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Gill Roy - Ceramic Glazing for Beginners: What Every Ceramic Artist Should Know to Get Better Glazes

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Gill Roy Ceramic Glazing for Beginners: What Every Ceramic Artist Should Know to Get Better Glazes
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Ceramic Glazing for Beginners: What Every Ceramic Artist Should Know to Get Better Glazes: summary, description and annotation

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I always struggled with glazing, but once I learned these secrets

Are you a ceramic artist that struggles with glazing?

Do you have a love-hate relationship with glazing?

Do you get frustrated when the glaze does not come out right, and ruins your ceramic piece?

Are you tired of wasting time on bad glazes?

I, the author, will share the secret to getting the glazes you want, even if its your first time working with ceramics.

In this book you will discover:

The #1 glazing recipe you should use to make your first glaze, that is both cheap and easy to make

5 solutions to your most frustrating glazing problems

One technique that can help you save months or even years of glazing research

5 simple glazing tricks to always get the glaze you want

The secret to testing glazes safely

How to create test tiles that you can sell as miniature samples of your work

The biggest surface decoration mistake you could be making that is ruining your glazing results

I understand that this subject can be highly technical.

Therefore this book has been designed in a way that it conveys the secrets taught inside in clear and compelling language.

The concepts are explained in the simplest way possible, so that you can unravel the mystery of glaze, without confusion.

Here are the answers to some questions you might have about this book:

Q: I have never done glazing before. Will this book help me achieve a good glaze on my first try?

A: Yes. This book has been designed to be useful to even the most novice artists and enthusiasts. So even if you have never picked up a brush, this book will help you out.

Q: How much experience does the author have?

A: Im a ceramic artist that always struggled with glazing. After research, I have accumulated enough knowledge to help you get good glazes.

Q: I dont have any fancy equipment, can I still use the techniques inside this book?

A: Yes. You dont need a fancy studio to do good glazing. All you really need is access to a traditional kiln, to get started.

Note: This book does not have pictures

An artists perspective to glaze, color, and ceramic surface will transform your love-hate relationship with glazing.

So if you want to get the perfect glaze on your latest project, without having to spend hours going through the tiring cycle of glazing and reglazing your pot then

Take action and buy this book now!

Gill Roy: author's other books


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Ceramic Glazing for Beginners

What Every Ceramic Artist Should Know to Get Better Glazes

Copyright 2019 - All rights reserved.

The content contained within this book may not be reproduced, duplicated or transmitted without direct written permission from the author or the publisher.

Under no circumstances will any blame or legal responsibility be held against the publisher, or author, for any damages, reparation, or monetary loss due to the information contained within this book, either directly or indirectly.

Legal Notice:

This book is copyright protected. It is only for personal use. You cannot amend, distribute, sell, use, quote or paraphrase any part, or the content within this book, without the consent of the author or publisher.

Disclaimer Notice:

Please note the information contained within this document is for educational and entertainment purposes only. All effort has been executed to present accurate, up to date, reliable, complete information. No warranties of any kind are declared or implied. Readers acknowledge that the author is not engaging in the rendering of legal, financial, medical or professional advice. The content within this book has been derived from various sources. Please consult a licensed professional before attempting any techniques outlined in this book.

By reading this document, the reader agrees that under no circumstances is the author responsible for any losses, direct or indirect, that are incurred as a result of the use of information contained within this document, including, but not limited to, errors, omissions, or inaccuracies.

Table Of Contents
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Introduction
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M aking ceramics is a diverse art form that goes back thousands of years and has long played a big role in several cultures around the world. Even when you take a quick look back in history, you will see ancient people producing or trading them. Some items also have an area in museums dedicated to them.

The thing is, working with clay is a time-consuming process that requires many steps. You need to know what type of clay to use, what shape it should hold, how hot the fire should be and where it needs to come from, etc. After all of that, you have to deal with the final and most critical step: glazing.

Glazing is a process that a lot of beginners tend to have a lot of issues with. When you are not used to it, you may end up coating your ceramic with too little or too much of it. Some ingredients may not always be available either, thus making a few recipes impossible to follow. The level of cleanliness that it requires is no joke as well, considering no one wants to see bubbles or bumps on their ceramics. Thus, it is safe to say that glaze can either bring your artwork to a new level of beauty or ruin your project completely and waste weeks of hard work.

The silver lining is that this book focuses on this final step. You do not have to try glazing blindly for the first time and hope that the recipes will work. This book will help you improve your glazing skills and judgment so that you can attain better glazes for your ceramic projects in the future

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Chapter 1: The Basics
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A s mentioned above , the glaze can either make or break your ceramic work. It is important to put time and effort into planning your glaze before applying it, especially how you want the glaze to look and what its purpose is.

This chapter holds some basic information that will help you understand how glazes work and what they do.

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What Is a Glaze?
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A ceramic glaze is a strong, usually transparent, coating applied to the ceramic work as the final layer. This layer is baked directly into the clay used for ceramics. A glaze has various purposes and qualities depending on the type, which needs to be chosen carefully in connection with what you want out of your final product.

The main purpose of a glaze is to strengthen and waterproof your ceramic. Furthermore, a glaze will give it a rounded look, seal in paints, and even create interesting effects. In most cases, a clear glaze is used, but glazes are available in a myriad of colors. They can also range from extremely reflective to nearly or completely matte.

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Glaze Chemistry
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T he glaze is in liquid form, but long exposure to oxygen and low heat will eventually dry the glaze. To gain a strong, glass-like protective glaze, much higher temperatures are required. The ingredients in different recipes provide a specific combination of oxides and minerals that set off a chemical reaction when exposed to intense temperatures to harden and crystallize. The specific combination of oxides within a glaze will determine the reaction and its final properties, such as strength, color, thickness, and ability to reflect or refract light. The oxides will also ascertain the ideal temperature at which the glaze should be fired and the amount of time it should be exposed to the heat, as well as the resulting color once the glaze is dry. This is an important element when it comes to mixing your own glaze or altering a recipe as a change in the chemical balance can produce unexpected pigments. A basic understanding of which types of minerals make which colors can help you substitute rare or expensive ingredients or change the glaze color.

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