMENTS Auburn David 2002 - photo 1
Table of Contents

PLAY SOURCES AND ACKNOWLEDGMENTS

Auburn, David, 2002. ( Fifth Planet and Other Plays). We Had a Very Good Time. Reprinted by permission of the author. Contact Chris Till, Paradigm, 19 W 44th St., Suite 1410, New York, NY 10036.

Baitz, Jon Robin, 2006. The Paris Letter . Reprinted by permission of the author. Please direct inquiries to Creative Artists Agency, 162 Fifth Ave., 6th floor, New York, NY 10010.

Basham, Rebecca, 2007. Imagine . Reprinted by permission of the author. Contact Rebecca Basham, 11 Morningside Drive, Trenton, NJ 08618.

Bates, Brendon William, 2005. Corps Values . Amateurs and professionals are hereby warned that this excerpt and Corps Values is fully protected by copyright law and subject to royalty. All rights in all current and future media are strictly reserved. No part of this work may be used for any purpose without the written consent of the author. All inquiries concerning production, publication, or reprinting, or use of this work in any form should be addressed to the author: Brendon William Bates, c/o The New York Theatre Experience, Inc., PO Box 1606, Murray Hill Station, New York, NY 10156.

Beckim, Chad, 2007. Nami. Please direct queries to Chad Beckim, c/o The New York Theatre Experiences Plays & Playwrights, PO Box 1606, Murray Hill Station, New York, NY 10156.

Blank, Jessica and Erik Jensen, 2004. The Exonerated. All rights reserved. Excerpt reprinted by permission of Faber and Faber and Farrar, Inc, an affiliate of Farrar, Straus, and Giroux, LLC, 19 Union Square West, New York, NY 10003.

Bragen, Andy, 2007. Heirloom . Reprinted by permission of the author. For queries visit his website (www.andybragen.com) or contact agent Mark Orsini, Bret Adams Ltd., 448 West 44th St., New York, NY 10036; 212-765-5630; morsini@bretadamsltd.com.

Comtois, James, 2005. The Adventures of Nervous-Boy (A Penny Dreadful). All rights reserved. Queries should be directed to the author via email: jamescomtois@gmail.com or mail: James Comtois, c/o The New York Theatre Experience, PO Box 1606, Murray Hill Station, New York, NY 10156.

Cosson, Steven and The Civilians, 2003. Gone Missing. Reprinted by permission of Steven Cosson, Artistic Director, The Civilians. Written by Steven Cosson from interviews; music and lyrics by Michael Friedman. All performance rights are reserved to the copyright owners. For further information contact: The Civilians, info@thecivilians.org.

Cruz, Nilo, 2001. A Bicycle Country. All rights reserved. Reprinted by permission of the author. Play published in New Dramatists 2001. Direct inquiries to the Peregrine Whittlesey Agency, 345 East 80th St., New York, NY 10021.

Dennis, Darrell, 2003. Tales of an Urban Indian. Reprinted with permission of Playwrights Canada Press, Toronto, Canada.

De Santis, Edmund, 2001. The Language of Kisses . All queries should be directed to the author at 108 Charles St., #16, New York, NY, 10014 or email at EdmundDeSantis@aol.com. The play is published by The New York Theatre Experience.

Donaghy, Tom, 2000. The Beginning of August. All rights, including but not limited to professional, amateur, motion pictures, recitation, lecturing, public reading, all forms of mechanical or electronic reproduction, including information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved. Permission for the use of The Beginning of August or any portion thereof must be secured in writing prior to such use from the Authors agent, The Gersh Agency, 41 Madison Avenue, 33rd Floor, New York, NY 10010.

Dykstra, Brian, 2006. Clean Alternatives. All rights reserved. Queries may be sent to the author at briandykstra@earthlink.net.

Essandoh, Ato, 2002. Black Thang. The Play is fully protected by the laws of copyright and is subject to royalty. All rights in all media are strictly reserved. All inquiries concerning production or publication rights or requests to reprint any portion of the work should be directed to the author in care of The New York Experience, Inc., PO Box 744, Bowling Green Station, New York, NY 10274 or 212-375-9991.

Fleck, John, 2006. Johnnys Gota Gun. All rights reserved. Reprinted by permission of the author. Please direct inquiries to his website: www.johnfleck.net.

Fornes, Maria Irene, 2000. Letters from Cuba. All rights reserved. Inquiries should be addressed to Abrams Artists Agency, 275 Seventh Ave., 26th Floor, New York, NY 10001, ATTN: Morgan Jenness. Enriques speech is from Letters from Cuba and Other Plays published by PAJ Publications 2000 by Maria Irene Fornes. Letters from Cuba premiered at the Signature Theatre Company, 424 W 42nd St., New York City, on February 20, 2000.

Gagliano, Frank, 1999. My Chekhov Light. Reprinted by permission of the author. Contact sandrico@aol.com and/or frank@gaglianoriff.com.

Goldfin, Robin, 2007. The Naturalist. All rights reserved. Reprinted by permission of the author. Contact: robin.goldfin@nyu.edu.

Gray, Spalding, 2005. The Anniversary. All rights reserved. Reprinted by permission of Kathleen Russo. This monologue and other Gray works can be found in Life Interrupted published by Crown Publishers 2005 by the Estate of Spalding Gray.

Greenberg, Richard, 1997. Three Days of Rain. Used by permission of Grove/ Atlantic, Inc.; www.groveatlantic.com.

Greenberg, Richard, 2004. The Violet Hour. All rights reserved. Excerpt reprinted by permission of Faber and Faber and Farrar, Inc, an affiliate of Farrar, Straus, and Giroux, LLC, 19 Union Square West, New York, NY 10003.

Grimm, David, 2003. Measure for Pleasure. Caution: The monologue from Measure for Pleasure included in this volume is reprinted by permission of the author and International Creative Management, Inc. The English language stock and amateur stage performance rights in this Play are controlled exclusively by Dramatists Play Service, Inc., 440 Park Avenue South, New York, NY 10016. No professional or nonprofessional performance of the Play may be given without obtaining, in advance, the written permission of Dramatists Play Service, Inc., and paying the requisite fee. Inquiries concerning all rights should be addressed to International Creative Management, Inc., 825 Eighth Avenue, New York, NY 10019, ATTN: Patrick Herold.

Guare, John, 2002. Chaucer in Rome. All rights reserved. Reprinted by permission of The Overlook Press, 141 Wooster St., New York, NY 10012

Gurney, A. R., 2003. Big Bill. Reprinted by permission of William Morris Agency, LLC, on behalf of the Author. All rights reserved. CAUTION: Professionals and amateurs are hereby warned that Big Bill is subject to a royalty. It is fully protected under the copyright laws of the United States of America and of all countries covered by the International Copyright Union (including the Dominion of Canada and the rest of the British Commonwealth), the Berne Convention, the Pan-American Copyright Convention and the Universal Copyright Convention as well as all countries with which the United States has reciprocal copyright relations. All rights, including professional/ amateur stage rights, motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all other forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, information storage and retrieval systems and photocopying, and the rights of translation into foreign languages, are strictly reserved. Particular emphasis is laid upon the matter of readings, permission for which must be secured from the Authors agent in writing. Inquiries concerning rights should be addressed to: William Morris Agency, LLC, 1325 Avenue of the Americas, New York, NY 10019, ATTN: Eric Lupfer.

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