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Mark Dery - The Pyrotechnic Insanitarium: American Culture on the Brink

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A wide-ranging collection of essays on millennial American culture that marshals a vast pop vocabulary with easy wit (The New York Times Book Review).From the far left to the far right, on talk radio and the op-ed page, more and more Americans believe that the social fabric is unraveling. Celebrity worship and media frenzy, suicidal cultists and heavily armed secessionists: modern life seems to have become a pyrotechnic insanitarium, Mark Dery says, borrowing a turn-of-the-century name for Coney Island. Dery elucidates the meaning to our madness, deconstructing American culture from mainstream forces like Disney and Nike to fringe phenomena like the Unabomber and alien invaders. Our millennial angst, he argues, is a product of a pervasive cultural anxiety--a combination of the social and economic upheaval wrought by global capitalism and the paranoia fanned by media sensationalism. The Pyrotechnic Insanitarium is a theme-park ride through the extremes of American culture of which The Atlantic has written, Mark Dery confirms once again what writers and thinkers as disparate as Nathanael West, Fyodor Dostoyevsky, Sigmund Freud, and Oliver Sacks have already shown us: the best place to explore the human condition is at its outer margins, its pathological extremes.Dery is the kind of critic who just might give conspiracy theory a good name. --Wired

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Praise for The Pyrotechnic Insanitorium
The Pyrotechnic Insanitarium is both highly entertaining and deeply disturbing in a way that Mark Dery has made his own. The ever-growing pathologies of millennial America show up clearly on the X-ray screen of his penetrating analysis. Racily written, and filled with shrewd insights, this guidebook to the madhouse of the modern world is essential reading.
J. G. Ballard, author of Crash
Dery mines Julia Kristeva and Entertainment Weekly with equal verve. A provocative work of cultural criticism.
Scott Stossel, The Atlantic Monthly
With clarity and force Mark Dery has captured the tone of our times, taking us on a dizzying roller-coaster ride through the chaos of the modern world. A choice contribution to the study of American culture.
Stuart Ewen, author of All Consuming Images
Dery proves a provocative and cuttingly humorous guide [with] a particular brilliance for collecting cultural detritus and bringing unseen connections to light.
Tom Vanderbilt, Wired
Dery marshals a vast pop vocabulary with easy wit.
James Poniewozik, The New York Times Book Review
A hoot of a read, an eye-opener that pokes fun at both stuffed-shirt postmodern intellectualism and capitalist excess with equal glee.
E. Burns, The San Francisco Bay Guardian
Mark Dery is a sane guide to some very insane times. He has a good eye for the most bizarre and grotesque elements of contemporary American culture. But whatever the subject, Dery deftly places it in the larger context of massive social and economic change. The Pyrotechnic Insanitarium is neither celebration nor invective, but something rarer and much more valuable; a master clinicians diagnosis of the symptoms of postmodernity.
Steven Shaviro, author of Doom Patrols: A Theoretical Fiction about Postmodernism
At the center of Derys high-speed chase through the information landscape is a firm sense of moral gravity. Trust him when the world gets scary.
Andrew Ross, author of Real Love: In Pursuit of Culture Justice
Dery is one of those rare writers with a deep enough insight into the American soul, with an eloquence in all its stuttering dialects, to look America in its dark and gazeless eye, and not blink.
McKenzie Wark, Higher Education (Australia)
A series of essays that has the fin-de-millennium on the analysts couch Derys observation of todays pathological public sphere is both horrific and hilarious.
David Hurst, Chico News & Review
Wildly entertaining.
Robert David Sullivan, The Boston Phoenix Literary Supplement
Dazzling Armed with a vast and varied vocabulary of cultural references, [Derys] contextual aperture adjusts with amazing swiftness. Indispensable millennial reading In his confident and searingly intelligent essays, Dery proves himself fit for the task of hyper-linking the disparate components of our culture together.
Michael Depp, Gambit Weekly
Mark Dery pokes his finger directly into the soft spots in the millennial American mind. The Pyrotechnic Insanitarium manages to get serious and make for fun reading at the same time.
Howard Rheingold, author of Virtual Communities
Well-read, intellectually agile, and blessed with seemingly total pop-culture recall.
Elaine Showalter, The Village Voice Literary Supplement
So brilliant it blinds There is pleasure in such writing, the pleasure of the spooky theme park with its dazzling lights and its hilarious rides that whirl you senseless.
Celia Storey, The Arkansas Democrat-Gazette
Required reading for all persons entering or living in the USA A veritable road map of sideshow American culture on the highway to hell Entertaining and informative, disturbing and delightful.
www.disobey.com
THE PYROTECHNIC INSANITARIUM
American Culture on the Brink
MARK DERY
Copyright 1999 by Mark Dery All rights reserved No part of this book may be - photo 1
Copyright 1999 by Mark Dery
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.
Published simultaneously in Canada
Printed in the United States of America
The following essays first appeared in far shorter, substantively different form in the following publications: Have An Angst Day: Shameless Dread, Suck (www.suck.com), January 20, 1998. Cotton Candy Autopsy: Jokers Wild, World Art, issue #3, 199S. Return to Abnormalcy: The New Freak Chic, The Village Voice Literary Supplement, April/May 1998. Anus Horribilis: Dump and Dumper, The Village Voice, June 18, 1996. Mad Cows and Englishmen: Damien Hirst, World Art, issue #4, 1996. Mysteries of the Organism: All That Is Solid Melts Into Air, Suck, September 12, 1997. Nature Morte: Lost in the Funhouse, World Art, #2, 1995. Past Perfect: Past Perfect, 21.C, issue #24, 1997. Trendspotting: Trendspotting, 21.C, issue #24, 1997. Grim Fairy Tales: Grim Fairy Tales, World Art, issue #18, 1998. The Unheimlich Maneuver: The Unheimlich Maneuver, Suck, March 28, 1997. Empathy Bellies: Empathy Bellies, Feed (www.feedmag.com), April 24, 1998. Wild Nature, Wired Nature: Wild Nature, 21.C, #4, 1996. Space Oddities: The Cult of the Mind, The New York Times Magazine, September 28, 1997.
Laughing Boy by Randy Newman 1968 (Renewed) by Unichappel Music Inc. All Rights Reserved. Used by permission of Warner Bros. Publications U.S. Inc.
Library of Congress Cataloging-in-Publication Data
Dery, Mark, 1959
The pyrotechnic insanitarium : American culture on the brink
/Mark Dery.
p. cm.
Includes bibliographical references.
eBook ISBN-13: 978-0-8021-9612-5
1. Popular cultureUnited States. 2. United States
Civilization1970 I. Title.
NX180.S6D48 1999
306. 0973dc21 98-40837
CIP
Grove Press
841 Broadway
New York, NY 10003
CONTENTS
ACKNOWLEDGMENTS
All but two of these essays (the Introduction and the Conclusion) first appeared, in far shorter form, in magazines and webzines, where they profited from the sharp wits and savage pencils of various editors. Jeff Salamon at The Village Voice; Ana Marie Cox and Joey Anuff at Suck; Lenora Todaro at The Village Voice Literary Supplement; Kyle Crichton at The New York Times Magazine; Steven Johnson at Feed; Sarah Bayliss at World Art; and Ray Edgar at the late, lamented 21. C guarded against stylistic excess and grammatical offense. But to Ashley Crawford, publisher of World Art and 21.C, goes the editorial Croix de Guerre for grace under fire, barstool bonhomie, and the courage increasingly rare in the magazine worldto encourage my Imp of the Perverse. My essays on evil clowns (Cotton Candy Autopsy) and formaldehyde photography (Nature Morte) would have remained evil gleams in my eye without his impassioned advocacy, not to mention financial support.
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