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Michael H. Thaut - The Oxford Handbook of Music and the Brain

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Michael H. Thaut The Oxford Handbook of Music and the Brain

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Michael H. Thaut - The Oxford Handbook of Music and the Brain
The Oxford Handbook of Music and the Brain
Michael H. Thaut
The Oxford Handbook of Music and the Brain

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The Oxford Handbook of Music and the Brain Great Clarendon Street - photo 1
The Oxford Handbook of
Music and the Brain

Great Clarendon Street Oxford ox 2 6 dp United Kingdom Oxford University - photo 2

Great Clarendon Street, Oxford, ox 2 6 dp , United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Oxford University Press 2019

The moral rights of the authors have been asserted

First Edition published in 2019

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2019943710

ISBN 9780198804123

ebook ISBN 9780192526137

Printed and bound by CPI Group (UK) Ltd, Croydon, cr0 4yy

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

Table of Contents

The Neuroscientific Study of Music: A Burgeoning Discipline
Donald A. Hodges and Michael H. Thaut

Music Through the Lens of Cultural Neuroscience
Donald A. Hodges

Cultural Distance: A Computational Approach to Exploring Cultural Influences on Music Cognition
Steven J. Morrison , Steven M. Demorest , and Marcus T. Pearce

When Extravagance Impresses: Recasting Esthetics in Evolutionary Terms
Bjorn Merker

Cerebral Organization of Music Processing
Thenille Braun Janzen and Michael H. Thaut

Network Neuroscience: An Introduction to Graph Theory Network-Based Techniques for Music and Brain Imaging Research
Robin W. Wilkins

Acoustic Structure and Musical Function: Musical Notes Informing Auditory Research
Michael Schutz

Neural Basis of Rhythm Perception
Christina M. Vanden Bosch der Nederlanden , J. Eric T. Taylor , and Jessica A. Grahn

Neural Basis of Music Perception: Melody, Harmony, and Timbre
Stefan Koelsch

Multisensory Processing in Music
Frank Russo

Music and Memory
Lutz Jncke

Music and Attention, Executive Function, and Creativity
Psyche Loui and Rachel E. Guetta

Neural Correlates of Music and Emotion
Patrik N. Juslin and Laura S. Sakka

Neurochemical Responses to Music
Yuko Koshimori

The Neuroaesthetics of Music: A Research Agenda Coming of Age
Elvira Brattico

Music and Language
Daniele Schn and Benjamin Morillon

Musical Expertise and Brain Structure: The Causes and Consequences of Training
Virginia B. Penhune

Genomics Approaches for Studying Musical Aptitude and Related Traits
Irma Jrvel

Brain Research in Music Performance
Eckart Altenmller , Shinichi Furuya , Daniel S. Scholz , and Christos I. Ioannou

Brain Research in Music Improvisation
Michael G. Erkkinen and Aaron L. Berkowitz

Neural Mechanisms of Musical Imagery
Timothy L. Hubbard

Neuroplasticity in Music Learning
Vesa Putkinen and Mari Tervaniemi

The Role of Musical Development in Early Language Acquisition
Anthony Brandt , Molly Gebrian , and L. Robert Slevc

Rhythm, Meter, and Timing: The Heartbeat of Musical Development
Laurel J. Trainor and Susan Marsh-Rollo

Music and the Aging Brain
Laura Ferreri , Aline Moussard , Emmanuel Bigand , and Barbara Tillmann

Music Training and Cognitive Abilities: Associations, Causes, and Consequences
Swathi Swaminathan and E. Glenn Schellenberg

The Neuroscience of Children on the Autism Spectrum with Exceptional Musical Abilities
Adam Ockelford

Neurologic Music Therapy in Sensorimotor Rehabilitation
Corene Thaut and Klaus Martin Stephan

Neurologic Music Therapy for Speech and Language Rehabilitation
Yune S. Lee , Corene Thaut , and Charlene Santoni

Neurologic Music Therapy Targeting Cognitive and Affective Functions
Shantala Hegde

Musical Disorders
Isabelle Royal , Sbastien Paquette , and Pauline Tranchant

When Blue Turns to Gray: The Enigma of Musicians Dystonia
David Peterson and Eckart Altenmller

New Horizons for Brain Research in Music
Michael H. Thaut and Donald A. Hodges

Eckart Altenmller, Institute of Music Physiology and Musicians Medicine (IMMM), University of Music, Drama and Media, Germany
Aaron L. Berkowitz, Department of Neurology, Brigham and Womens Hospital, Harvard Medical School, USA
Emmanuel Bigand, CNRS, UMR5022, Laboratoire dEtude de lApprentissage et du Dveloppement, Universit de Bourgogne, France and Institut Universitaire de France, France
Anthony Brandt, The Shepherd School of Music, USA
Elvira Brattico, Center for Music in the Brain (MIB), Department of Clinical Medicine, Aarhus University, Denmark and The Royal Academy of Music, Aarhus/Aalborg, Denmark
Thenille Braun Janzen, Music and Health Science Research Collaboratory (MaHRC), University of Toronto, Canada
Steven M. Demorest, Northwestern University, USA
Michael G. Erkkinen, Department of Neurology, Brigham and Womens Hospital, USA
Laura Ferreri, Cognition and Brain Plasticity Group, Bellvitge Biomedical Research Institute, Hospitalet de Llobregat, Barcelona and Department of Cognition, Development and Educational Psychology, University of Barcelona, Spain. Laboratoire dEtude des Mcanismes Cognitifs, Universit Lumire Lyon 2, 69676 Lyon, France
Shinichi Furuya, Sony Computer Science Laboratories Inc., Japan
Molly Gebrian, University of Wisconsin-Eau Claire, Department of Music and Theatre Arts, USA
Jessica A. Grahn, Brain and Mind Institute, Western University, Canada
Rachel E. Guetta, The National Center for PTSD, VA Boston Healthcare System, USA
Shantala Hegde, Clinical Neuropsychology and Cognitive Neuroscience Center and Music Cognition Laboratory, Department of Clinical Psychology, National Institute of Mental Health and Neurosciences, Bengaluru, India
Donald A. Hodges, University of North Carolina at Greensboro, USA
Timothy L. Hubbard, Arizona State University, USA and Grand Canyon University, USA
Christos I. Ioannou, Institute of Music Physiology and Musicians Medicine (IMMM), University of Music, Drama and Media, Germany
Lutz Jncke, Division of Neuropsychology, Institute of Psychology, University of Zurich, Switzerland
Irma Jrvel, Department of Medical Genetics, University of Helsinki, Finland
Patrik N. Juslin, Department of Psychology, Uppsala University, Sweden
Stefan Koelsch, Department for Biological and Medical Psychology, University of Bergen, Norway
Yuko Koshimori, Music and Health Research Collaboratory (MaHRC), University of Toronto, Canada
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