Kevin Petrie - Ceramic Transfer Printing
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- Book:Ceramic Transfer Printing
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- Year:2018
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This book is going to be one of the first in our exciting new ceramic series, which offers more space for both images and text, giving a more modern and contemporary feel to the books. This book is aimed at those in ceramics who wish to move into print and transfers, a very exciting area which has enormous scope for creativity. Ceramic transfers or decals are one of the prime methods of decorating industrially made ceramics. They also offer exciting creative potential for studio-based artists or designer-makers. A ceramic transfer is traditionally made by printing ceramic ink onto a special paper and allows pictures, patterns or text to be transferred onto ceramic forms - 2D and 3D. Importantly, print can achieve distinct aesthetic effects on ceramics that are not possible by using other decoration methods such as hand painting.
Drawing on over twenty years of experience, Kevin Petrie offers a focused analysis of the potential of ceramic transfer printing as a creative medium. The specific materials and techniques for making versatile screen-printed ceramic transfers are explained in detail - from the low tech to the more sophisticated. Other approaches by artist researchers are also brought together in this book and recent developments with digital transfers appraised. A range of case studies shows the potential and diversity of approach in this area, which extends beyond ceramics to
include printing on enamel, metal and glass.
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Floating, Charlotte Hodes, 2006. Coloured slips, sprigs, digital and screenprinted enamel and gold transfers on earthenware, 41 x 35cm (16 x 13in). Photo: Peter Abrahams, courtesy of Marlborough Fine Art.
Over the years I have received great advice and support from a number of individuals for which I am very grateful, so this book is dedicated to my mentors: Peter Searle, Julian Bray, John Houston, David Hamilton, Paul Van der Lem, Peter Davies, Brian Thompson and Allen Doherty.
In memory of my mother, Sheila Petrie, who was always a great support and in many ways still is.
HERBERT PRESS
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP, UK
29 Earlsfort Terrace, Dublin 2, Ireland
This electronic edition published in 2021 by Bloomsbury Publishing Plc
BLOOMSBURY, HERBERT PRESS and the Herbert Press logo are trademarks of Bloomsbury Publishing Plc
First published in Great Britain in 2011
Originally published in the US with The American Ceramic Society
Copyright Kevin Petrie, 2011
Kevin Petrie has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work
All rights reserved
You may not copy, distribute, transmit, reproduce or otherwise make available this publication (or any part of it) in any form, or by any means (including without limitation electronic, digital, optical, mechanical, photocopying, printing, recording or otherwise), without the prior written permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
Bloomsbury Publishing Plc does not have any control over, or responsibility for, any third-party websites referred to or in this book. All internet addresses given in this book were correct at the time of going to press. The author and publisher regret any inconvenience caused if addresses have changed or sites have ceased to exist, but can accept no responsibility for any such changes
A catalogue record for this book is available from the British Library
Library of Congress Cataloguing-in-Publication data has been applied for
ISBN: 978-1-9122-1766-3 (PB)
ISBN: 978-1-7899-4113-5 (eBook)
ISBN: 978-1-7899-4114-2 (ePDF)
Book design by Susan McIntyre
Cover design by James Watson
To find out more about our authors and their books please visit www.bloomsbury.com where you will find extracts, author interviews and details of forthcoming events, and to be the first to hear about latest releases and special offers, sign up for our newsletters .
: (TOP) A Dinner Service, with 14 place settings, Charlotte Hodes, 2008. Hand-cut digital and screenprinted enamel transfers onto white china. Photo: Peter Abrahams. Private collection.
(BOTTOM) Distorted Traditions, Megan Randall, 2009. Approx. ht: 5cm (2in), tissue-printed transfers on porcelain. Photo: courtesy of the artist.
| Contents |
Mandrake Double Tuber, Steve Brown, 2009. Porcelain with underglaze, flexible in-mould transfer printing, 115 x 90 x 20cm (45 x 35 x 7in). Photo: courtesy of the artist.
I would like to give my sincere thanks to all those who have freely offered their time to help me with this book. I am especially indebted to all the artists, museums and companies that have sent images and information.
In particular, I am grateful to the Victoria and Albert Museum, the Wedgwood Museum and the Potteries Museum, who have taken the first images of some pieces in their collections especially for this book.
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