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Laura Isoniemi - The Patterned Mind - Creative Methods In Surface Design

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Laura Isoniemi The Patterned Mind - Creative Methods In Surface Design
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The Patterned Mind - Creative Methods In Surface Design: summary, description and annotation

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Designer and art educator Laura Isoniemi offers new perspectives and current methods for surface design in The Patterned Mind. The book introduces creative patterning methods and describes inspiring approaches for design work, and also discusses the latest technical applications that can be used as surface design tools, which can in turn be applied to various fields of art and design. Understanding with your hands and the presence of play in design lie at the heart of the books message, and its methods for inventing can serve anyone who wishes to get in touch with their own creative side, whether for their professional goals or as a hobby. With a preface by Martti Raevaara.

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Laura Isoniemi The Patterned Mind Creative Methods in Surface Design - photo 1

Laura Isoniemi

The Patterned Mind

Creative Methods in Surface Design Dedicated to Ilona Petra Anna and - photo 2

Creative Methods in Surface Design

Dedicated to Ilona Petra Anna and Eric The Patterned Mind - photo 3
Dedicated to Ilona Petra Anna and Eric The Patterned Mind The - photo 4

Dedicated to Ilona, Petra, Anna and Eric

The Patterned Mind

The Patterned Mind Creative Methods in Surface Design Laura Isoniemi - photo 5
The Patterned Mind Creative Methods in Surface Design Laura Isoniemi - photo 6

The Patterned Mind

Creative Methods in Surface Design

Laura Isoniemi

The Patterned Mind - Creative Methods In Surface Design - image 7

Contents

A hairband as a graphical circle, 2011, Laura Isoniemi.

On the previous spread: pattern studies, 2018, Laura Isoniemi.

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U - photo 17
UNDERSTANDING WITH YOUR HANDS permission to fail - photo 18
UNDERSTANDING WITH YOUR HANDS permission to fail joy of doing - photo 19
UNDERSTANDING WITH YOUR HANDS permission to fail joy of doing - photo 20
UNDERSTANDING WITH YOUR HANDS permission to fail joy of doing - photo 21

UNDERSTANDING

WITH YOUR HANDS

permission

to fail

joy of doing

prototyping

permission

to make

a mess

learning by doing

direct path

to action

straightforwardness

inventing out

of nothing

you do not

need to

understand

what you are

doing

the vast room

of possibilities

enjoyment

play

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F - photo 28
Factors related to creativity Factors related to ways of doing - photo 29
Factors related to creativity Factors related to ways of doing Factors related - photo 30
Factors related to creativity Factors related to ways of doing Factors related - photo 31
Factors related to creativity Factors related to ways of doing Factors related - photo 32

Factors related to creativity Factors related to ways of doing Factors related to pleasure

Picture 33
Picture 34
Picture 35

ELEMENTS OF UNDERSTANDING WITH YOUR HANDS

Laura Isoniemi

Handling the World Creatively

In one of his interviews I , the famous Finnish basketball coach, Henrik Dettmann, broke the essence and meaning of a coach and coaching down into three factors. Firstly, the coach must respect and value the game, and also teach this to the players. This builds genuine motivation for practising or an in-depth understanding of and passion for the game. Secondly, the coachs job is to make sure the players are able to learn, and to support their learning in all ways possible, but at the same time, this is a learning process and an opportunity to develop for the coach, as well. It is about a journey together; the coach is learning and developing together with the players. As the third and the most difficult part in coaching, Dettmann specifies letting go of the control that is built on the coachs authority; setting your own ego aside, facing things with an open mind and using your creativity. In practice, this means that the coach must let go of the players; trust them completely, give them freedom and responsibility but also be there for them, if necessary.

Dettmanns thoughts about coaching came to mind when I pondered how Laura Isoniemis teaching and learning philosophy has developed. I have followed, and much to my delight, also been occasionally able to support, Isoniemis teaching in different courses and projects for over twenty years. Understanding that learners can be differ- ent, and supporting learning specifically from this starting point, has always played an important role in her activities. The elements of the concept of learning include experientialism as information source, open-mindedness and a multidisciplinary

approach, combined with creative understanding with hands , which is accompanied by feeling, observation and conceptualisation.

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