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Virginie Greene - Logical Fictions in Medieval Literature and Philosophy

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Virginie Greene Logical Fictions in Medieval Literature and Philosophy
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Logical Fictions in Medieval Literature and Philosophy In the twelfth and - photo 1
Logical Fictions in Medieval Literature and Philosophy

In the twelfth and thirteenth centuries, new ways of storytelling and inventing fictions appeared in the French-speaking areas of Europe. This new art still influences our global culture of fiction. Virginie Greene explores the relationship between fiction and the development of neo-Aristotelian logic during this period through a close examination of seminal literary and philosophical texts by major medieval authors, such as Anselm of Canterbury, Abelard, and Chrtien de Troyes. This study of Old French logical fictions encourages a broader theoretical reflection about fiction as a universal human trait and a defining element of the history of Western philosophy and literature. Additional close readings of classical Greek philosophers Plato and Aristotle, and modern analytic philosophy including the work of Bertrand Russell and Rudolf Carnap, demonstrate peculiar traits of Western rationalism and expose its ambivalent relationship to fiction.

VIRGINIE GREENE is Professor of French in the Department of Romance Languages and Literatures at Harvard University. She is author of Cent vues de John Harvard (2011), co-author of Thinking Through Chrtien de Troyes (2011), translator of Le dbat sur le Roman de la Rose (2006), and editor of The Medieval Author in Medieval French Literature (2006).

Cambridge Studies in Medieval Literature
General Editor
Alastair Minnis
Yale University
Editorial Board
Zygmunt G. Baraski
University of Cambridge
Christopher C. Baswell
Barnard College and Columbia University
John Burrow
University of Bristol
Mary Carruthers
New York University
Rita Copeland
University of Pennsylvania
Roberta Frank
Yale University
Simon Gaunt
Kings College, London
Steven Kruger
City University of New York
Nigel Palmer
University of Oxford
Winthrop Wetherbee
Cornell University
Jocelyn Wogan-Browne
Fordham University

This series of critical books seeks to cover the whole area of literature written in the major medieval languages the main European vernaculars, and medieval Latin and Greek during the period c .11001500. Its chief aim is to publish and stimulate fresh scholarship and criticism on medieval literature, special emphasis being placed on understanding major works of poetry, prose, and drama in relation to the contemporary culture and learning which fostered them.

For a list of titles published in the series, please see .

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Martin Eisner Boccaccio and the Invention of Italian Literature: Dante, Petrarch, Cavalcanti, and the Authority of the Vernacular
Emily V. Thornbury Becoming a Poet in Anglo-Saxon England
Lawrence Warner The Myth of Piers Plowman
Lee Manion Narrating the Crusades: Loss and Recovery in Medieval and Early Modern English Literature
Daniel Wakelin Scribal Correction and Literary Craft: English Manuscripts 13751510
Jon Whitman (ed.) Romance and History: Imagining Time from the Medieval to the Early Modern Period
Robin Kirkpatrick Dantes Inferno: Difficulty and Dead Poetry
Jeremy Tambling Dante and Difference: Writing in the Commedia
Simon Gaunt Troubadours and Irony
Wendy Scase Piers Plowman and the New Anticlericalism
Joseph Duggan The Cantar De Mio Cid : Poetic Creation in its Economic and Social Contexts
Roderick Beaton The Medieval Greek Romance
Kathryn Kerby-Fulton Reformist Apocalypticism and Piers Plowman
Alison Morgan Dante and the Medieval Other World
Eckehard Simon (ed.) The Theatre of Medieval Europe: New Research in Early Drama
Mary Carruthers The Book of Memory : A Study of Memory in Medieval Culture
Rita Copeland Rhetoric, Hermeneutics and Translation in the Middle Ages: Academic Traditions and Vernacular Texts
Donald Maddox The Arthurian Romances of Chrtien de Troyes: Once and Future Fictions
Nicholas Watson Richard Rolle and the Invention of Authority
Steven F. Kruger Dreaming in the Middle Ages
Barbara Nolan Chaucer and the Tradition of the Roman Antique
Sylvia Huot The Romance of the Rose and its Medieval Readers: Interpretations, Reception, Manuscript Transmission
Carol M. Meale (ed.) Women and Literature in Britain, 11501500
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Martin Irvine The Making of Textual Culture: Grammatica and Literary Theory, 3501100
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Christopher Baswell Virgil in Medieval England: Figuring the Aeneid from the Twelfth Century to Chaucer
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Charlotte Brewer Editing Piers Plowman : The Evolution of the Text
Walter Haug Vernacular Literary Theory in the Middle Ages: The German Tradition in its European Context
Sarah Spence Texts and the Self in the Twelfth Century
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Mary Carruthers The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 4001200
Beate Schmolke-Hasselman The Evolution of Arthurian Romance: The Verse Tradition from Chrtien to Froissart
Sin Echard Arthurian Narrative in the Latin Tradition
Fiona Somerset Clerical Discourse and Lay Audience in Late Medieval England
Florence Percival Chaucers Legendary Good Women
Christopher Cannon The Making of Chaucers English: A Study of Words
Rosalind Brown-Grant Christine de Pizan and the Moral Defence of Women: Reading Beyond Gender
Richard Newhauser The Early History of Greed: the Sin of Avarice in Early Medieval Thought and Literature
Margaret Clunies Ross Old Icelandic Literature and Society
Donald Maddox Fictions of Identity in Medieval France
Rita Copeland Pedagogy, Intellectuals, and Dissent in the Later Middle Ages: Lollardy and Ideas of Learning
Kantik Ghosh The Wycliffite Heresy: Authority and the Interpretation of Texts
Mary C. Erler Women, Reading, and Piety in Late Medieval England
D. H. Green The Beginnings of Medieval Romance: Fact and Fiction 11501220
J. A. Burrow Gestures and Looks in Medieval Narrative
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