Postcolonial Manchester
Diaspora space and the devolution
of literary culture
Lynne Pearce, Corinne Fowler
and
Robert Crawshaw
Manchester University Press
Manchester and New York
distributed in the United States exclusively
by Palgrave Macmillan
Copyright Lynne Pearce, Corinne Fowler and Robert Crawshaw 2013
The right of Lynne Pearce, Corinne Fowler and Robert Crawshaw to be identified as the authors of this work has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988.
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British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
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ISBN 978 0 7190 8815 5 hardback
First published 2013
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This book is dedicated to
PETER KALU
and all those who have worked for
Commonword and Cultureword over the years
Contents
Introduction: Manchester and the devolution of British literary culture Corinne Fowler and Lynne Pearce |
Manchester: the postcolonial city Lynne Pearce |
Publishing Manchesters black and Asian writers Corinne Fowler |
Manchesters crime fiction: the mystery of the citys smoking gun Lynne Pearce |
Collective resistance: Manchesters mixed-genre anthologies and short-story collections Lynne Pearce |
Rebels without applause: Manchesters poetry in performance (1960s to the present) Corinne Fowler |
Giving voice: the writers perspective Robert Crawshaw |
Afterword Corinne Fowler and Lynne Pearce |
Lynne Pearce is Professor of Literary Theory and Womens Writing at Lancaster University and was Principal Investigator of the AHRC-funded research project, Moving Manchester: How the experience of migration has informed writing in Greater Manchester from 1960 to the present (200610). Her previous publications include: Woman/Image/Text: Readings in Pre-Raphaelite Art & Literature (1991); Reading Dialogics (1994); Feminism and the Politics of Reading (1997); Devolving Identities: Feminist Readings in Home & Belonging (ed.) (2000); The Rhetorics of Feminism (2004); Romance Writing (2007). Other publications arising out of the Moving Manchester project include a special issue of The European Journal of Cultural Studies (with Ruth Wodak) entitled Region/Nation/Belonging (2010); a special issue of M/C Journal (with Kath Woodward) entitled diasporas (2011); a special issue of Crossings: A Journal of Migration and Culture (with Maggie ONeill) (2011); a special issue of Mobilities entitled The Urban Imaginary (2012); a special issue of Interventions entitled Cinemas of Displacement and Destitution (2012). A full list of the articles and chapters she has written in connection with the project is available on the Publications page of the Moving Manchester website at: www.transculturalwriting.com/movingmanchester. [trans-culturalwriting.com/movingmanchester.]
Corinne Fowler is Director of the Centre for New Writing in the School of English at the University of Leicester where she also lectures in Postcolonial Literature. She was Director of the Arts Council-funded project, Grassroutes: Contemporary Leicestershire Writing (201012) and also Research Associate for the AHRC-funded research project, Moving Manchester (200610). Her previous publications include: Travel Writing and Ethics. Theory and Practice (2013), edited with Charles Forsdick and Ludmilla Kostova, and Chasing Tales. Travel Writing, Journalism and the History of British Ideas about Afghanistan (2007) together with Region/Writing/Home: Relocating British Diasporas, Moving Worlds, 9(2) (2009, edited with Graham Mort). She also writes short stories, including The Black Devon (2009) and co-edited a book of short stories with Muli Amaye and Martin de Mello called Migration Stories (2009) as part of the Moving Manchester project. A full list of the articles and chapters she has written in connection with the project is available on the Publications page of the Moving Manchester website at: www.transcultural writing.com/movingmanchester.
Robert Crawshaw is Senior Lecturer in French and European Studies at Lancaster University. As co-investigator and initiator of the bid to the AHRC, he brought to the Moving Manchester project an enduring research interest in the interface between literature, mobility and social change reflected in previous publications on the writings of W. G. Sebald and Ismal Kadare and in his earlier book Exploring French Text Analysis: Interpretations of National Identity (Routledge, 2000). As a former academic adviser to the European Commission, he had been the director of two research projects in intercultural pragmatics: the ESRC-funded Pragmatics and Intercultural Communication Project (20036) and the HEFCE-funded Interculture Project (19982002). In 201011, he was a research fellow at the University of Konstanz and is currently Head of the Department of European Languages and Cultures at Lancaster.
This volume is the final output of the funded research project, Moving Manchester: How migration has informed writing in Greater Manchester, 1960 the present (200610) and the project team would like to thank the Arts and Humanities Research Council for their generous support. Many organizations, groups and individuals have also been crucial to the success of the project (see Acknowledgements) which owes its existence to Manchesters distinctive, polycultural writing scene. Indeed, the reason our funding-bid focused on Manchester was on account of numerous funding bodies and literature development workers sending us in the direction of Commonword, the Manchester-based literature development agency and community publisher which has been operating in the city since the 1970s. Although by no means all the texts discussed in this study are Commonword titles (the organization supports several publishing imprints), our research endorses Lemn Sissays observation that theres not a Manchester black writer who has not, in the past twenty years, been through Cultureword [the branch of Commonword dedicated to black writing], and arguably very few white writers who have not in some way benefited from the organizations presence in the city. It is in recognition of this achievement that we dedicate