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Katharina von Ankum - Women in the metropolis: gender and modernity in Weimar culture

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Bringing together the work of scholars in many disciplines, Women in the Metropolis provides a comprehensive introduction to womens experience of modernism and urbanization in Weimar Germany. It shows women as active participants in artistic, social, and political movements and documents the wide range of their responses to the multifaceted urban culture of Berlin in the 1920s and 1930s.Examining a variety of media ranging from scientific writings to literature and the visual arts, the authors trace gendered discourses as they developed to make sense of and regulate emerging new images of femininity. Besides treating classic films such as Metropolis and Berlin: Symphony of a Great City, the articles discuss other forms of mass culture, including the fashion industry and the revue performances of Josephine Baker. Their emphasis on womens critical involvement in the construction of their own modernity illustrates the significance of the Weimar cultural experience and its relevance to contemporary gender, German, film, and cultural studies.

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title Women in the Metropolis Gender and Modernity in Weimar Culture - photo 1

title:Women in the Metropolis : Gender and Modernity in Weimar Culture Weimar and Now ; 11
author:Ankum, Katharina von.
publisher:University of California Press
isbn10 | asin:0520204654
print isbn13:9780520204652
ebook isbn13:9780585079400
language:English
subjectUrban women--Germany--History, Germany--Social conditions--1918-1933, Women--Germany--History--20th century, Feminism--Germany--History--20th century.
publication date:1997
lcc:HQ1623.W66 1997eb
ddc:305.4/0943
subject:Urban women--Germany--History, Germany--Social conditions--1918-1933, Women--Germany--History--20th century, Feminism--Germany--History--20th century.
Page i
Women in the Metropolis
Page ii
WEIMAR AND NOW: GERMAN CULTURAL CRITICISM
MARTIN JAY AND ANTON KAES, CENERAL EDITORS
1. Heritage of Our Times, by Ernst Bloch
2. The Nietzsche Legacy in Germany 1890-1990, by Steven E. Aschheim
3. The Weimar Republic Sourcebook,
edited by, Anton Kaes, Martin Jay, and Edward Dimendberg
4. Batteries of Life: On the History of Things and Their Perception in Modernity,
by Christoph Asendorf
5. Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution,
by Margaret Cohen
6. Hollywood in Berlin: American Cinema and Weimar Germany,
by, Thomas J. Saunders
7. Walter Benjamin: An Aesthetic of Redemption, by Richard Wolin
8. The New Typography, by Jan Tschichold, translated by Ruari McLean
9. The Rule of Law under Siege: Selected Essays of Franz L. Neumann
and Otto Kirchheimer, edited by William E. Scheuerman
10. The Dialectical Imagination: A History of the Frankfurt School
and the Institute of Social Research, 1923-1950, by Martin Jay
11. Women in the Metropolis: Gender and Modernity in Weimar Culture,
edited by Katharina von Ankum
Page iii
Women in the Metropolis
Gender and Modernity in Weimar Culture
Edited By
Katharina von Ankum
UNIVERSITY OF CALIFORNIA PRESS
Berkeley Los Angeles London
Page iv
Disclaimer:
Some images in the original hard copy book are not available for inclusion in the netLibrary eBook.
The publisher gratefully acknowledges permission to reprint the following:
"Ich liebe Berlin mit einer Angst in den Knien: Frau und Stadt in Irmgard Keuns Das kunstseidene Madchen," by Katharina von Ankum, reprinted in somewhat revised form from The German Quarterly 67:3 (Summer 1994);
"In Search of the Female Flaneur: Women on the Streets and Screens of Weimar," by Anke Gleber, to appear in The Image in Dispute: Visual Cultures in Modernity, ed.J. Dudley Andrew, Universit of Texas Press (Spring 1997), by permission of the publisher;
"Lustmord: Inside the Windows of the Metropolis," by Beth Irwin Lewis, from Berlin: Culture and Metropolis, ed. Charles W. Haxthausen and Heidrun Suhr, University of Minnesota Press, 1990 by the Regents of the University of Minnesota;
"Perceptions of Difference," by Patrice Petro, reprinted in slightly shortened form from Petro's Joyless Streets: Women and Melodramatic Representation in Weimar Germany 1989 by Princeton University Press. Reprinted by permission of Princeton University Press.
University of California Press
Berkeley and Los Angeles, California
University of California Press
London, England
Copyright 1997 by The Regents of the University of California
Library of Congress Cataloging-in-Publication Data
Women in the metropolis: gender and modernity in Weimar culture /
edited by Katharina von Ankum.
p. cm. (Weimar and now: 11)
Includes bibliographical references and index.
ISBN 0-520-20464-6 (cloth). ISBN 0-520-20465-4 (pbk.)
1. Urban womenGermanyHistory. 2. GermanySocial
conditions 1918-1933. 3. WomenGermanyHistory20th century.
4. FeminismGermanyHistory20th century. I. Ankum, Katharina
von. II. Series.
HQ1623.W66 1997
305.4'0943dc20 96-3118
CIP
Printed in the United States of America
1 2 3 4 5 6 7 8 9
The paper used in this publication meets the minimum requirements of American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.48-1984 Picture 2
Page v
Contents
Introduction
1
1. Gretchen, Girl, Garonne? Weimar Science and Popular Culture in Search of the Ideal New Woman
Lynne Frame
12
2. Perceptions of Difference: Woman as Spectator and Spectacle
Patrice Petro
41
3. Female Flanerie and the Symphony of the City
Anke Gleber
67
4. The Conspiracy of Women: Images of City Life in the Work of Jeanne Mammen
Annelie Ltgens
89
5. The Misogynist Machine: Images of Technology in the Work of Hannah Hch
Maria Makela
106
6. Metropolis and the Technosexual Woman of German Modernity
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