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Fred Everett Maus - The Oxford Handbook of Music and Queerness (Oxford Handbooks)

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Fred Everett Maus - The Oxford Handbook of Music and Queerness (Oxford Handbooks)
The Oxford Handbook of Music and Queerness (Oxford Handbooks)
Fred Everett Maus
The Oxford Handbook of Music and Queerness (Oxford Handbooks)

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The Oxford Handbook of
Music and Queerness
The Oxford Handbook of
Music and Queerness

Edited by

Fred Everett Maus and Sheila Whiteley

with

Tavia Nyongo and Zoe Sherinian

Associate Editors

The Oxford Handbook of Music and Queerness Oxford Handbooks - image 1

The Oxford Handbook of Music and Queerness Oxford Handbooks - image 2

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries.

Published in the United States of America by Oxford University Press

198 Madison Avenue, New York, NY 10016, United States of America.

Oxford University Press 2022

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above.

You must not circulate this work in any other form and you must impose this same condition on any acquirer.

Library of Congress Cataloging-in-Publication Data

Names: Maus, Fred Everett, editor. | Whiteley, Sheila, editor. | Ochieng Nyong, Tavia Amolo, editor. | Sherinian, Zoe C. editor.

Title: The Oxford handbook of music and queerness / edited by Fred Maus and Sheila Whiteley ; with Tavia Nyongo and Zoe Sherinian, associate editors.

Description: [1.] | New York : Oxford University Press, 2022.

Identifiers: LCCN 2021033793 (print) | LCCN 2021033794 (ebook) | ISBN 9780199793525 (hardback) | ISBN 9780197607527 (epub) | ISBN 9780199793631 (ebook other) | ISBN 9780199984169 (ebook)

Subjects: LCSH: Queer musicology. | Homosexuality and music. | Gender identity in music.

Classification: LCC ML3797.4 .O94 2021 (print) | LCC ML3797.4 (ebook) | DDC 780.72dc23

LC record available at https://lccn.loc.gov/2021033793

LC ebook record available at https://lccn.loc.gov/2021033794

ISBN 9780199793525

135798642

Printed by Sheridan Books, Inc., United States of America

Contents

Introduction
Fred Everett Maus

Whose Refuge, This House?: The Estrangement of Queers of Color in Electronic Dance Music
Luis Manuel Garcia-Mispireta

The Queer Pleasures of Musicals
Bradley Rogers

The Gospel According to the Gays: Queering the Roots of Gospel Music
E. Patrick Johnson

Queer as Trad: LGBTQ+ Performers and Irish Traditional Music in the United States
Tes Slominski

Gay Country, TransAmericana, and Queer Sincerity
Shana Goldin-Perschbacher

Queer Hip Hop: A Brief Historiography
Shant Paradigm Smalls

From Queer Musicology to Indecent Theology: Liberal and Liberationist Protestant Theology and Musical Queerings of the Bible
Dirk von der Horst

Operatic Adaptations and the Representation of Non-Normative Sexualities
Freya Jarman

Queer Audiovisual Creativity: Fan-Created Music Videos from Star Trek to Bad Girls
Nina Treadwell

Karaoke, Queer Theory, Queer Performance: Dedicated to Jos Esteban Muoz
Karen Tongson

Free as a Bird? Thinking with the Grain of Meshell Ndegeocellos Butch Voice
Tavia Nyongo

Transgender Passing Guides and the Vocal Performance of Gender and Sexuality
Stephan Pennington

Sound Desires: Auralism, the Sexual Fetishization of Music
Jodie Taylor

Transcripts: Toward A Queer Phenomenology of the Field Recording
Drew Daniel

Queering Brighton
Sheila Whiteley

(To) Queer: A Life to Music
Elizabeth Gould

Endangered Tenderness: Schubert, Chopin, and Schumann
Charles Fisk

Musical Awakenings: The Experiences of a Queer Music Therapist in the Face of HIV and AIDS
Colin Andrew Lee

Toward a Trans* Method in Musicology
Dana Baitz

Quare Times: An Introduction to a Queer Perspective on Afrofuturism and a Reading of Sun Ras Space is the Place
Tim Stttgen

Musical Abjects: Sounds and Objectionable Sexualities
Jenny Olivia Johnson

Music in the Margins: Queerness in the Clerical Imagination, 12001500
Lisa Colton

The Queer History of the Castrato
Emily Wilbourne

Queering Middle Class Gender in Nineteenth-Century US Theater
Gillian M. Rodger

Anglophone Songs about HIV/AIDS
Matthew J. Jones

Queer Patriotism in the Eurovision Song Contest
Ivan Raykoff

Interdisciplinary Enqueeries from India: Moving Toward a Queer Ethnomusicology
Zoe Sherinian

Kunqu Cross-Dressing as Artistic and/or Queer Performance
Joseph S. C. Lam

Non-Ordinary Gender and Sexuality in Indonesian Performance
Henry Spiller

Out in the Undercurrents: Queer Politics in Hong Kong Popular Music
Yiu Fai Chow and Jeroen de Kloet

How to Do Things with Theory: Cultural Transcription, Queerness, and Ukrainian Pop
Stephen Amico

Stephen Amico , Associate Professor of Music, University of Bergen
Dana Baitz , Independent Musicologist, Toronto, Canada
Yiu Fai Chow , Associate Professor of Humanities, Hong Kong Baptist University
Lisa Colton , Reader in Musicology, University of Huddersfield
Drew Daniel , Associate Professor, Department of English, Johns Hopkins University
Jeroen de Kloet , Professor of Globalisation Studies, Department of Media Studies, University of Amsterdam and the State Key Lab of Media Convergence and Communication, Communication University of China, Beijing
Charles Fisk , Phyllis H. Carey Professor Emeritus of Music, Wellesley College
Luis Manuel Garcia-Mispireta , Lecturer in Ethnomusicology and Popular Music Studies, University of Birmingham
Elizabeth Gould , Associate Professor Emerita, Music Education, University of Toronto
Shana Goldin-Perschbacher , Assistant Professor of Music Studies, Temple University
Freya Jarman , Reader in Music, University of Liverpool
E. Patrick Johnson , Dean of the School of Communication and Annenberg University Professor, Northwestern University
Jenny Olivia Johnson , Associate Professor and Chair, Department of Music, Wellesley College
Matthew J. Jones , Independent Scholar, Houston, Texas
Joseph S. C. Lam , Professor of Musicology, University of Michigan
Colin Andrew Lee , Professor Emeritus of Music Therapy, Wilfrid Laurier University
Fred Everett Maus , Associate Professor of Music, University of Virginia
Tavia Nyongo , Chair and William Lampson Professor of Theater & Performance Studies, Professor of American Studies, and Professor of African American Studies, Yale University
Stephan Pennington , Associate Professor of Music, Tufts University
Ivan Raykoff , Associate Professor of Music, The New School
Gillian M. Rodger , Professor of Musicology & Ethnomusicology, University of Wisconsin-Milwaukee
Bradley Rogers , Lecturer in Musical Theatre and Performance, Goldsmiths, University of London
Zoe Sherinian , Professor of Ethnomusicology and Chair of the Division of Musicology, Ethnomusicology, and Music, University of Oklahoma
Tes Slominski , Independent Scholar, Charlottesville, Virginia
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