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Peter Atkins - Galileos Finger - The Ten Great Ideas of Science

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GALILEOS FINGER

CONTENTS

PROLOGUE
The Emergence of Understanding

ONE
EVOLUTION
The Emergence of Complexity

TWO
DNA
The Rationalization of Biology

THREE
ENERGY
The Universalization of Accountancy

FOUR
ENTROPY
The Spring of Change

FIVE
ATOMS
The Reduction of Matter

SIX
SYMMETRY
The Quantification of Beauty

SEVEN
QUANTA
The Simplification of Understanding

EIGHT
COSMOLOGY
The Globalization of Reality

NINE
SPACETIME
The Arena of Action

TEN
ARITHMETIC
The Limits of Reason

EPILOGUE
The Future of Understanding

The middle finger of Galileos right hand The finger was detached from Galileos - photo 1

The middle finger of Galileos right hand.

The finger was detached from Galileos body on 12 March 1737 when his remains were transferred to the main body of the church of Santa Croce, Florence. It is currently in the Museo di Storia della Scienza. The vessel that contains the finger has a cylindrical alabaster base, with the following description:

Leipsana ne spernas digiti, quo dextera coeli
Mensa vias, nunquam visos mortalibus orbes
Monstravit, parvo fragilis molimine vitri
Ausa prior facinus, cui non Titania quondam
Sufficit pubes congestis montibus altis,
Nequidquam superas conata ascendere in arces.

Do not look down upon the relic of a finger, by means of which a right hand measured paths in the heavens and revealed to mortals celestial bodies never seen. By preparing a small piece of fragile glass it first dared a feat which long ago was beyond the powers of young Titans, who piled mountains high in a vain attempt to ascend to lofty citadels.

GALILEOS FINGER

The Ten Great Ideas of Science

PETER ATKINS

Galileos Finger - The Ten Great Ideas of Science - image 2

Galileos Finger - The Ten Great Ideas of Science - image 3

Great Clarendon Street, Oxford OX2 6DP

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It furthers the Universitys objective of excellence in research, scholarship,
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Published in the United States
by Oxford University Press Inc., New York

Peter Atkins, 2003

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Database right Oxford University Press (maker)

First published 2003

All rights reserved. No part of this publication may be reproduced,
stored in a retrieval system, or transmitted, in any form or by any means,
without the prior permission in writing of Oxford University Press,
or as expressly permitted by law, or under terms agreed with the appropriate
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outside the scope of the above should be sent to the Rights Department,
Oxford University Press, at the address above

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and you must impose this same condition on any acquirer

British Library Cataloguing in Publication Data
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Library of Congress Cataloging in Publication Data
Data available

ISBN 0 19 860664 8 (hb)

10 9 8 7 6 5 4 3 2 1

Designed & typeset by Pete Russell, Faringdon, Oxon
Printed in Great Britain
on acid-free paper by T. J. International Limited, Padstow, Cornwall

PROLOGUE
THE EMERGENCE OF UNDERSTANDING

WHY HIS FINGER? Galileo marks the turning point, when the scientific endeavour took a new direction, when scientistsan anachronistic term at the time, of courserose from their armchairs, questioned the efficacy of the preceding attempts to come to grips with the nature of the world by thought in alliance with authority, and took the first faltering steps down the path of modern science. In the process they rejected untested authority, and while not letting go entirely of armchair speculation and inner contemplation, forged a new, more powerful alliance with the technique of publicly verifiable experimental observation. We see this aspect of Galileos finger dabbling in all our current scientific pies. We see it in physics, where it first began to stir; in chemistry, where it found its way at the beginning of the nineteenth century; and in biology, especially since biology ceased being merely a source of wonder during the nineteenth and twentieth centuries.

In short, this book celebrates the effectiveness of Galileos symbolic finger for the winkling out of truth. That only Galileos physical finger is preserved but the descendants of his techniques thrive is also symbolic of the transitoriness of personal existence in contrast to the immortality of knowledge. Galileos finger, then, represents that misty concept the scientific method. He was not alone, of course, or first, in introducing this approach to the discovery of knowledge, but he is sufficiently prominent in the history of ideas for it to be reasonable to adopt him as a symbol of its introduction. One aspect of this amazingly potent method for disinterring truth about the world that distinguishes science from its principal rivalnamely, impressively expressed but ultimately idle speculationis the centrality of experiment. Going out into the world and making observations under carefully controlled conditions minimizes the subjective component of our perception and, in principle, opens up the observations to public scrutiny.

Galileo also developed the art of simplification, the isolation of the essentials of a problem, the peering in his thoughts through the clouds that in real systems conceal the underlying simplicity, just as he looked through his actual telescope and saw the complexity of the heavens. He set aside the creaking cart pulled through mud; instead, he considered the simplicity of a ball rolling on an inclined plane, a pendulum swinging from a high support. That isolation of the core phenomenon from the creaks and confusions of reality is a key part of the scientific method. Scientists see the pearl in the oyster, the jewel in the crown.

Some, of course, will claim that here lies weakness. True understanding, they claim, comes from appreciating the hurly-burly of reality: the cart bogged down, the lover lamenting, the lark ascending. That scientists examine a butterfly to study its mechanism is an abnegation of understanding, they claim. We have to see this objection in perspective, not reject it out of hand. Most scientists, being human, accept that sentiment is a wonderful component of our interaction with the world, but few would accept that it is a reliable route to truth. They prefer to disentangle the awesome complexity of the world, examine it piece by isolated piece, and build it up again, with deeper understanding, as best they can. They study the behaviour of a ball on an inclined plane in order to understand the cart on the hill; they study the pendulum in order to understand the swing of the athletes leg. Their opponents will cry that understanding the physics of vibration does not illuminate the joy of music and that picking apart a symphony into a bag of notes destroys our understanding of its composition. The scientist replies that we must first understand what it is to be a note, then move on to understand why it is that some chords are agreeable and others dissonant, and thenmaybe not for decadestry to understand the psychological and artistic impact of a sequence of chords. Science aims for thoroughness of understanding, never losing sight of the ultimate goal and not rushing to it impatiently half-baked. Whether scientists will ever comprehend our joy of comprehending the world, of acting out our lives within it, and all the other great questions that philosophers, artists, prophets, and theologians consider to be their territory of discourse is a matter for idle speculation. And we all know how useful that has been.

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