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Ed Hooks - Acting for Animators

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Ed Hooks Acting for Animators
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Ed Hooks indspensable acting guidebook for animators has been fullyupdated and improved!Ed uses basic acting theory to explain everything from character movementand facial expressions to interaction and scene construction. Just as actingon film and on stage are very different disciplines, so is the use of actingtheory in creating an animated character, scene or story. Acting forAnimators is full of essential craft tips from an acting master.New to this Routledge edition:illustrated, scene-by-scene analyses of six films, including Up,Coraline and Kung Fu Pandaan expanded section on video game animationall-new illustrationsa 500-word history of acting

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Acting for Animators

Ed Hooks indspensable acting guidebook for animators has been fully updated and improved!

Ed uses basic acting theory to explain everything from character movement and facial expressions to interaction and scene construction. Just as acting on film and on stage are very different disciplines, so is the use of acting theory in creating an animated character, scene or story. Acting for Animators is full of essential craft tips from an acting master.

New to this Routledge edition:

  • illustrated, scene-by-scene analyses of six films, including Up, Coraline and Kung Fu Panda
  • an expanded section on video game animation
  • all-new illustrations
  • a 500-word history of acting

Ed Hooks has a thirty-year acting career on stage and screen and teaches professional level acting classes for actors as well as Acting for Animators master classes internationally. He has taught for most major animation companies and game studios, including Walt Disney Animation Studios, Valve Software, EA and Ubisoft. For over ten years, he has been an Associate at Germanys FMX Conference on Animation, Effects, Games and Interactive Media, and he is a lecturer at Depaul University School of Cinema and Interactive Media.

Acting for Animators

3rd Edition

Ed Hooks

Foreword by Brad Bird
Illustrations by Paul Naas

Acting for Animators - image 1

This edition published 2011

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Simultaneously published in the USA and Canada

by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2011 Ed Hooks

The right of Ed Hooks to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

First edition published by Heinemann 2000

Second edition published by Heinemann 2003

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data

Hooks, Ed.

Acting for animators/Ed Hooks; foreword by Brad Bird; illustrations by Paul Naas.3rd ed.

p. cm.

Includes bibliographical references and index.

Animation (Cinematography) 2. Motion picture acting. Animated films. I. Title.

TR897.5.H66 2011

791.4334--dc22

2011001403

ISBN: 9780415580236 (hbk)

ISBN: 9780415580243 (pbk)

ISBN: 9780203816226 (ebk)

For Ken Bielenberg, who first asked me, Would you be willing to teach acting on-site? I work for an animation company.

Indeed, the more the arts develop the more they depend on each other for definition.

E.M.Forster, Aspects of the Novel

Contents

by Brad Bird

Acknowledgements

First of all. I will never be able to sufficiently express my gratitude to my students. I am greeted everywhere I go with love, respect, support and intelligent curiosity. I am so very fortunate to work with these artists, and I never take it for granted.

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