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Lummus - Cambridge Studies in Medieval Literature: The City of Poetry

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Lummus Cambridge Studies in Medieval Literature: The City of Poetry
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Contents The City of Poetry What did it mean to be a poet in fourteenth-century - photo 1
Contents

The City of Poetry

What did it mean to be a poet in fourteenth-century Italy? What counted as poetry? In an effort to answer these questions, this book examines the careers of four medieval Italian poets (Albertino Mussato, Dante Alighieri, Francesco Petrarch, and Giovanni Boccaccio) who wrote in both Latin and the Italian vernacular. In readings of defenses of poetry, speeches and letters on public laurel-crowning ceremonies, and other theoretical and poetic texts, this book shows how these poets viewed their authorship of poetic works as a function of their engagement in a human community. Each poet represents a model of the poet as a public intellectual a poet-theologian who can intervene in public affairs thanks to his authority within texts. The City of Poetry provides a new historicized approach to understanding poetic culture in fourteenth-century Italy which reshapes long-standing Romantic views of poetry as a timeless and sublimely inspired form of discourse.

David G. Lummus is the co-director of the Center for Italian Studies and Devers Family Program in Dante Studies and a visiting assistant professor of Italian at the University of Notre Dame. He has published on fourteenth-century Italian poetry and poetics, especially Giovanni Boccaccio, and the reception of classical culture in medieval Italy. He is the co-editor of A Boccaccian Renaissance (2019).

Cambridge Studies in Medieval Literature
Founding Editor

Alastair Minnis, Yale University

General Editor

Daniel Wakelin, University of Oxford

Editorial Board

Anthony Bale, Birkbeck, University of London

Zygmunt G. Baraski, University of Cambridge

Christopher C. Baswell, Barnard College and Columbia University

Mary Carruthers, New York University

Rita Copeland, University of Pennsylvania

Roberta Frank, Yale University

Marissa Galvez, Stanford University

Alastair Minnis, Yale University

Jocelyn Wogan-Browne, Fordham University

This series of critical books seeks to cover the whole area of literature written in the major medieval languages the main European vernaculars, and medieval Latin and Greek during the period c.11001500. Its chief aim is to publish and stimulate fresh scholarship and criticism on medieval literature, special emphasis being placed on understanding major works of poetry, prose, and drama in relation to the contemporary culture and learning which fostered them.

Recent titles in the series
Richard Matthew Pollard Imagining the Medieval Afterlife
Christiania Whitehead The Afterlife of St Cuthbert: Place, Texts and Ascetic Tradition, 6901500
Orietta Da Rold Paper in Medieval England: From Pulp to Fictions
Jonathan Morton and Marco Nievergelt (eds.) The Roman de la Rose and Thirteenth-Century Thought
George Corbett Dantes Christian Ethics: Purgatory and Its Moral Contexts
Andrew Kraebel Biblical Commentary and Translation in Later Medieval England: Experiments in Interpretation
Robert J. Meyer-Lee Literary Value and Social Identity in the Canterbury Tales
Glenn D. Burger and Holly A. Crocker (eds.) Medieval Affect, Feeling, and Emotion
Lawrence Warner Chaucers Scribes: London Textual Production, 13841432
Katie L. Walter Middle English Mouths: Late Medieval Medical, Religious and Literary Traditions
Thomas A. Prendergast and Jessica Rosenfeld (eds.) Chaucer and the Subversion of Form

A complete list of titles in the series can be found at

The City of Poetry

Imagining the Civic Role of the Poet in Fourteenth-Century Italy

David G. Lummus

University of Notre Dame, Indiana

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University Printing House Cambridge CB 2 8 BS United Kingdom One Liberty - photo 3

University Printing House, Cambridge CB 2 8 BS , United Kingdom

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Cambridge University Press is part of the University of Cambridge.

It furthers the Universitys mission by disseminating knowledge in the pursuit of education, learning, and research at the highest international levels of excellence.

www.cambridge.org

Information on this title: www.cambridge.org/9781108839457

DOI: 10.1017/9781108878050

David G. Lummus 2020

This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.

First published 2020

A catalogue record for this publication is available from the British Library.

Library of Congress Cataloging-in-Publication Data

Names : Lummus, David, author.

Title : The city of poetry : imagining the civic role of the poet in fourteenth-century Italy / David G. Lummus.

Description : Cambridge, UK ; New York : Cambridge University Press, 2020. | Series: Cambridge studies in medieval literature | Includes bibliographical references and index.

Identifiers: LCCN 2020022981 (print) | LCCN 2020022982 (ebook) | ISBN 9781108839457 (hardback) | ISBN 9781108813174 (paperback) | ISBN 9781108878050 (epub)

Subjects: LCSH : Political poetry, Latin (Medieval and modern)History and criticism. | Latin poetry, Medieval and modernItalyHistory and criticism. | Italian poetryTo 1400History and criticism. | Politics and literatureItalyHistoryTo 1500. | PoetryAuthorshipSocial aspects. | Politics in literature. | Humanism.

Classification: LCC PA 8065. P 64 L 86 2020 (print) | LCC PA 8065.P64 (ebook) | DDC 871/.3093581dc23

LC record available at https://lccn.loc.gov/2020022981

LC ebook record available at https://lccn.loc.gov/2020022982

ISBN 978-1-108-83945-7 Hardback

Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.

Heu cineres bustumque petet qui, turbine quanquam

dilatus vario, multos absumpserit annos.

Petrarch, Epystola metrica 2.10.118119
Acknowledgments

This book was written between three universities, where I was able to learn from mentors, colleagues, and students with a broad array of interests and expertise. To them goes my gratitude. I hope they are all able to recognize themselves here etsi sine nomine .

I have benefited from generous financial support of my research, without which I would not have been able to write this book: a Geballe Dissertation Prize from the Stanford Humanities Center at Stanford University, an A. Whitney Griswold Faculty Research Grant and a Morse Fellowship for Junior Faculty in the Humanities from Yale University, and a Junior Faculty Leave from Stanford University. I also acknowledge the Medieval Institute of the University of Notre Dame, which allowed me to use its rich library as a Visiting Scholar, as well as Notre Dames Center for Italian Studies, which welcomed me first as a guest and then as a fellow citizen, and which gave me several opportunities to present my research for this book to groups of knowledgeable scholars.

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