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Ken Gale - Madness as Methodology: Bringing Concepts to Life in Contemporary Theorising and Inquiry

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Ken Gale Madness as Methodology: Bringing Concepts to Life in Contemporary Theorising and Inquiry
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Madness as Methodology begins with the following quotation from Deleuze and Guattari, Madness need not be all breakdown. It may also be breakthrough. This quotation firmly expresses the books intention to provide readers with radical and innovative approaches to methodology and research in the arts, humanities and education practices. It conceptualises madness, not as a condition of an individual or particular being, but rather as a process that does things differently in terms of creativity and world making.

Through a posthuman theorising as practice, the book emphasises forms of becoming and differentiation that sees all bodies, human and nonhuman, as acting in constant, fluid, relational play. The book offers a means of breaking through and challenging the constraints and limitations of Positivist approaches to established research practice. Therefore, experimentation, concept making as event and a going off the rails are offered as necessary means of inquiry into worlds that are considered to be always not yet known.

Rather than using a linear chapter structure, the book is constructed around Deleuze and Guattaris use of an assemblage of plateaus, providing the reader with a freedom of movement via multiple entry and exit points to the text. These plateaus are processually interconnected providing a focal emphasis upon topics apposite to this madness as methodology. Therefore, as well as offering a challenge to the constraining rigours of conventional research practices, these plateaus engage with topics to do with posthuman thinking, relationality, affect theory, collaboration, subjectivity, friendship, performance and the use of writing as a method of inquiry.

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First published 2018

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 Ken Gale

The right of Ken Gale to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

Names: Gale, Ken, author.

Title: Madness as methodology : bringing concepts to life in

contemporary theorizing and inquiry / Ken Gale.

Description: Abingdon, Oxon; New York, NY : Routledge, 2018. |

Includes bibliographical references and index.

Identifiers: LCCN 2017047142 | ISBN 9781138066007 (hbk) |

ISBN 9781138066021 (pbk) | ISBN 9781315159348 (ebk)

Subjects: LCSH: Methodology. | Ontology. | Deleuze, Gilles,

1925-1995. | Guattari, Felix, 1930-1992.

Classification: LCC BD241. M347 2018 | DDC 001.4dc23

LC record available at https://lccn.loc.gov/2017047142

ISBN: 978-1-138-06600-7 (hbk)

ISBN: 978-1-138-06602-1 (pbk)

ISBN: 978-1-315-15934-8 (ebk)

Typeset in Bembo

by Keystroke, Neville Lodge, Tettenhall, Wolverhampton

Contents Guide Althusser L 2014 On the reproduction of capitalism - photo 1
Contents
Guide
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Deleuze, G. (1989) Cinema 2: The time-image , trans. H. Tomlinson and R. Galeta. Minneapolis: University of Minnesota Press.

Deleuze, G. (1991) Empiricism and subjectivity: An essay on Humes theory of human nature , trans. C. Boundas. New York: Columbia University Press.

Deleuze, G. (1993) The fold: Leibniz and the baroque , trans. T. Conley. London: Athlone Press.

Deleuze, G. (1994) He stuttered. In C. Boundas and D. Olkowski (eds) Gilles Deleuze and the theatre of philosophy . London: Routledge.

Deleuze, G. (1995) Negotiations 19721990 , trans. M. Joughin. New York: Columbia University Press.

Deleuze, G. (1997) Essays critical and clinical , trans. D. W. Smith and M. A. Greco. Minneapolis: University of Minnesota Press.

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Deleuze, G. (2004a) The logic of sense , trans. M. Lester with C. Stivale. London: Continuum.

Deleuze, G. (2004b) Francis Bacon: The logic of sensation , trans. D. Smith. London: Continuum.

Deleuze, G. (2004c) Difference and repetition , trans. Paul Patton, London: Continuum.

Deleuze, G. (2005) Cinema 1: The movement-image , trans. Hugh Tomlinson and Barbara Habberjam, London: Continuum.

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Deleuze, G. and Guattari, F. (1986) Kafka: Toward a minor literature , trans. Dana Polan. Minneapolis: University of Minnesota Press.

Deleuze, G. and Guattari, F. (1987) A thousand plateaus: Capitalism and schizophrenia , trans. B. Massumi. London: Athlone.

Deleuze, G. and Guattari, F. (1994) What is philosophy? , trans. G. Burchell and H. Tomlinson. London: Verso.

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